In this conversation at Broadcast, experimental artist and DJ Russell E. L. Butler talks with Detroit techno pioneer Jeff Mills about sound, the future, and the urgent drive as a musician to materialize an idea as quickly as possible so you can move on to the next one. You don’t need to love electronic music—or even know who Mills is—to appreciate the insights here. Together, they explore the limits of linear time; innovation, improvisation, and creative expansion; and the idea that music offers a path toward transcendence.

Behind everything is this vision that I have for electronic music, and more specifically techno, that it will become much more than just something we dance to. Not only can it help people to let themselves go and reach a higher level of consciousness, but it can also unlock new forms of communication and education. I want it to linger in other facets of life, and not just exist as entertainment and recreation.

More reads about techno

In Kosovo, Techno Is a Symbol of Resilience

Lale Arikoglu | Condé Nast Traveler | August 17, 2024 | 3,735 words

“Long a sacred space for catharsis and healing, the smoke-filled dance floors of Pristina have become the backdrop to a changing country.”

Notes From the Underground

Zack Graham | Astra Magazine | April 6, 2022 | 2,740 words

“Inside the world of underground warehouse raves, forest parties, and Freetekno.”

The New Old Sound of Motor City

Akhil Kalepu | Roads & Kingdoms | September 25, 2017 | 2,801 words

How Detroit techno was born — and continued to thrive — amid financial and social strife.

Cheri has been an editor at Longreads since 2014.