Following the massacre in Paris, The New Yorker released next week’s cover image early this week. “Solidarité” is by Ana Juan, who has contributed more than 20 covers to The New Yorker since 1995.
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‘Did We Have the Sense that America Cared How We Were Doing? We Did Not’
In The Atlantic in 2014, James Fallows examined how Americans and political leaders became so disconnected from those who serve in the military—and the consequences of that disconnect: If I were writing such a history now, I would call it Chickenhawk Nation, based on the derisive term for those eager to go to war, as long […]
On Cheryl Strayed’s ‘Wild’ and the Redemption Narrative
Like Dante, then, Strayed is on a spiritual journey, beginning in damnation, bound for deliverance. That makes Wild a redemption narrative — and that, in turn, helps explain its popularity, because redemption narratives are some of the oldest, most compelling, and most ubiquitous stories we have. We enshrine nature writing in the canon — you […]
How an Illness Changed the Way Laura Hillenbrand Wrote Her Bestselling Books
Your inspirational story of the day is Wil S. Hylton’s New York Times Magazine profile of bestselling author Laura Hillenbrand, who’s written both Seabiscuit and Unbroken while suffering from chronic fatigue syndrome. The illness left her unable to leave the house—which, rather than hamper her ability to do research or interview sources, gave her different advantages:
The Moment Firestone Teamed Up with a Warlord
An excerpt from ProPublica and Frontline’s investigation into how the U.S. tire and rubber company Firestone ended up partnering with warlord Charles Taylor, who was taking over Liberia during the civil war in the early 1990s.
Mike Nichols: 1931-2014
Mike Nichols, the beloved director of stage and screen—from Who’s Afraid of Virginia Woolf? and The Graduate, to Barefoot in the Park and Working Girl— died Nov. 19, 2014 at the age of 83. Here are four pieces on the life of the artist.
The Old Music Industry: ‘A System Specifically Engineered to Waste the Band’s Money’
During the 90s there was something of an arms race to see who could write the biggest deal. That is, the deal with the most money being spent on the band’s behalf. In a singularly painless contest the money would either be paid to the band as a royalty, which would take that money out […]
Meet the Woman Who Protects Drake’s Voice
What it means to be a vocal coach.
It’s Time to Stop Saying ‘Drink the Kool-Aid’: Interview with Jonestown Author Julia Scheeres
“It reduces a mass tragedy to the level of banality.”
