Carolyn Ariella Sofia’s chance meeting with Jerzy Kosiński, author of The Painted Bird, opens a window onto the haunted inner lives of writers who grew up during the Holocaust. From Kosiński to Georges Perec and Sarah Kofman, Sofia explores how they concealed their identity to survive—and how that buried turmoil became the raw material for extraordinary literature.

To my surprise, when we were saying goodbye afterwards, he asked to meet again. I promised myself to tell no one what had happened that night. Memories of my maternal grandmother were surfacing – how she concealed her Jewish identity when she came to the United States, how she helped raise me as a Catholic on the outside with a hidden Jewish self. Not the same as living in Nazi-controlled Europe, but I understood something about hiding. Already the secret keeper for my grandmother, I felt compelled to keep Kosinski’s secret too. He may not have used words to answer my question about hiding childhood experiences in female characters, but his outsized reaction at the table felt like a confirmation.

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