Dani Fleischer recalls how a lifetime of perfectionism led her down a path of self-destruction.
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Posted inCommentary, Uncategorized
Eight Days in September, A Decade Later
Looking back at the weekend that nearly destroyed America’s economy.
Posted inBooks, Fiction, Profiles & Interviews, Story
‘I Want Every Sentence To Be Doing Work’: An Interview with Miranda Popkey
“Something I did learn writing this book is that being impressed by something doesn’t mean you should try and do it.”
Posted inStory
The Proving Grounds: Charley Crockett and the Story of Deep Ellum
Generations of musicians got their start busking the streets of the Deep Ellum neighborhood of Dallas, Texas. After a decade of ‘hobo-ing’ around cities like New Orleans, Paris, and New York, Charley Crockett discovered it was his turn.
Posted inNonfiction
She Said Her Husband Hit Her. She Lost Custody of Their Kids
How reporting domestic violence works against women in family court.
Posted inCrime, Current Events, Nonfiction, Quote Posts, Quotes, Uncategorized
How the Border Patrol Threatens Civil Liberties Far from the Border
While ICE makes headlines, the U.S. Customs and Border Protection agency continues to detain and search American citizens far from the actual border, and it doesn’t need a warrant.
Posted inNonfiction
Infatuation
Deena ElGenaidi considers the ways in which adoring Maroon 5 singer Adam Levine from afar in her teens and early 20s provided a safe outlet for expressing desire.
Posted inUncategorized
Longreads Best of 2018: Sports Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in sports writing.
Posted inBooks, Nonfiction, Science & Nature, Story
Checking in on the Masculinity Crisis
If masculinity really is in crisis — and that’s a big if — we should at least be able to agree that it’s not women’s responsibility to fix it.
Posted inArts & Culture, Books, Essays & Criticism, Nonfiction, Story
Two Clocks, Running Down
In “Time Is a Thing the Body Moves Through,” T Fleischmann resists metaphor, even as they reflect on the metaphor-saturated work of Félix González-Torres.
