With eerie political timing, the Hulu version of Margaret Atwood’s prescient 1984 book The Handmaid’s Tale drops next month. In the introduction to a new edition, which also comes out in April, Atwood responds to the three most popular questions about it: Is her novel feminist? Is it a prediction? Is is anti-religious? In response to the third, she takes us through the influences that helped her build the world of the Handmaids.
The modesty costumes worn by the women of Gilead are derived from Western religious iconography — the Wives wear the blue of purity, from the Virgin Mary; the Handmaids wear red, from the blood of parturition, but also from Mary Magdalene. Also, red is easier to see if you happen to be fleeing. The wives of men lower in the social scale are called Econowives, and wear stripes. I must confess that the face-hiding bonnets came not only from mid-Victorian costume and from nuns, but from the Old Dutch Cleanser package of the 1940s, which showed a woman with her face hidden, and which frightened me as a child. Many totalitarianisms have used clothing, both forbidden and enforced, to identify and control people — think of yellow stars and Roman purple — and many have ruled behind a religious front. It makes the creation of heretics that much easier.