Sonia Alejandra Rodriguez remembers growing up undocumented in the shadow of her mother and father’s tumultuous relationship.
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The Proving Grounds: Charley Crockett and the Story of Deep Ellum
Generations of musicians got their start busking the streets of the Deep Ellum neighborhood of Dallas, Texas. After a decade of ‘hobo-ing’ around cities like New Orleans, Paris, and New York, Charley Crockett discovered it was his turn.
The Christmas Tape
Wendy McClure recounts how an old audio tape of holiday music becomes a record of family history, unspoken rituals, and grief.
Putting a New Stone on the Grave: Sjón Brings the Golem to Iceland
Sjón’s “CoDex 1962” is the fulfillment of a pact he made with the Maharal of Prague in the Old Jewish Cemetery almost three decades ago.
On Solitude (and Isolation and Loneliness [and Brackets])
Sarah Fay reflects on four years spent in solitude (and isolation [and loneliness]), viewing it through the lens of punctuation.
‘Victims Become This Object of Fascination… This Silent Symbol.’
Rachel Monroe talks about the pitfalls of the true crime genre. “I had this feeling like I can see the whole thing and nobody else understands… That’s a real trap that we as reporters can fall in.”
Images Present Themselves: A Conversation With Photographer Burk Uzzle
Some of the most iconic images get captured when you’re just out for a stroll. What you do with these images is a political act.
The Battle Over Teaching Chicago’s Schools About Police Torture and Reparations
A little-known city law has educators figuring out how to talk to eighth and tenth grade students about the history of Chicago police abuse.
If My Scars Could Talk
Tega Oghenechovwen contemplates the ways in which acute childhood trauma can infect and compromise relationships later in life.
On Flooding: Drowning the Culture in Sameness
Flooding (v.): Unleashing a mass torrent of the same stories by the same storytellers at the same time, making it almost impossible for anyone but the same select few to rise to the surface.
