“We have to get rid of the romantic part.”
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Posted inArts & Culture, Books, History, Story
Mr. Rogers vs. the Superheroes
One of the few things that could raise anger — real, intense anger — in Mister Rogers was the willful misleading of children. Superheroes, he thought, were the worst culprits.
Posted inBooks, Profiles & Interviews, Story
An Interview with Sarah Smarsh, Author of ‘Heartland’
The author of “Heartland,” a National Book Award longlisted memoir about growing up poor in rural America, gives her views on politics, identity, and cultural appropriation.
Posted inBooks, Fiction, Story
Masters of Contradiction
Two new books offer fresh perspective on “Otherhood,” that condition in which characters do constant, exhausting battle — for the most part — inside their own heads.
Posted inEssays & Criticism, Nonfiction, Story
Character Work
Alison Fields remembers the perils of junior high: fitting in, standing out, and trying out.
Posted inBooks, Essays & Criticism, Feature, Nonfiction, Story
Lean On
A declaration of dependence, excerpted from Briallen Hopper’s new essay collection.
Posted inBooks, First Chapters, Nonfiction, Story
‘Just Assimilate Her Into Your Family and Everything Will Be Fine…’
In an excerpt from her new memoir, ‘All You Can Ever Know,’ transracial adoptee Nicole Chung recounts how her parents came to adopt her.
Posted inBooks, Fiction, Profiles & Interviews, Story, Writing
‘I’ve Always Been Either Praised or Accused of Ambition’: An Interview with Barbara Kingsolver
Barbara Kingsolver takes a rigorous, scientific approach to her novels’ subjects — but, as a woman writer, her authority is often challenged.
Posted inNonfiction
The Case for Letting Malibu Burn
Many of California’s native ecosystems evolved to burn. Modern fire suppression creates fuels that lead to catastrophic fires. So why do people insist on rebuilding in the firebelt?
Posted inArts & Culture, Books, Nonfiction, Story
Three Decades of Cross-Cultural Utopianism in British Music Writing
The history of England’s fertile music press reveals as much about the opinionated English youth who created it as it does the music they covered in the second half of the 20th century.
