If there’s no earth, there’s no art. How do you engage in cultural criticism at the end of the world?
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Posted inStory
The Erotic Thriller’s Little Death
What/If references the celebrated steamy genre of the 80s and 90s, but lacks its guts. Why can’t any of the new neo-noirs go all the way?
Posted inArts & Culture, Culture, Current Events, Essays & Criticism, Feature, Media, Nonfiction, Story
When American Media Was (Briefly) Diverse
An economic downturn in 2008 shuttered numerous publications and further marginalized people of color in an already minimally integrated industry. But in the 90’s and early-aughts, multicultural publications flourished, providing an alternative model for journalism that bears remembering.
Posted inBusiness & Tech, Current Events, Nonfiction, Quotes
To Live and Die in Utopian New Zealand
How the super rich like Peter Thiel are buying land in New Zealand to survive the apocalypse.
Posted inArts & Culture, Commentary, Culture, Current Events, Essays & Criticism, Feature, Story
‘Give It Up For My Sister’: Beyonce, Solange, and The History of Sibling Acts in Pop
Family dynasties are neither new nor newly influential in pop.
Posted inNonfiction
Where Am I?
After a lifetime of alienation, one woman discovered how her spacial disorientation could be a gift that connected her to strangers and made her less alone.
Posted inQuotes, Science & Nature
Looking for a Greener Death
Aquamation is more environmentally-friendly than cremation and has a growing number of supporters. So why is it mostly illegal?
Posted inNonfiction
True Roots
One woman quits coloring her gray hair and investigates the human and environmental costs of this contentious female beauty standard.
Posted inArts & Culture, Commentary, Culture, Feature, Story
‘Play Another Slow Jam, This Time Make It Sweet’
The term “slow jam” became widely popular when a song performed by Midnight Star debuted in 1983.
Posted inArts & Culture, Books, Nonfiction, Story
Writing for the Movies: A Letter from Hollywood, 1962
In this classic essay about a classic American art form, legendary screenwriter Daniel Fuchs reflects on his lifetime learning the trade.
