An interview with Kay Cannon, Pitch Perfect screenwriter, on how her a cappella comedy might be changing the definition of cool.
Profiles & Interviews
Posted inNonfiction, Profiles & Interviews, Story
How to Be Aca-Awesome
An interview with Kay Cannon, Pitch Perfect screenwriter, on how her a cappella comedy might be changing the definition of cool.
Posted inNonfiction, Profiles & Interviews
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
Posted inNonfiction, Profiles & Interviews, Story
A Woman on the Margins
An interview with Vivian Gornick about the problem with writing programs, the memoir’s potential for dishonesty, and finding her way as a writer.
Posted inNonfiction, Profiles & Interviews
Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”
Posted inNonfiction, Profiles & Interviews, Story
Q. Sakamaki and the Art of the Socio-Photo-Documentary
“Here, I see many barriers, many conflicts—between class, between race, between cultures, between ideologies, between jobs.”
Posted inNonfiction, Profiles & Interviews
The Man Who Became Big Bird
An interview with Caroll Spinney, who, at 81, has worked at “Sesame Street” as the puppeteer behind Big Bird and Oscar the Grouch for 45 years.
Posted inNonfiction, Profiles & Interviews, Story
The Man Who Became Big Bird
An interview with Caroll Spinney, who, at 81, has worked at “Sesame Street” as the puppeteer behind Big Bird and Oscar the Grouch for 45 years.
Posted inBooks, Nonfiction, Profiles & Interviews
The Perils of Writing About Your Own Family: A Conversation with George Hodgman
“Memoir is a total minefield, as you know. It’s best if you write the book and leave the country.”
Posted inBooks, Nonfiction, Profiles & Interviews, Story
The Perils of Writing About Your Own Family: A Conversation with George Hodgman
“Memoir is a total minefield, as you know. It’s best if you write the book and leave the country.”