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Imagine having to recreate a masterpiece, not once, but twice — that’s the incredible story of the binding for an edition of the Rubáiyát of Omar Khayyám.
Sangorski agonised over every detail, at one point borrowing a human skull so he could accurately depict it in his artistic vision. He even bribed a keeper at London Zoo to feed a live rat to a snake so he could capture the grisly image from first-hand experience.
