In 1973, Columbia Records professionally recorded the infamous band for a planned concert record. Columbia never released it. Maybe they never recorded it.
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The Slow Death of Restaurant Kitsch
When minimalism goes down-market, where do the tchotchkes go?
“I miss my body when it was ferocious” The Transfiguration of Paul Curreri
For years, singer-songwriter Paul Curreri was a shouter of singular beauty. Then he went quiet — slowly, at first, then all of a sudden.
My Electric Bike is Not ‘Cheating.’ And It Could Replace Cars for Millions of People
My electric bike hasn’t replaced my road bike as much as it’s replaced my car.
Where Have All the Music Magazines Gone?
Inside music journalism post-2008 recession, and how media consumption in the 21st century offers a road map for the continuation of the once-robust medium.
Hellhound on the Money Trail
Standard recording contracts screwed Bluesmen out of royalties in the early 1900s, and the system was no different when Columbia released “Robert Johnson: The Complete Recordings in 1990.”
Took You By Surprise: John and Paul’s Lost Reunion
Five years after the Beatles disbanded, a period fueled by intense acrimony, Lennon and McCartney set aside their differences and got back together one more time. Inside the rollicking atmosphere of that May 1974 recording session.
Understanding Craig Stecyk
Stecyk defined Southern California’s subversive, skateboard aesthetic and changed art and culture in the process, but that doesn’t mean he wants to talk about it.
Swipe White
Jennifer Chong Schneider considers what it is to be Asian, maligned, and fetishized in dating — and questions her own desire when she dates someone of her own ethnicity for the first time.
Swipe White
Jennifer Chong Schneider considers what it is to be Asian, maligned, and fetishized in dating — and questions her own desire when she dates someone of her own ethnicity for the first time.
