One day, I bought a small stack of acid house records from a stand in Camden Market. I listened to them, read about the movement in the music papers, and got a rough picture. If there were some way of returning to Harare and reconvening the crew (at the time, I was the only one who had left the country to attend college), I would have explained that acid house was indeed house music, but in the condition of a virus. It actually came from Chicago, from cats like Phuture and the great Armando, but it had taken on a life of its own in the streets of London.