Can Clinton’s Campaign Take Control of the Narrative in Time?

Image by Gage Skidmore

The idea that, at this point, there is some version of Hillary Clinton that we haven’t seen before feels implausible. Often, it feels like we know too much about her. She has been around for so long — her story, encompassing political intrigue and personal drama, has been recounted so many times — that she can seem a fictional character. To her critics, she is Lady Macbeth, to her adherents, Joan of Arc. As a young Hillary hater, I often compared her to Darth Vader — more machine than woman, her humanity ever more shrouded by Dark Side gadgetry. These days, I think of her as General Leia: No longer a rebel princess, she has made a wry peace with her rakish mate and her controversial hair and is hard at work, mounting a campaign against the fascistic First Order.

– Rebecca Traister followed Hillary Clinton on the campaign trail for this profile in New York magazine. With access afforded to few journalists, she saw both sides of the narrative made flesh: the stiff, loud, pedantic arena performer and the engaged, relaxed (yes, relaxed!), nose-to-the-grindstone public servant.

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