The “War and Postwar: The Prism of the Times” exhibition outside Tokyo shows the way WWII-era photographers collaborated with Japan’s propagandist wartime regime to sculpt the visual perception of Japan. With Japan’s current militant, pro-nuclear government, the exhibit offers an important reminder of artists’ obligations to make work that challenges, rather than perpetuates, the status quo.
The Offending Article
Andrew Maerkle | Even Magazine | November 1, 2015 | 2,335 words