Cinelle Barnes considers how the chaos and discipline of dance kept the disparate parts of her being stitched together.
Arts & Culture
The Corpse Rider
“I could see the ghosts,” recalled Lafcadio Hearn about his early childhood. Late in life, he became a celebrated chronicler of Japan’s folk tales: stories of strange demons and lingering visitations.
Records on Bone
One young Ukrainian-American struggles to piece together a clear portrait of her parents’ difficult Soviet past, once they quit erasing, and began embracing, their legacy.
A Fresh Look at The Smashing Pumpkins’ 1998 Album Adore
Loved and loathed in equal measure, one thing critics can’t take from this influential 90s band is their willingness to evolve musically.
Happiness is Fleeting
Good grief, adolescence is difficult. Luckily Hilary Fitzgerald Campbell found solidarity and guidance from The Peanuts Gang.
End of Discussion
There’s no such thing as a 140-character exegesis: the (non)-discourse around “Joker” is the latest to prove that social media is designed for emotion, not dialogue.
Â
The Ugly History of Beautiful Things: Orchids
Sometimes a flower is just a flower, and sometimes it’s a powerful vehicle for giving free rein to our worst colonialist and misogynist impulses.
When the Dishes Are Done, I Wonder About Progress
In “Coventry,” Rachel Cusk draws a connection between politeness and narrative death, rudeness and tragedy, storytelling and war.
Why Karen Carpenter Matters
For one brown, queer Filipino-American, Karen Carpenters’ music anchored her to her musical family’s past while helping chart her path in their adopted Southern California.
