Search Results for: ESPN

Meet Spitty, the Whippet Who Holds Five World Records

NEW YORK - AUGUST 04: Purina Dock Diving Dogs visit the "Late Show With David Letterman" at The Ed Sullivan Theater on August 4, 2008 in New York City. (Photo by Joe Corrigan/Getty Images)

For Outside, Christopher Solomon profiles the little-known sport of dock diving and one incredible athlete who already has five world records under his belt, or rather, collar: a 5-year-old whippet named Spitfire, Spitty for short.

About 20 years ago, a marketing guy recruited some dogs to leap into the water as a time-filler during ESPN’s forgettable Great Outdoor Games. The diversion, though, was a hit. This, in retrospect, should not have come as a surprise to anyone. It is a truth universally acknowledged that no pleasure is so cheaply bought, and so unmarred by complexity, as the simple joy of seeing a dog hurl itself into a pond in pursuit of a slobbery stick. Science has proven the impossibility of the human brain to register self-pity, or maunder on about the generally sorry state of things, while in the presence of canine bellyflops.

Today, more than 1,000 dock-diving competitions are held annually around the U.S., estimates Kristi Baird, who is Spitty’s trainer, with competing organizations that have names such as DockDogs and North America Diving Dogs. These competitions can attract big crowds, and booming soundtracks, and booming emcees often lured from monster-truck shows. The largest events have total purses of $30,000 cash. One group’s dock-diving rulebook now runs to 60-plus pages.

The athlete wandered up and gave a perfunctory sniff of hello to a stranger, then wandered away again. He has a whippet’s thin, patrician snout, a brief, upturned tail, and bulging brown eyes, as if the maker did not think to leave room for them in his small whippet skull. His coloring is a formal gray, with patches of white on his prosternum and rear pasterns that, along with the reserved mien that he shares with others of his kind, lend the sense that he is wearing a tuxedo. Spitty is a racing whippet, Sydney explained. There is not a pinch of fat on him. Slats of ribs showed on his sides, like flannel over bone. His rear legs shifted with muscle. “Firm, proud buttocks,” as Mr. Burns said approvingly of the family greyhound in “The Simpsons.” This was an athlete. Whippets are a sighthound, originally bred for chasing down game such as rabbits, and their speed is explosive. From a dead stop, a whippet can reach nearly 35 miles per hour in seconds. Spitty now walked around the pool deck with the stiff yawing gait of a sprinter, relaxed yet coiled.

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Puma’s Ploy to Become Relevant in Basketball Again

BROOKLYN, NY - JUNE 18: PUMA sneakers on display at the PUMA Hoops HQ kickoff where Walt "Clyde" Frazier signs the first ever life long contract with PUMA on June 18, 2018 in Brooklyn. (Photo by Jamie McCarthy/Getty Images for PUMA)

There were few players as dominant in college basketball this past season as Deandre Ayton, a 7-foot-1 center who played his freshman year at the University of Arizona before declaring for the NBA draft. The native of the Bahamas was an imposing force and, as such, will likely be selected as the top pick in the 2018 NBA draft, which will be held at the Barclays Center this Thursday.

It’ll be a historic moment: If he is chosen by the Phoenix Suns with the first pick, Ayton will become the fourth international player in the past six years chosen as the number one overall pick. But even if he’s chosen as the second pick, Ayton will still make history — in a shocking turn, the center spurned Nike, Adidas, and Under Armour to sign a four-year multi-million sneaker endorsement deal with Puma, a company that hasn’t been relevant in the sneaker game for decades.

When asked by Bleacher Report about the ramifications of signing with a company whose last NBA sneaker endorsement ended in arbitration (Vince Carter signed with Puma in 1998, only to back out of his contract a year later, claiming Puma failed to deliver a signature sneaker as well as a sneaker that fit properly; he had to pay $13.5 million after the arbitrator ruled Carter had indeed breached his contract), Ayton said, “That’s a problem. That’s going to catch everybody’s eyes. That’s a huge step for Puma, too.” Read more…

How to Ruin the Scripps Spelling Bee in Four Letters: E-S-P-N

Arvind Mahankali of Bayside Hills, New York, participates in the finals of the 2013 Scripps National Spelling Bee May 30, 2013 at Gaylord National Resort and Convention Center in National Harbor, Maryland. Mahankali has won the championship of the annual spelling contest after he correctly spelled the word "knaidel." (Photo by Alex Wong/Getty Images)

Back in 2013, for Deadspin, Drew Magary attended the annual Scripps Spelling Bee, in which 11 million kids spell off across America in a bid to become the brainy few who land onstage for the final round, and learns how such a simple contest had been sullied (S-U-L-L-I-E-D, SULLIED) by the need to keep the event exciting for ESPN’s television audience.

• The atmosphere at the bee is very supportive. I went around looking for nutbar stage parents, but most of the parents were either A) pleasant or B) too media savvy to act like insane people in front of a reporter. These parents weren’t talking to the media for the first time. The finalists who got knocked out late were all given standing ovations (genuine ones). The kids all high-fived one another when they got words right. Whatever cutthroat elements of the competition existed only existed under the surface, or behind closed doors. With one glaring exception …

• I can’t begin to tell you how fucked-up ESPN has made this event. In addition to changing the very rules of competition, ESPN made these poor kids tape canned segment after canned segment. Some of these kids were natural extroverts, but not all of them were. I can only imagine how awkward it is for a shy 12-year-old to have to dance around in sunglasses for an ESPN producer and then watch that canned footage up on the big screen with everyone in the house watching it. There were so many canned segments in the beginning—including a sketch in which Dr. Bailly re-enacts those AT&T ads with the dude in a classroom asking kids easy questions; a shitty Tom Rinaldi piece that reminded you that “every word is the World Series”; a montage of ESPN’s 20 years covering the bee; and a moment in which a kid tells the audience the new format is a “win-win for the Bee”—that it took a full 42 minutes to get through the first round of the finals. Without all that shit, it probably would have taken six minutes. But in their quest to Olympify the competition, ESPN added shitloads of filler. This is why a computer knocks you out now, to fit in a segment in which Sam Ponder asks people around Washington to spell the president’s name right. (Ponder noted that only one person she talked to spelled Obama’s name correctly. He was from Japan.)

• And ESPN’s opening sequence to the bee was REALLY fucked up. It had a harsh female voiceover saying, “IN LIFE THERE ARE WINNERS AND THERE ARE LOSERS. YOU CAN EITHER SPELL THE WORD OR YOU CAN’T. IT IS OFTEN SAID THAT THE WORD IS YOUR FRIEND BUT THIS IS A LIE. THE WORD IS HERE TO DEFEAT YOU.” Way to ease the pressure on these kids, ESPN. Assholes. What is wrong with you people?

At the end, the last kid standing was bee veteran Arvind Mahankali, who finally won the thing on “KNAIDEL” (though it was his spelling of “DEHNSTUFE” in an earlier round that really brought the house down). When Arvind was declared the winner, two confetti cannons went off on either side of him and showered him for what seemed like 90 minutes. Arvind barely blinked the whole time, either due to shock (again, they’re still just kids) or because he probably would rather have walked off stage to be with his family than stand there and get blasted with 800 hundred pounds of shredded paper.

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Is The Scripps National Spelling Bee Evil?

Longreads Pick

Back in 2013, for Deadspin, Drew Magary attended the annual Scripps Spelling Bee, in which 11 million kids spell off across America in a bid to become the brainy few who land onstage for the final round, and learns how such a simple contest has been sullied by the need to keep the event exciting for ESPN’s television audience.

Source: Deadspin
Published: May 31, 2013
Length: 14 minutes (3,723 words)

On Pointe: Reading on Ballet

It wasn’t until I was in my twenties that my parents admitted I was a decidedly terrible five-year-old ballerina. It was no great blow to learn I sucked at something I hadn’t attempted in two decades; as I grew older, I was burned by athletic endeavors generally and found my confidence in books and academic success instead. But if my loving parents observed my lack of grace onstage, that meant my teacher, my classmates, and the entire audience at our ballet recital definitely noticed, and that stung a bit.

There’s something enticing about the rigorous structure of the ballet world, the gamble of hard work paying off. With ballet, you have an identity, inside jokes, long hours, and people who get you — camaraderie. I craved that sense of belonging, from the first day of kindergarten through my failed sorority rushes in college. It’s the seduction of security, of always having someone to sit with, always having someplace to be. I wanted to rest in the knowledge that I was accepted and validated, especially by talented women.

These days, I love absorbing ballet via pop culture and the occasional live performance. I obsessed over Dance Academy on Netflix, and Ballet Shoes by Noel Streatfeild is one of my all-time favorite books. If I could pick one magic power, forget flight or invisibility — I’d choose dance.

1. “The Afterlife of a Ballerina.” (Alice Robb, Elle, October 2016)

Alice Robb’s profile of Alexandra Ansanelli chronicles her meteoric rise onstage and offers a fascinating inside look at how her personality and psyche were shaped by her rigorous and often isolating training. From online dating to her day job, Ansanelli shares how she struggled to assimilate into civilian life after retiring from ballet at age 28.

2. “Talent Isn’t Enough When You’re a Fat Ballerina.” (Olivia Campbell, Catapult, May 2018)

I know how tough it is to live with regret, how easy it is to get sucked into the “what if” depression spiral. Olivia Campbell’s “what ifs” swirl around her past as a “semi-professional dancer” and which bodies are deemed acceptable and beautiful in ballet. Hers wasn’t.

3. “The Ballerina Who Accused Her Instructor of Sexual Assault.” (Jessica Luther, BuzzFeed News, December 2016)

Over a year before #MeToo permeated the international conversation, journalist Jessica Luther reported on ballerina Lissa Curtis’ exceedingly brave decision to hold her rapist — her former ballet instructor — accountable in court. I was moved by Curtis’ openness in discussing her PTSD and her healing process, especially her changing relationship to dance.

4. “Raising a Ballerina Will Cost You $100,000.” (Abby Abrams, FiveThirtyEight, August 2015)

Whew, the pointe shoes ALONE. $29,000?!

This assumes the student starts wearing pointe shoes in sixth grade — around the time that most ballet schools allow students to try them out — and buys shoes priced at about $80 per pair.4 My estimate assumes that a sixth-grader goes through a pair of shoes every three months. By seventh grade, she needs a new pair of pointe shoes after one month; by ninth grade that need increases to one each week; and by the time she is in 10th grade, I’ve accounted for her buying two pairs per week. That might sound like a lot of shoes, but dancers have assured me that these high numbers are about right.

On a more hopeful note, this piece offers insight into programs like Dance Theatre of Harlem and Project Plié make ballet more accessible to students from diverse backgrounds.

5. “Body on Fire.” (Amy Jo Burns, Tin House, November 2017)

As I read “Rust Belt ballerina” Amy Jo Burns’ essay, I felt the tug of something familiar. I wracked my brain, then I remembered: I’d encountered her writing in Not That Bad: Dispatches from Rape Culture, an anthology edited by Roxane Gay. Though I read several pieces from Not That Bad during a quiet half-hour at work, Burns’ stuck with me especially; I’d like to write like her one day. I admired her clear-eyed, unsparing observations of how her attacker received few consequences and how her fellow survivors were vilified by their small town. In “Body on Fire,” Burns intersperses her own relationship to ballet with a powerful meditation on the life, art, and sexist biographing of Emma Livry, a young French ballerina who died after suffering burns from the stage’s gaslights.

The Top 5 Longreads of the Week

Plan B pill brochure
Scott Olson / Getty Images

This week, we’re sharing stories from Lizzie Presser, Kathleen McGrory, Bryan Curtis, Anna Merlan, and Amalia Illgner.

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NFL Scoops From Heaven

Longreads Pick

Whether ESPN reporter Adrian Wojnarowski is dropping #wojbombs, or Adam Schefter is piling NFL scoop after scoop into his Twitter timeline, there are certain reporters who seem to always be the first to know who signed where and for how much money. That is, until Sports Spectrum, a burgeoning Christian website, began to beat the ESPNs and other mainstream outlets at a game they’ve long since perfected. How? By allowing athletes to express their faith and religious beliefs.

Source: The Ringer
Published: Mar 23, 2018
Length: 7 minutes (1,906 words)

Why We Love to Hate Tom Brady

I'm so good!
Tom. (Photo by Jim Rogash/Getty Images)

Before I became a bona fide football fan, a development that nearly all of my friends find as disturbing as if I’d become a dog murderer, I only knew of two football people: Aaron Rodgers and Tom Brady. I knew them because they were both Hollywood Handsome, with gleaming white teeth, and square jaws, which seems to be a minimum requirement to become an NFL quarterback. I didn’t differentiate between them other than that one was blond and the other was not, and I couldn’t tell you what teams they played for, only that they were both quarterbacks, and rich and famous.

But now that I’ve been a football fan, specifically a Seattle Seahawks football fan, I have come to loathe Tom Brady and the Patriots with an intensity I once reserved for Pavement. (They should have given the ball to Marshawn; Pete, baby, a slant pass? Why did you burn a timeout? Let us never speak of this again, etc. etc.) Read more…

Smell, Memory

Chanel N°5. Illustrations by Tamara Shopsin

By Rachel Syme

Racquet and Longreads | January 2018 | 11 minutes (2,800 words)

Our latest feature is a new story by Rachel Syme and produced in partnership with Racquet magazine.

Tennis, to me, smells like chlorine and white sage and tuna fish. I grew up in Albuquerque, New Mexico, where the courts always wheeze dust when you walk on them and the dry heat shimmers off the net in the middle of summer. Our family belonged to a tennis club, but not the kind with rolling hills and security gates—instead, our courts were somewhat dumpy and gray, down near the university area filled with tattoo parlors and ratty cafés that seemed progressive in the ’90s for their hummus-forward menus. The club was made mostly of cement and gravel and funnel cakes, and its pro shop featured six-packs of tube socks and fresh cylinders of key-lime-colored balls and not much else. It may very well be fancier now, but my family stopped paying dues two decades ago.

We moved to the base of the mountains when I was 13, and my father now plays tennis every day at High Point, a gym filled primarily with active seniors and women doing Zumba. When he does go downtown to play, he meets my brother at one of the college courts near the hospital, where my brother spends most nights sewing throats back together as a resident in facial surgery. My father, who also cuts people open for a living, started playing a lot more tennis when my brother became a doctor; it is how they communicate wordlessly about what bloody traumas they’ve seen during the day. I imagine hitting something really hard back and forth is useful in this regard. Read more…

Longreads Best of 2017: Profile Writing

We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in profile writing.

Seyward Darby
Executive editor, The Atavist

A Most American Terrorist: The Making of Dylann Roof (Rachel Kaadzi Ghansah, GQ)

There was no piece of journalism in 2017 more honest or more raw than Rachel Kaadzi Ghansah’s profile of Dylann Roof for GQ. Its brilliance began with an enviable lede—”Sitting beside the church, drinking from a bottle of Smirnoff Ice, he thought he had to go in and shoot them” — and persisted for the duration of what proved to be an unlikely profile. Unlikely, because Kaadzi Ghansah didn’t set out to write it. She went to Charleston to cover Roof’s murder trial, planning to report on the families of his victims, but found herself drawn to the young man who sat, angry and silent and unfazed, day after day in the courtroom. She decided to profile a black hole, an absence, because she couldn’t not.

The story is unlikely, too, because of its style. Ghansah winds through Roof’s life like a criminal profiler. She collects evidence, data, interviews, and observations, then pieces them together for readers, showing where the connective tissue resides. She is an essential presence in the story, which is no easy feat to pull off, and the result is wholly organic. This is a story about race, class, anger, bewilderment, and division. It is also, as the headline “A Most American Terrorist” attests, a story about the current political moment. You come away from it knowing who Dylann Roof is, who Rachel Kaadzi Ghansah is, and what America is—or, really, what it has always been.


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