“I don’t understand enjoying something without caring about it,” Andre Agassi tells Lizzy Goodman midway through her thoughtful character study. Goodman shadows the former tennis great as he tries to get comfortable in his pickleball years, detailing the dynamic interplay of Agassi’s moods: Fun Andre, Philosopher Andre, Dark Andre. Many of the best athlete profiles extend the narrative of a legend beyond the court, making more complicated human meaning once a subject has set the game aside. Here, Goodman and Agassi achieve a gratifying volley, the journalist turning over the athlete’s challenging interiority and sending it back to him to consider.
The made-for-TV version of the Andre 2.0 story might go something like this: A retired, middle-aged tennis great takes up a goofily named, hugely popular new sport and is finally able to exorcise the demons that haunted him throughout his tennis career. This seemed to be the story Agassi was beginning to tell after the watch event, as he sat on an ottoman at the bar of his hotel, holding a dry Belvedere martini with extra olives. He talked about his love of pickle, how it challenged him mentally, how suited his body felt to its movements. He shifted around in his seat, trying to keep his perpetually embattled back from seizing up. “I was on a tennis court today,” he said. “What the [expletive] was I doing on a tennis court?”
But it became apparent, over the months that followed, that it would take more than a new sport to resolve the central question that all three of Agassi’s personas have been wrestling with for a long, long time. He summarized it, wryly, as he ordered another cocktail: “Why do I end up doing so many things that I actually don’t want to do?”
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