An interview with the journalist (see his recent stories) about what makes a good story:

“I spent three months and I just couldn’t do it. And the reason was because I kept on meeting people who worked in the credit industry and they were really boring. I couldn’t make them light up the page. And, as I said in The Psychopath Test, if you want to get away with wielding true malevolent power, be boring. Journalists hate writing about boring people, because we want to look good, you know? So that was the most depressing one. To the extent that I would like get up in the morning—I’ve never really told this to anyone, but I’d get up in the morning, I’d go downstairs to breakfast and I’d, like, look at my cereal and burst into tears. And then I’d think, it’s only like nine hours until I can sit down and watch TV. After three months of that, I was thinking, I’m actually getting depressed here. So I abandoned it. My editor in New York keeps reminding me that, if I’d carried on with the credit-card book, it would have come out exactly when the banks collapsed and everyone would have turned to me. But I just couldn’t do it.”