Search Results for: Colson-Whitehead

Our Zombies, Ourselves: An Undead Reading List

A still from the 1968 film 'Night of the Living Dead.' (Pictorial Parade/Getty Images)

When you think of zombies, it’s likely you envision something like the flesh-eating, immortal creatures created by George Romero, who defined a new genre of horror with Night of the Living Dead and Dawn of the Dead. Thanks to Romero, who died this week at the age of 77, the zombie movie has become more than a chance to feel scared. It’s also an essential lens through which we can view pop culture, politics, and society. In honor of the great director, here is some our favorite writing about the terror of the living dead.

1.“Why Black Heroes Make Zombie Stories More Interesting,” by Matt Thompson (NPR Code Switch, October 2013)

One of Romero’s most famous narrative coups was casting a black actor as the hero of his 1968 film, Night of the Living Dead. It was a decision that turned a run-of-the-mill horror movie into a complex commentary on the civil rights movement, and imbued other zombie films with the ability to criticize society.

The thing about good zombie fiction (and I say this as someone who enjoys an awful lot of zombie fiction) is that the zombies are never the most horrific thing. Zombies don‘t typically have the capacity for complex thought — they don‘t execute stratagems, play politics, torture people. All they do is feed. The true horror in any zombie story worth its salt is what other people do when faced with the zombie threat. Zombies are merely relentless; humans can be sadistic.

Read more…

The 2017 Pulitzer Prize Winners

2017 Winner for Feature Photography. (E. Jason Wambsgans/Chicago Tribune/TNS via Getty Images)

The winners of the 2017 Pulitzer Prize were announced today — on the 170th birthday of Joseph Pulitzer — and though there were some surprises, the majority of the honors were bestowed on some of the year’s most talked about pieces of writing. For example, Colson Whitehead won for his ground-breaking work of fiction, The Underground Railroad. And C.J. Chivers of the New York Times snagged a Pulitzer for his heart-breaking portrayal of a soldier grappling with his life stateside in “The Fighter.”

The entire list of the other Pulitzer recipients can be found here, but below is a compendium of some of the celebrated works. Read more…

Longreads Best of 2016: Arts & Culture Writing

We asked a few writers and editors to choose some of their favorite stories of the year in various categories. Here, the best in arts and culture writing.

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Tobias Carroll
Freelance writer, managing editor of Vol.1 Brooklyn, and author of the books Reel and Transitory.

Michael Jackson: Dangerous (Jeff Weiss, Pitchfork)

Earlier this year, Pitchfork began publishing Sunday reviews that explore albums released in the time before said site debuted. This, in turn, has led to a whole lot of smart writers weighing in on the classics, the cult classics, the interesting failures, and the historically significant. Jeff Weiss’s epic take on “Jackson’s final classic album and the best full-length of the New Jack Swing era” is the sort of narrative music writing that’s catnip for me, the kind of work that sends me deeply into my own memories, and leaves me rethinking my own take on the album in question. Read more…

The Top 5 Longreads of the Week

Image via Flickr user Agustin di Luciano

Below, our favorite stories of the week.

Sign up to receive this list free every Friday in your inbox. Read more…

Colson Whitehead: An Appreciation

Colson Whitehead
Photo by Madeline Whitehead

Black Cardigan is a great newsletter by writer-editor Carrie Frye, who shares dispatches from her reading life. We’re thrilled to share some of them on Longreads. Go here to sign up for her latest updates.

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I was skipping around Google the other day and was reminded of a piece by Colson Whitehead called “How To Write.” You may have read it when it came out in 2012 and laughed and, if you did, I can assure you that if you reread it now you will laugh again. It starts with the observation that the “art of writing can be reduced to a few simple rules” and kicks off with this one:

Whitehead1

It is like putting your broken unicorn out there, isn’t it? Anyway, Whitehead’s new novel The Underground Railroad is coming out Sept. 13, and I’ve been counting down to it.

Read more…

Colson Whitehead on Gen X, Friendship and The Best Skill a Writer Can Have

“It was 1991. We’d just been diagnosed as Generation X, and certainly we had all the symptons, our designs and life plans as scrawny and undeveloped as our bodies. Sure, we had dreams. Dan had escaped college with a degree in visual arts, was a cartoonist en route to becoming an animator. Darren was an anthro major who’d turned to film, fancying himself a Lynchian auteur in those early days of the indie art-house wave. I considered myself a writer but hadn’t got much further than wearing black and smoking cigarettes. I wrote two five-page short stories, two five-page epics, to audition for my college’s creative-writing workshops and was turned down both times. I was crushed, but in retrospect it was perfect training for becoming a writer. You can keep ’write what you know’—for a true apprenticeship, internalize the world’s indifference and accept rejection and failure into your very soul.”

Colson Whitehead, in the latest issue of Harper’s (subscription required), on friendship, his early career, and a trip to Las Vegas. Read more from Whitehead in the Longreads Archive.

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Photo: Wikimedia Commons

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Instafiction's Jeremy Bushnell: My Top Fiction Longreads of 2011

Jeremy P. Bushnell is the editor-in-chief of Instafiction.org, which links to a quality short story each weekday.  He stockpiles many other links at his blog, Raccoon.  He’s also on Twitter

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Backbone,” David Foster Wallace (The New Yorker)

During his lifetime, David Foster Wallace made massive contributions to the worlds of fiction and nonfiction alike, and I still miss his presence in the world acutely. The Pale King was a towering book of my summer, and although it didn’t quite yield the pleasures that a truly finished work might have, many of its fragments and episodes had the power of great short stories.  See, for instance, this chapter, published as a standalone piece in The New Yorker.

Zone One,” Colson Whitehead (excerpt, Esquire)

Whitehead’s Zone One is a great 2011 novel about government, bureaucracy, urban space, and human population.  Oh yeah, it has zombies in it, too.  Esquire gave us the first 20 pages—detailing a four-zombie attack on the book’s protagonist—right before Halloween, but it’s just as good a read now, at year’s end.

Female Explosion Syndrome” Jessica Forcier (New Delta Review)

Women all over the globe begin spontaneously combusting.  Men don’t.  Feminist?  Fabulist?  All of the above?  Either way, this one stuck with us.  Thanks to New Delta Reviewfor publishing it.

The Empty Room,” Jonathan Lethem (Paris Review)

Lethem hasn’t put out a short story collection since 2006’s How We Got Insipid, but he’s still writing short fiction, and this year he placed a memorable tale of domestic collapse with the Paris Review.  The setup: Upon moving his family into a sprawling farmhouse, a father makes a decision: one room will remain empty. “The empty room is like a living organ in our family’s house,” he claims, although in actuality it becomes the hollow core around which the family implodes.   

Becoming Deer,” Rachel Levy (PANK Magazine)

This fall, in the Chicago Reader, our Associate Editor Jamie Yates praised this story (from PANK Magazine) as a story that straddles the line between “the realistic and the mythical” and derives strength from each. You could also say it does the same with the line between the human and the animal. All this line-crossing makes the story into a kind of tangled skein, humming with tension. Taut, terse, and eerie: the best of a certain kind of experimental work. 

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We also featured tons of good stuff this year that didn’t make its first appearance in 2011, so if you’re looking for more good fiction from the past, check out our Instafiction “Editor’s Picks” tag.

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