Author Archives

Julia Wick
Julia Wick is a contributing editor for Longreads.

Life, Death and Witchcraft in the Niger Delta: Our Longreads Member Pick

Jessica Wilbanks | Ninth Letter | Fall/Winter 2013 | 27 minutes (6,860 words)

For this week’s Longreads Member Pick, we’re excited to share “On the Far Side of the Fire,” an essay by Jessica Wilbanks, which first appeared in Ninth Letter and was awarded the journal’s annual creative nonfiction award. This is the first time it has been published online.

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A brief excerpt is below. Longreads Members, login here to get the full story and ebookRead more…

On the Far Side of the Fire: Life, Death and Witchcraft in the Niger Delta

Child Rights and Rehabilitation Center, Eket, Nigeria

Jessica Wilbanks | Ninth Letter | Fall/Winter 2013 | 27 minutes (6,860 words)

 

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One of our previous Longreads Member Picks, an essay by Jessica Wilbanks, is now free for everyone. “On The Far Side of the Fire” first appeared in Ninth Letter and was awarded the  journal’s annual creative nonfiction award. This is the first time it has been published online.

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Martin Luther King Jr.’s Stint as an Advice Columnist for Ebony Magazine

From September 1957 to December 1958, Martin Luther King Jr. penned a monthly advice column for Ebony magazine. The “Advice for Living” column addressed a wide array of subjects, from race relations to interpersonal relationships. Below is an excerpt from the September 1957 issue of Ebony: Read more…

My Tears See More Than My Eyes: My Son’s Depression and the Power of Art

Alan Shapiro | Virginia Quarterly Review| Fall 2006 | 20 minutes (4,928 words)

Alan Shapiro published two books in January 2012: Broadway Baby, a novel, from Algonquin Books, and Night of the Republic, poetry, from Houghton Mifflin/Harcourt. This essay first appeared in the Virginia Quarterly Review (subscribe here). Our thanks to Shapiro for allowing us to reprint it here, and for sharing an update on Nat’s life (see the postscript below).

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How You (and Your Spouse, Your Children and Your Therapist) Get Targeted When You Become a Whistleblower

“That’s what I’ve been talking about in earlier answers: the ability of the government to go back to taps collected years earlier to look for material with which to influence potential witnesses in the present. (See their interest in the allegation that the wife of one journalist may have been accused of shoplifting in her past). So people who have ‘nothing to hide’ should ask themselves if that is equally true of their spouses or children, or neighbors, who could possibly be turned into informants by threat of their private lives being revealed. (The Cuban CIA assets who burglarized my psychoanalyst’s office were interested in my children and wife as much as me, a reporter who interviewed them was told; they had been told of the precedent of Alger Hiss’ step-son who was crucially deterred, at Hiss’ insistence, from testifying in his defense at his trial on a crucial point, because he would have been questioned about his alleged homosexuality).

“My analyst later apologized to me for not telling me about the break-in—which he was sure was aimed at me, by the White House—because his lawyer had advised him not to ‘get involved.’ So I didn’t know about it until it came out in my courtroom, thanks to John Dean’s revelation. All for the best. If he had told me and we had raised it in the courtroom, the plumbers would not have been kept on the White House payroll (via CREEP) and would not have been ordered into the Watergate. Nixon would have stayed in office, and the war would have continued for years.”

Daniel Ellsberg, during his marathon “Ask Me Anything” session on Reddit. The whole thing can be found here:  I am Pentagon Papers leaker Daniel Ellsberg. Edward Snowden is my hero. Read more on whistleblowers and Reddit.

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Required Reading from Journalism Professors

Photo by Seth Sawyers

Below, six syllabi from journalism professors on what you should be reading.

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1. Journalism 494: Pollner Seminar In Narrative Non-Fiction With Esquire’s Chris Jones (University of Montana)

“The purpose of this course is to teach students how to write publishable magazine-length narrative non-fiction: In other words, my aim is to help you learn how to write good, long, true stories. The course outline will mirror a typical writer’s progress through the birth of an idea to a finished, polished piece, including reporting, writing, editing, and fact-checking. In addition to classroom discussion, course readings will help students understand the difference between good and bad work. My hope is that by the end of the semester, you will have written the Best Story of Your Life So Far (BSOYLSF) and it will help you reach your future potential as an award-winning literary journalist.”

2. Journalism 141: Professional Problems and Ethics in Journalism (by Philip Meyer, University of North Carolina)

“The subculture of journalism is no longer as confident of its success. 
Its old values are increasingly under question. The topic of this course
is therefore a moving target. We shall approach it with two organizing principles:

“A critical study of traditional journalistic values, the historical forces that created them. An evaluation of social and technological changes that threaten that subculture – and possibly its value system.”

3. Introduction to Literary Reportage (by Robert S. Boynton, NYU) (PDF)

“The goal of this course is to help you create a distinctive body of work and, eventually, a capstone piece of literary reportage. It has three basic components. First, it will guide you through the research, reporting and thinking to refine and focus the project you will begin in Portfolio I. Second, it will introduce you to some of the authors, editors and publications of the genre. Third, it will familiarize you with some of the journalistic strategies you will use in your own work.”

4. Journalism 676: Investigative Reporting With Pulitzer Prize-Winner Deborah Blum

“I’m happy to share a syllabus, although they’ve gotten more and more abbreviated over the last few years. That’s because, as you know, investigations never seem to follow a planned path. Basically these days, I just do an oral presentation and assignments and we build deadlines, etc. in to the semester, depending on where we are. We do a lot of oral reports and feedback in this class and in the last month of the semester, we start writing/fact-checking/filling in gaps based on the information we’ve assembled.”

5. Syllabus for Telling Stories: the Art of Narrative Non-Fiction (by Alex Kotlowitz, Dartmouth) (PDF)

“This course will explore the art of telling stories – true stories. The craft is often called Literary Journalism or Creative Nonfiction. The writer John McPhee calls it The Literature of Fact, which I prefer for its lack of pretention and for its lack of ambiguity. In this class, we’ll talk about finding story, about reporting and of course about writing, about how one goes about making sense of the tale at hand. I want to push people to find stories outside of the familiar. 
“It’s what makes this craft so exhilarating, to find yourself in places you’d never have reason to be or with people you’d never have reason to meet. What could be more exciting. More challenging.”

6. JOU 6309: Journalism as Literature – Fall 2009 (by Dr. Ronald Rogers, University of Florida)

“This course lies at the crossroads of journalism and literature. During the next 15 weeks we will explore the journalistic, historical and critical tangents that make up the notion of literary journalism as we read and analyze some of the best reportage ever written. In the process of reading the works of many fine journalists, we will weigh how form and content work together to create great factual literature.

“This course has a six-pronged approach. It is a smorgasbord of delectables – all, or any one of which, I hope, you will find tasty. We will explore:

“1. Literary journalism’s historical antecedents – or should we say founders?

“2. Literary journalism’s future in the age of the connected computer.

“3. The criticism literary journalism has received from friend and foe alike.

“4. The theory behind this genre.

“5. The techniques that comprise and define this genre.

“6. Ways of toppling the inverted pyramid in developing our own individual writing styles using the techniques of literary journalism.”

Bonus: What’s On Your Syllabus? (Nieman Storyboard)

Featuring Jacqui Banaszynski, Mark Bowden, Madeleine Blais, Robert Boynton, Jeff Sharlet and Rebecca Skloot.

A Brief History of ‘It’ Girls

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“It isn’t beauty, so to speak, nor good talk necessarily. It’s just ‘It’.”

—Rudyard Kipling

1. “Scandals of Classic Hollywood: Clara Bow, ‘It’ Girl,” (Anne Helen Petersen, The Hairpin, May 2011)

Clara Bow was the original It girl, so much so that her 1927 film, titled—what else?—“It,” more or less defined the phenomenon. This piece, from Petersen’s Scandals of Classic Hollywood series, offers a perfectly juicy take on Ms. Bow.

2. “Almost Famous” (Katherine Stewart, Santa Barbara Magazine, Oct./Nov. 2006)

Stewart goes beyond the usual Edie clichés and delves into Sedgwick family lore, as well as Edie’s post-Factory return to Santa Barbara.

3. “Chloe’s Scene,” (Jay McInerney, The New Yorker, Nov. 1994)

McInerney’s piece—a semi-seminal take on uber-It girl Chloe Sevigny in the early days of her downtown reign—captures a weird freeze-frame in time: Sevigny pre-Kids fame, and downtown New York in its last gasps of grittiness.

4. “Welcome to the Dollhouse: New York’s Power-Girl Publicists,” (Vanessa Grigoriadis, New York, December 1998)

“Perky, pretty, and remarkably plugged-in, a pack of young publicists have become the darlings of New York’s demimonde. But be careful—they bite.” Detail-packed, with deliciously good dialogue and a healthy dollop of fun, this is classic Grigoriadis.

5. “Ksenia Sobchak: The Jane Fonda of Russia’s Dissident Movement,” ( Sarah A. Topol, Vice, July 2012)

Ksenia Sobchak is the Russian Paris Hilton, if Paris Hilton all of a sudden took an interest in revolutionary politics.

6. “The Secret Life of Cory Kennedy,” (Shawn Hubler, West, Feb. 25, 2007)

Cory Kennedy was just a regular high school hipster until party photographer Mark “The Cobrasnake” Hunter snapped her picture at an LA club. And then—practically overnight and before her parents had a chance to figure out what was going on—she was everywhere, a club kid, model, and message board fashion icon, with her very own column in Nylon. This is the making of an internet It Girl.

7. “The Trouble With ‘It Girls'” (Anne Helen Petersen, Buzzfeed, January 2015)

Update: A new piece from Anne Helen Petersen on what the label tells us about women and their work.