It’s surprising when stodgy institutions award progressive artists, and surprises, even good ones, are alarming — so we immediately burden the winners with the weight of symbolism.
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‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
Sight and Insight
After a childhood filled with intrusive medical interventions for misaligned eyes, Liane Kupferberg Carter wrestles with learning to see herself and others clearly.
The Poke Paradox
Where culinary bliss meets environmental peril, and how to solve America’s poke problem.
In Pocahontas County, Deep Divisions and a Gruesome Discovery
In an excerpt from ‘The Third Rainbow Girl,’ Emma Copley Eisenberg interrogates various social conditions that might have contributed to a mysterious double murder in West Virginia in 1980.
B is for Bastard
As a boy, after the trauma of learning he is not his father’s biological son, Brian Gresko finds his sense of himself is shattered.
Who Do You Have for Science This Year, I Have Mr. YouTube Again
“The longer these kids stayed there, the further behind they were.”
Every One of Us Is Other: Looking Back on Representation in “Heavenly Creatures” 25 Years Later
Alex DiFrancesco reflects on Peter Jackson’s nuanced approach to representation in the critically acclaimed film.
Don’t Come Around Here No More
Tom Petty’s psychedelic Alice in Wonderland video reminded one woman of the way sexual harassment shaped her adolescence and made her want to disappear.
The Manhandling of Rock ‘N’ Roll History
Less than 8 percent of the Rock & Roll Hall of Fame’s inductees are women. Time for it to step up and induct an all-female class in 2020.
