In this essay for Orion, science and nature writer Sabrina Imbler weaves together biology, history, and personal reflection to explore transition and transformation: how bodies change, how voices evolve, how sound itself adapts for survival. Through karaoke, testosterone, and sobriety, Imbler traces their own shifting identity alongside crickets whose songs have morphed over time—each finding new ways to be heard in the world.

HUMANS, BIRDS, AND whales learn their songs over the course of their lives. They practice, learn through mistakes, and even compose new songs together. But crickets, who live only a few months and hatch long after their parents’ generation has perished, cannot learn their songs from elders. Rather, each species is born with its own signature song. The composition is genetically encoded and manifests in the specific ridges of the males’ wings. Even if a cricket is raised in total isolation, having never met another of its kind, he will know how to sing his own particular song—at least after a few raspy attempts. As soon as the cricket known as the handsome trig molts into an adult, he can rub one wing over another and emit his characteristic rattling trill. A cricket’s song is a beacon of connection to his kind; if it were ever lost, he may be doomed to wander alone in the reeds.

I DIDN’T START taking testosterone because I wanted to become a man. Rather, I coveted certain manly flourishes: a wispy mustache, flesh desperate to become muscle, a new mystery of a face. What I wanted most of all was a deeper voice, one that could drop into the abyss and skim the seafloor. As testosterone tilts your larynx and thickens your vocal cords, your voice sinks, stretches, and breaks. Mine skipped like a broken record. It fell off cliffs in conversation, only to reappear moments later. It became a shadow I could not pin down. Although I knew others found this pubescence embarrassing, I felt thrilled by the discomfort. I could hardly blame my body, transiting between one voice and another like a blinking satellite, destination unknown. Of course, there would be blips along the way. But eventually, I realized I had lost my urge to karaoke.

More picks from Orion

Lord God Bird

J. Drew Lanham | Orion | December 29, 2025 | 4,721 words

“Does the ivory-billed woodpecker still exist?”

Greyhound

Joanna Pocock | Orion | August 27, 2025 | 2,070 words

“Geography, capitalism, and America by bus.”

Intuitive Eating

Erica Berry | Orion Magazine | May 29, 2025 | 4,662 words

“On poison, pleasure, and trust.”

Foreign Fruit

Katie Goh | Orion | May 6, 2025 | 1,786 words

“Odyssey of the orange.”

The Price of Eggs

Christopher Solomon | Orion | April 16, 2025 | 2,959 words

“The chickens had arrived the previous spring, unasked for, like most of life’s obligations.”

The Shape of Time

Priya Subberwal | Orion | March 18, 2025 | 2,877 words

“Lessons from a queer garden.”

All Ecology Is Queer

adrienne maree brown, Amy Ray | Orion Magazine | February 13, 2025 | 3,953 words

“Nature’s networks, fluidity, and diversity are the keys to our future.”

Mother Load

Sara Michas-Martin | Orion | January 21, 2025 | 2,184 words

“Microplastics and the new wilderness.”

Cheri has been an editor at Longreads since 2014.