Existentialists with agita, rejoice. We now have an anthropologist’s new book confirming that what we do means nothing. David Greaber’s Bullshit Jobs examines the current work economy and how we attribute meaning to our lives with possibly (probably?) meaningless tasks.
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Posted inNonfiction
So Much More Than Enough
My favorite director, Lynn Shelton, died suddenly this month at the age of 54. Did the spirit of indie filmmaking go with her?
Posted inNonfiction
A Once and Future Beef
Beef is a major culprit of the climate crisis, but if you want to consider beef’s future, then look to its past. The industry’s tactics have not changed as much as you might think.
Posted inArts & Culture, Feature, Nonfiction, Story
Shelved: Jeff Buckley’s Sketches for My Sweetheart the Drunk
The posthumous Buckley industry began with this problematic album, proof that the people who control a musician’s estate don’t always have his music in mind.
Posted inNonfiction
Fire/Flood: A Southern California Pastoral
In and around Los Angeles, natural and man-made disasters have been inextricable for almost two centuries.
Posted inEditor's Pick
The Great Chinese Dinosaur Boom
A gold rush of fossil-finding is turning China into the new epicenter of paleontology.
Posted inBooks, Fiction, Story
‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
Posted inBusiness & Tech, Nonfiction, Quote Posts, Quotes
How Southern Cities Are Joining the Knowledge Economy
Greenville, South Carolina has revitalized its city center by incubating start-ups. Can other Southern cities do the same?
Posted inBlog Post, Crime, Nonfiction, Reading List
15 True Crime Longreads and the Questions We Should Ask Ourselves When Reading Them
By bringing new dimensions to an unjust process, a well-told story has the power to impact some of our most flawed systems.
Posted inNonfiction
‘Horror Is a Soothing Genre … It’s Upfront About How Scary It Is To Be a Woman.’
Sady Doyle discusses the connection she draws between society’s monstrous treatment of women and woman’s archetypal monstrosity.
