Originally published in Esquire nearly three decades ago, Broyles’ essay is an American classic. Drawing from the author’s own experience in Vietnam, “Why Men Love War” is a meditation on the intense, complicated, and at times near-erotic relationship between men and battle.
War is beautiful. There is something about a firefight at night, something about the mechanical elegance of an M -60 machine gun. They are everything they should be, perfect examples of their form. When you are firing out at night, the red racers go out into tile blackness is if you were drawing with a light pen. Then little dots of light start winking back, and green tracers from the AK-47s begin to weave ill with the red to form brilliant patterns that seem, given their great speeds, oddly timeless, as if they had been etched on the night. And then perhaps the gunships called Spooky come in and fire their incredible guns like huge hoses washing down from the sky, like something God would do when He was really ticked off. And then the flares pop, casting eerie shadows as they float down on their little parachutes, swinging in the breeze, and anyone who moves, in their light seems a ghost escaped from hell.
Daytime offers nothing so spectacular, but it also has its charms. Many men loved napalm, loved its silent power, the way it could make tree lines or houses explode as if by spontaneous combustion. But I always thought napalm was greatly overrated, unless you enjoy watching tires burn. I preferred white phosphorus, which exploded with a fulsome elegance, wreathing its target in intense and billowing white smoke, throwing out glowing red comets trailing brilliant white plumes I loved it more–not less –because of its function: to destroy, to kill. The seduction of War is in its offering such intense beauty–divorced from I all civilized values, but beauty still.
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