Search Results for: Detroit

Longreads Best of 2016: Here Are All of Our No. 1 Story Picks from This Year

All through December, we’ll be featuring Longreads’ Best of 2016. To get you ready, here’s a list of every story that was chosen as No. 1 in our weekly Top 5 email.

If you like these, you can sign up to receive our free weekly email every Friday. Read more…

Salt, Sugar, Fat, Repeat: A Reading List on Restaurant Chains

The first restaurant chain in the US, the late-19th-century Harvey House, popped up in train stations and followed the rapid growth of rail travel. It disappeared decades ago, but the project of connecting huge swaths of land with the promise of culinary sameness lives on. In a country that currently seems fractured and exhausted by its own divisions (at least from across the Canadian border, where I live), are chains a unifying force, a common denominator — or yet another arena in which cultural and political tensions play out?

Here are some of my favorite reads on America’s restaurant chains, from the generically upscale to the proudly down-home. They cover politics, economics, regional identity, and even (surprise!) food.

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The Resilience of Cities

Longreads Pick

From the ruin porn of Detroit to China’s ghost towns, images of failed growth haunt our imaginations. Darran Anderson argues that humanity is robust enough to survive its own poor planning.

Source: White Noise
Published: May 22, 2016
Length: 8 minutes (2,210 words)

The Top 5 Longreads of the Week

Photo courtesy Elle Magazine

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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1. 11,431 Rape Kits Were Collected and Forgotten in Detroit. This Is The Story of One of Them.

Anna Clark | Elle | June 27, 2016 | 29 minutes (7,297 words)

Clark weaves the story of Ardelia Ali’s 1995 rape—one of 11,431 Detroit cases in which the rape kit had been left untested—into a profile of Wayne County prosecutor Kym Worthy, who took on the testing of those kits and the prosecution of perpetrators as a personal mission. Worthy, both the first woman and first African American to hold her position, is a rape survivor herself. Her commitment to women brave enough to report what happened to them is rooted, in part, in her own regret for not going to the police after her own experience, leaving her rapist possibly free to attack other women.

2. Refugees Encounter a Foreign Word: Welcome

Jodi Kantor, Catrin Einhorn | New York Times | June 30, 2016 | 22 minutes (5,511 words)

In Canada, ordinary citizens are clamoring to sponsor Syrian refugees and welcome them into their homes. The Times spent five months interviewing families and refugees about their experiences, which have been largely positive.

See also: "The Shadow Doctors" (Ben Taub, The New Yorker)

3. All the Greedy Young Abigail Fishers and Me

Jia Tolentino | Jezebel | June 28, 2016 | 12 minutes (3,203 words)

Tolentino explores the recent "Becky With the Bad Grades v. UT Austin" Supreme Court ruling through the lens of her own experience writing college essays for privileged white high school students.

4. The Fugitive, His Dead Wife, and the 9/11 Conspiracy Theory That Explains Everything

Evan Hughes | GQ | June 28, 2016 | 29 minutes (7,403 words)

Kurt Sonnenfeld became a suspect in the death of his wife and moved to Argentina to start a new life. When the U.S. government pursued extradition, Sonnenfeld began insisting to Argentinian media that the U.S. wanted him for ulterior motives related to 9/11.

5. Angels in America: The Complete Oral History

Dan Kois, Isaac Butler | Slate | June 28, 2016 | 68 minutes (17,161 words)

Twenty-five years after its premiere, the behind-the-scenes story of Tony Kushner's landmark play.

Home Is Where the Fraud Is

Banksy. Crayon House Foreclosure, East Los Angeles. Via Occupy.com

David Dayen | Chain of Title: How Three Ordinary Americans Uncovered Wall Street’s Great Foreclosure Fraud | The New Press | May 2016 | 26 minutes (7,150 words)

Below is an excerpt from Chain of Title, by David Dayen, the true story of how a group of ordinary Americans took on the nation’s banks at the height of the housing crisis, calling into question fraudulent foreclosure practices. This story is recommended by Longreads contributing editor Dana Snitzky

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How could you not know who I am if you’re suing me?

Lisa Epstein drove down Highway A1A, along the Intracoastal Waterway, back to her old apartment in Palm Beach. At her side was her daughter Jenna, in a car seat; atop the dashboard was an envelope containing the monthly payment on her unsold co-op. Though her house was in foreclosure, Lisa always paid the mortgage on the apartment, her fallback in case of eviction.

Lisa gazed at the water out the window. She never wanted to miss mortgage payments; Chase told her to do it and promised assistance afterward, but then put her into foreclosure. The delinquency triggered late fees, penalties, and notifications to national credit bureaus. A damaged credit score affected a mortgage company’s decision to grant loan relief, which hinged on the ability to pay. Even if Lisa managed to finally sell the apartment, even if she could satisfy the debt on the house, the injury from this “advice” would stick with her for years. Chase Home Finance never mentioned the additional consequences, emphasizing only the possibility of aid. The advice was at best faulty, at worst a deliberate effort to seize the home. Lisa spent a lifetime living within her means, guarding against financial catastrophe. Now Chase Home Finance obliterated this carefully constructed reputation. She felt tricked.

America has a name for people who miss their mortgage payments: deadbeats. Responsible taxpayers who repay their debts shouldn’t have to “subsidize the losers’ mortgages,” CNBC host Rick Santelli shouted from the floor of the Chicago Board of Trade on February 19, 2009, two days after Lisa got her foreclosure papers. “This is America! How many of you people want to pay for your neighbor’s mortgage, that has an extra bathroom and can’t pay their bills, raise your hand!” The floor traders in Chicago, between buying and selling commodity futures, hooted. This rant would later be credited as the founding moment of the Tea Party. And it signified a certain posture toward delinquent homeowners, a cultural bias that equated missing the mortgage payment with failing the duties of citizenship. The indignation didn’t account for mortgage companies driving customers into default. However, lenders welcomed anything that humiliated deadbeats into blaming themselves. In most cases it worked: in the twenty-three states that required judicial sign-off for foreclosures, around 95 percent of the cases went uncontested.

But Lisa had an inquisitive mind. Before she would acquiesce, she wanted to understand the circumstances that led to this lawsuit from U.S. Bank, an entity she had never encountered before seeing it listed as the plaintiff. She had three questions: who was this bank, why did it have a relationship with her, and why was it trying to take her house? Read more…

Postwar New York: The Supreme Metropolis of the Present

Demobilized soldiers returning to New York. Via Flickr.

David Reid | The Brazen Age: New York City and the American Empire: Politics, Art, and Bohemia | Pantheon | March 2016 | 31 minutes (8,514 words)

 

The excerpt below is adapted from The Brazen Age, by David Reid, which examines the “extraordinarily rich culture and turbulent politics of New York City between the years 1945 and 1950.” This story is recommended by Longreads contributing editor Dana Snitzky

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Probably I was in the war.

—NORMAN MAILER, Barbary Shore (1951)

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A hideous, inhuman city. But I know that one changes one’s mind.

In march 1946 the young French novelist and journalist Albert Camus traveled by freighter from Le Havre to New York, arriving in the first week of spring. Le Havre, the old port city at the mouth of the Seine, had almost been destroyed in a battle between its German occupiers and a British warship during the Normandy invasion; huge ruins ringed the harbor. In his travel journal Camus writes: “My last image of France is of destroyed buildings at the very edge of a wounded earth.”

At the age of thirty-two this Algerian Frenchman, who had been supporting himself with odd jobs when the war began, was about to become very famous. By 1948, he would become an international culture hero: author of The Stranger and The Plague, two of the most famous novels to come out of France in the forties, and of the lofty and astringent essays collected in The Myth of Sisyphus.

Camus’s visit to the United States, sponsored by the French Ministry of Foreign Affairs but involving no official duties, was timed to coincide with Alfred A. Knopf’s publication of The Stranger in a translation by Stuart Gilbert, the annotator of James Joyce’s Ulysses. In the spring of 1946 France was exporting little to the United States except literature. Even most American readers with a particular interest in France knew of Camus, if at all, as a distant legend, editor of the Resistance newspaper Combat and an “existentialist.”

Reviewing The Stranger in the New Yorker, Edmund Wilson, usually omniscient, confessed that he knew absolutely nothing about existentialism except that it was enjoying a “furious vogue.” If there were rumored to be philosophical depths in this novel about the motiveless murder of an Arab on a North African beach, they frankly eluded him. For Wilson the book was nothing more than “a fairly clever feat”—the sort of thing that a skillful Hemingway imitator like James M. Cain had done as well or better in The Postman Always Rings Twice. America’s most admired literary critic also had his doubts about Franz Kafka, the writer of the moment, suspecting that the claims being made for the late Prague fabulist were exaggerated. But still, like almost everyone else, especially the young, in New York’s intellectual circles Wilson was intensely curious about what had been written and thought in occupied Europe, especially in France.

“Our generation had been brought up on the remembrance of the 1920s as the great golden age of the avant-garde, whose focal point had been Paris,” William Barrett writes in The Truants, his memoir of the New York intellectuals. “We expected history to repeat itself: as it had been after the First, so it would be after the Second World War.” The glamorous rumor of existentialism seemed to vindicate their expectations. Camus’s arrival was eagerly awaited not only by Partisan Review but also by the New Yorker, which put him in “The Talk of the Town,” and Vogue, which decided that his saturnine good looks resembled Humphrey Bogart’s. Read more…

The Top 5 Longreads of the Week

Illustration by Jeff Goertzen, courtesy of The Orange County Register

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.
Sign up to receive this list free every Friday in your inbox.

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Longreads Best of 2015: Under-Recognized Stories

We asked all of our contributors to Longreads Best of 2015 to tell us about a story they felt deserved more recognition in 2015. Here they are. Read more…

Out from Under

Longreads Pick

A Detroit family fights to win their house back in the Wayne County foreclosure auction after being scammed by a sub-subprime entrepreneur.

Published: Nov 4, 2015
Length: 25 minutes (6,292 words)

Cities I’ve Never Lived In: A Story By Sara Majka

Photo credit: Chris Ward

Sara Majka | Longreads |  October 2015 |  23 minutes (5,561 words)

Our latest Longreads Exclusive is a previously unpublished short story by Sara Majkaas chosen by Longreads contributing editor A. N. Devers, who writes: 

“This short story, about a woman who decides to travel to from city to city, working and eating in soup kitchens, is the previously unpublished title story from a collection I have been wishing and longing for for almost a decade. I first met Sara Majka in a fiction workshop at the Bennington Writing Seminars, where we both were enrolled as students. At the time, I was a new assistant editor at A Public Space and I brought Majka’s work to the attention of editor Brigid Hughes. If I recall correctly, her story was the only story I brought from my workshop directly to the magazine for consideration. It was a quiet and considered story with a singular voice. I was struck by how certain and precise the language was—how unusual and full of unspoken yearnings. She was able to convey so much disorientation, doubt, and pain through small observations and deceptively simple memories. Majka’s characters read as if they are feeling their way through a room with their eyes closed even though the lights are on—the reality of what is in front of them is difficult for them to process, the choices they are faced with confusing—despite their sincere attempts to find their way.

The story I showed Hughes ultimately did not end up in the magazine, (I later found it a home at Pen America), but she was more than intrigued, and later published another story and began a working relationship with Majka that led to the forthcoming publication of Cities I’ve Never Lived In, as a part of A Public Space Books, their imprint with Graywolf Press. These stories are a marvel and will break your heart. Majka’s debut is breath-stopping.”

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