In this personal essay, Abigail Rasminsky looks back on the youthful days she trained to become a professional dancer — and the injury that put an end to her dreams.
Sari Botton
Fifty Years Ago, Protesters Took on the Miss America Pageant and Electrified the Feminist Movement
In the wake of a sexist email scandal that has led to new management of the Miss America Pageant, Bad Feminist author Roxane Gay reports on 1968 protests by radical feminists against all that the pageant stands for.
What to Do With a Man Who Has a Story, and a Gun
In a personal essay about the naivete of young love, Lisa Romeo recalls her first college romance, when she was willing to overlook a lot — until she wasn’t.
Kristi Yamaguchi, Unlaced
Nicole Chung interviews figure skater Kristi Yamaguchi about her life after winning at the 1992 Olympics, being the only Asian-American Olympic gold medalist in figure skating, representation in sports and the media, and the Always Dream Foundation — the early childhood literacy organization she founded.
What It Means to Be ‘The First’
Nicole Chung talks with Kristi Yamaguchi about the cultural significance of her figure skating victory at the 1992 Olympics.
The High Cost of Becoming a Writer as a Single Mom
Stephanie Land endured poverty, loneliness, and more to pursue her dream of being a writer.
Portrait of the Artist as a Single Mom
In this personal essay, created with support from the non-profit Economic Hardship Reporting Project, Stephanie Land chronicles her struggle to support herself and her two daughters while attending college and trying to make a living as a writer.
My Daughter Died, But I’m Still Mothering Her
In this personal essay, Jacqueline Dooley recalls her difficult transition from being a mother with earthly duties, to becoming one with more spiritual concerns for a teenage daughter with terminal cancer.
Fake It Till You Make It
On the pressure to pretend there’s no fallout after your parents’ divorce.
Fake This Marriage
As part of The Awl’s excellent “Fakes” series, Kelly Stout chronicles her life as an “ACOD” (adult child of divorce) in the wake of her parents’ 2011 acrimonious split when she was in her early 20s, and tries to make sense of the lie her parents and family are no longer living.
