Jessica Lynne remembers a long distance love affair that began in Miami and the Billie Holiday song that kept her company through the relationship’s transitions.
Story
Welcome to Hive
Hive is a new Longreads series about women and the music that has influenced them.
“What Do I Know To Be True?”: Emma Copley Eisenberg on Truth in Nonfiction, Writing Trauma, and The Dead Girl Newsroom
“We were interested in dead girls, but so interested in them that we were trying to do the opposite of what had been done before.”
Wait, What?
It’s surprising when stodgy institutions award progressive artists, and surprises, even good ones, are alarming — so we immediately burden the winners with the weight of symbolism.
Soli/dairy/ty
As a nursing mother newly exposed to the harsh realities of milk production, Liza Monroy reconsiders the dairy cow, and questions the meaning of compassion.
Sight and Insight
After a childhood filled with intrusive medical interventions for misaligned eyes, Liane Kupferberg Carter wrestles with learning to see herself and others clearly.
House of the Century
Daisy Alioto reconsiders the nature of architecture while researching window alarms.
Shelved: Jeff Buckley’s Sketches for My Sweetheart the Drunk
The posthumous Buckley industry began with this problematic album, proof that the people who control a musician’s estate don’t always have his music in mind.
Carly Rae Jepsen’s Exhilarating, Emotionally Intelligent Pop Music
Although music often involves emotional expression, pop star Carly Rae Jepsen has built a career and a persona out of big, unguarded emotions, a range that could be called “too muchness,” which is just right for some of us.
Postcard from the (Literal) Edge
In an excerpt from her recovery memoir, Erin Khar recalls the depths of her self-destruction as a heroin addict.
