What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?
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Falling Stars: On Taking Down Our Celebrity Icons
Celebrities act as a symbol of capitalism. When we question it, we question them too.
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
This (Wo)Man’s Work
When men devalue the labor of women like Andrea Arnold and overvalue the work of even problematic men, it’s a triple whammy that diminishes the individual woman, women in general, and the overall quality of culture.
None of the President’s Men
Journalism now is a lot more fear and insecurity and a lot less corduroy and Robert Redford, but you’d never know it from what is projected.
In the Age of the Psychonauts
Three psycho-spiritual “events” of the 1970s — involving Philip K. Dick, Robert Anton Wilson, and Terence and Dennis McKenna — had a strange synchronicity.
The Makeover Scene Gets a Makeover
Everyone laughs at how ridiculous makeover scenes are, but these swift internal metamorphoses aren’t much better.
How the Toronto Raptors and the Vancouver Grizzlies Revived the NBA
Both franchises led the NBA’s international expansion, and to stand out in the hockey-crazed country, the teams would need impressive logos and colorways to break through, but no one expected a red raptor or a grizzly bear outlined in Haida trim.
For the Thirsty Girl
Thirst used to be desperation, now it’s aspiration. And men are finding it hard to quench.
How the Shock Jock Became the Outrage Jock
What’s the difference between Howard Stern and Tucker Carlson? There isn’t really one.
