In 1993, an audience member at the Citizen Cup tennis tournament stabbed Monica Seles, then a 19-year-old phenom who was then dethroned from the top of the world tennis rankings. The attack, writes Terrence Doyle, “was a physical manifestation of a logic that has since become our default: the idea that an athlete is not a human to be witnessed, but a data point to be managed, edited, or deleted.” I briefly mentioned Doyle’s disturbing essay a week ago, but it has stayed with me since: a worrying meditation on the ease with which athletes are abstracted into mere data sets. It deserves your deeper consideration.

Perhaps the most profound shift is the collapse of our ability to trust what we see. In 1993, we had the tape. We saw Parche reach over the rail and thrust his blade into Seles’ back. We agreed on the wound. Today, that on-the-ground truth is being eroded. We’re being told by powerful forces to disregard the evidence of our own senses—to see every physical trauma as a narrative threat or a potential deepfake.

What’s all that racket? A few features from the world of tennis

Can Andre Agassi Enjoy Pickleball More Than He Hated Tennis?

Lizzy Goodman | The New York Times Magazine | September 7, 2026 | 5,478 words

“After years of relative quiet, the public is meeting ‘Andre 2.0’ — a pickleball booster, an open book and a guy eager to build a less tortured relationship with competition.”

The Unbearable Greatness of Djokovic

Scott Stossel | The Atlantic | May 28, 2024 | 4,580 words

“Novak Djokovic may be the greatest tennis player ever—and I can’t stand him.”