In mid-October, he’d seen his beloved Charlie Rose interview Diane Lane and John Malkovich. Ever since that interview, he’d been carrying with him the notion that he would see this movie at his earliest opportunity. Never mind his preceding fondness for the racehorse and its moment in history–there was also *Diane Lane* to consider. (It turns out–and I never really knew this before–my grandfather has a major thing for Diane Lane.) And then there he was, stuck with cancer, stuck dying, stuck in movie limbo.
Grandpa Joe and Secretariat: A Christmas Story
Rachel Estrada Ryan | Roger Ebert’s Journal | December 23, 2010 | 2,168 words