Search Results for: City Journal

Dear New Owners: City Magazines Were Already Great

As the president sucks up the oxygen from the media atmosphere, it’s easy to forget how important local journalism is right now. The regional press—the holy trinity of newspapers, alt-weeklies, and city magazines—is where we can find true stories of friends and neighbors impacted by immigration raids, fights over funding public education, and the frontline of relaxed environmental standards that will impact the water we drink and the air we breathe. We need to support their work. Read more…

‘O Says I Must Keep a Journal’: Bill Hayes’s Diary of Loving Oliver Sacks

Photo by Luigi Novi (CC BY 3.0)

BuzzFeed has a touching, intimate excerpt of Insomniac City: New York, Oliver and Me, Bill Hayes’s memoir of his relationship with late neuroscientist and author Oliver Sacks.

10-13-16

I, soaking in the bath, O on the toilet, talking, talking about what he’s been thinking and writing — short personal pieces, for a memoir perhaps. He had brought with him two pillows to sit on and a very large red apple. He opens his mouth wide and takes a gigantic bite. I watch him chewing for quite a while. After he finishes, “Bite me off a piece,” I say. He does so, dislodges the apple from his mouth, and puts the piece in my mouth. We keep talking. I add more hot water. Every other bite, he gives to me.

There is a quiet moment and then, seemingly apropos of nothing, O says: “I am glad to be on planet Earth with you. It would be much lonelier otherwise.”

I reach for his hand and hold it.

“I, too,” I say.

Read the story

Chronicling Mexico City Nights: The Grave Shift’s Violence

Photo by ismael villafranco CCBY SA 2.0

When you work the night shift for too long, the murders start to link up with one another, blending cause and effect in a centrifugal force that gnaws away at the city. The veteran reporters start to see this; the man gunned down one night is related to an ongoing gang dispute, which originates in another murder from the previous week, and so on. The crimes dot their personal maps. Driving by Mosqueta Street, David points to a specific building and recalls the night he photographed an injured man that had been hit by a car. It was only later that his editor pointed out to him that the victim was in fact José Luis Calva Zepeda, also known as the Guerrero Cannibal, one of contemporary Mexico’s most notorious serial killers, accused of eating parts of his victims, all young women. When the police located him, he jumped out of his apartment window and ran across the street, before being struck by a car and apprehended.

At The Towner, Francisco Serrano shadows journalists during Mexico City’s violent night shift.

Read the story

Coming Sept. 24: A Special Longreads Live Storytelling Night in New York City

Save the date! On Sept. 24, Longreads is presenting a night of live storytelling with the theme of “Change: stories about change and the stories that have changed us.” Our storytellers include:

Nikole Hannah-Jones (New York Times Magazine)

Burt Helm (Inc.)

Jessica Gross (journalist and Longreads contributor)

Rembert Browne (Grantland)

Jessica Pressler (New York magazine)

John Herrman (The Awl)

* * *

Thursday, Sept. 24, 7 p.m. – 8:30 p.m.
The Housing Works Bookstore Cafe
126 Crosby St
New York, NY 10012

This is a free event. See our Facebook event RSVP page.

Defending Journalist Joseph Mitchell

In the April issue of the New York Review of Books Janet Malcolm wrote about the legendary New Yorker journalist Joseph Mitchell, and responded to Thomas Kunkel’s new Mitchell biography. The biography reveals how Mitchell invented some of his beloved material, which raises questions about larger journalistic standards, betraying readers’ trust, and what effect Mitchell’s invention and embellishment might have on the reputation of pieces like “Mr. Hunter’s Grave.” On this Malcolm is clear:

Every writer of nonfiction who has struggled with the ditch and the bushes knows what Mitchell is talking about, but few of us have gone as far as Mitchell in bending actuality to our artistic will. This is not because we are more virtuous than Mitchell. It is because we are less gifted than Mitchell. The idea that reporters are constantly resisting the temptation to invent is a laughable one. Reporters don’t invent because they don’t know how to. This is why they are journalists rather than novelists or short-story writers. They depend on the kindness of the strangers they actually meet for the characters in their stories. There are no fictional characters lurking in their imaginations. They couldn’t create a character like Mr. Flood or Cockeye Johnny if you held a gun to their heads. Mitchell’s travels across the line that separates fiction and nonfiction are his singular feat. His impatience with the annoying, boring bits of actuality, his slashings through the underbrush of unreadable facticity, give his pieces their electric force, are why they’re so much more exciting to read than the work of other nonfiction writers of ambition.

Read the story

Slavery and Freedom in New York City

"A Ride for Liberty," by Eastman Johnson (1862).

Eric Foner | Gateway to Freedom: The Hidden History of the Underground Railroad | W. W. Norton & Company | January 2015 | 31 minutes (8,362 words)

Below is an excerpt from the book Gateway to Freedom, by Eric Foner, as recommended by Longreads contributing editor Dana Snitzky.

* * *

The history of slavery, and of fugitive slaves, in New York City begins in the earliest days of colonial settlement. Under Dutch rule, from 1624 to 1664, the town of New Amsterdam was a tiny outpost of a seaborne empire that stretched across the globe. The Dutch dominated the Atlantic slave trade in the early seventeenth century, and they introduced slaves into their North American colony, New Netherland, as a matter of course. The numbers remained small, but in 1650 New Netherland’s 500 slaves outnumbered those in Virginia and Maryland. The Dutch West India Company, which governed the colony, used slave labor to build fortifications and other buildings, and settlers employed them on family farms and for household and craft labor. Slavery was only loosely codified. Slaves sued and were sued in local courts, drilled in the militia, fought in Indian wars, and married in the Dutch Reformed Church. When the British seized the colony in 1664, New Amsterdam had a population of around 1,500, including 375 slaves. Read more…

The Art of Authenticity: A Conversation with PostSecret’s Frank Warren

Image courtesy of PostSecret.

Ben Huberman | Longreads | February 2015 | 13 minutes (3,354 words)

For the past ten years Frank Warren has been collecting and publishing other people’s anonymous secrets, sent via postcard, on his blog, PostSecret. The stories behind the postcards span the entire spectrum of human drama, from tales of petty revenge to accounts of abuse and severe depression. This richness of experience — along with the secrets’ visual design, by now a recognizable mishmash of Americana, well-executed kitsch, and ironic arts & crafts creations — has kept the site popular through multiple waves of internet fads. Originally a local mail art project in suburban Maryland, the site has spawned several books, including The World of PostSecret (released in November 2014), as well as a play, a TED talk, and numerous live events. Read more…

Kiera Feldman on an Awkward Moment in Her Journalism Career

Journalist Kiera Feldman, who we’ve featured on Longreads many times in the past, told this story during our special night with This Land Press at Housing Works in New York City.

Here’s her full story below. See more from the rest of our storytellers here on YouTube.

Interview: ‘Poor Teeth’ Writer Sarah Smarsh on Class and Journalism

Julia Wick | Longreads | November 7, 2014 | 11 minutes (2,674 words)

 

“I am bone of the bone of them that live in trailer homes.” That’s the first line of Sarah Smarsh’s essay “Poor Teeth,” which appeared on Aeon earlier this month. Like much of Smarsh’s work, “Poor Teeth” is a story about inequity in America. It is also a story about teeth, hers and her grandmother’s and also the millions of Americans who lack dental coverage.

Smarsh has written for Harper’s, Guernica and The Morning News, among other outlets. Her perspective is very much shaped by her personal experiences: She grew up in a family where most didn’t graduate from high school, and she later chaired the faculty-staff Diversity Initiative as a professor at Washburn University in Topeka. I spoke with her about her own path to journalism and how the media cover issues of class.  Read more…

How One Magazine Shaped Investigative Journalism in America

The following story comes recommended by Ben Marks, senior editor for Collectors Weekly:

Doris Kearns Goodwin’s most recent history, The Bully Pulpit, chronicles the intertwined lives of Theodore Roosevelt and William Howard Taft, often in excruciating detail, from Roosevelt’s struggles with the bosses of his Republican party to the fungal infections that plagued Taft’s groin. But the most illuminating aspect of Pulpit is the spotlight it shines on the muckraking journalism of the early 20th century, particularly as practiced by a monthly magazine called McClure’s. There, writers such as Ida Tarbell, Ray Baker, and Lincoln Steffens held the feet of the powerful to the fire. In one landmark issue, January 1903, articles by all three were featured, including the third installment of Tarbell’s 12-part exposé of Standard Oil and Baker’s counter-intuitive, sympathetic portrait of coal miners, whose dire circumstances had forced them to cross picket lines. Read more…