A feature, produced in a collaboration between The New York Times and The Marshall Project, about Harvard University’s eleventh-hour flip-flop on its acceptance of ex-convict Michelle Jones to its doctoral program in history. Jones, who spent more than two decades in prison for the murder of her four-year-old son, conceived non-consensually when she was 14, […]
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After World War I, Horror Movies Were Invaded By an Army of Reanimated Corpses
Were early horror films, with their long, angry processions of the undead, repeating the mass trauma of the First World War, or foreshadowing the coming of the Second?
J.R.’s Jook and the Authenticity Mirage
When a young white musician gets invited to a house-party, the musicians he plays with show him a slice of blues culture many people assumed had died.
How Did the Blues Become the Blues?
In one simple sentence in 1914, Columbus Bragg, an African American writer, helped codify the Blues genre, though he’s largest forgotten.
A Person Alone: Leaning Out with Ottessa Moshfegh
Leaning in doesn’t work in real life. When I was writing, I kind of hoped that it would. I think I hoped that the answers are always within me. And when I reached the end of the book, it was like: there are no answers.
Ugly, Bitter, and True
After years of feeling hopeless and barely human, one talented writer manages to find her will to live.
Is Your Job Lynchian, or Is It More Kafkaesque?
David Graeber’s “Bullshit Jobs” and Alison Green’s “Ask a Manager” offer differing views — and some good advice.
When ‘The Real World’ Gave Up on Reality
The true story of the exact moment in the mid-Nineties when reality television morphed from its best self to its worst.
Kara Walker’s Subtlety
In the summer of 2014, Kara Walker’s sphinx posed a riddle about women, sweetness, and power.
My Brother Comes to Moscow
‘We had had many arguments, but he was my brother; he had always been my brother.’
