Ayşegül Savaş calls into question a kind of racism in Donna Tartt’s The Goldfinch, and laments the liberal reluctance to rebuke discrimination outright, regardless of its targets.
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Posted inNonfiction
Nashville contra Jaws, 1975
In their time, “Jaws” and “Nashville” were regarded as Watergate films, and both were in production as the Watergate disaster played its final act.
Posted inEditor's Pick
Memoirs of Addiction and Ambition
Cat Marnell’s new memoir How to Murder Your Life, like Julia Phillips’ famous You’ll Never Eat Lunch in This Town Again, is an extreme spectacle of women in capitalism.
Posted inBooks, History, Nonfiction, Story
When Sartre and Beauvoir Started a Magazine
In 1945, Les Temps modernes shocked the world with its pessimism and grim determination, and catapulted its founders into intellectual superstardom.
