Last week, on February 18th, Norma McCorvey — aka “Jane Roe,” the plaintiff in the 1973 Roe vs. Wade Supreme Court case that legalized abortion — passed away. Four years ago, in February, 2013, Vanity Fair published this fascinating profile of of her. McCorvey, who wasn’t able to actually have the abortion she fought for because of the timing of her pregnancy and the drawn-out case, famously had a change of heart many years later, becoming a pro-life activist. Through most of her adult life, regardless of whether she was fighting for or against women’s reproductive rights, McCorvey managed to monetize her position, not only publishing two memoirs, but forming one sketchy foundation after another, on either side of the argument. Author Joshua Prager had to write around the subject — whom he and all those interviewed portray as mercenary — because she refused to be interviewed without payment of her $1,000 speaking fee.
Young Norma McCorvey had not wanted to further a cause; she had simply wanted an abortion and could not get one in Texas. Even after she became a plaintiff, plucked from obscurity through little agency of her own, she never did get that abortion. McCorvey thus became, ironically, a symbol of the right to a procedure that she herself never underwent. And in the decades since the Roe decision divided the country, the issue of abortion divided McCorvey too. She started out staunchly pro-choice. She is now just as staunchly pro-life.
But in truth McCorvey has long been less pro-choice or pro-life than pro-Norma. And she has played Jane Roe every which way, venturing far from the original script to wring a living from the issue that has come to define her existence.
“I almost forgot i have a one thousand dollar fee,” she texted in August in response to a request for an interview. Told she could not be paid, she texted back: “Then we wont speak.”