The present we inhabit is shaped by the mixed legacies of the past.
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‘I’m a Big Fan of Writing To Find Out What You Don’t Know.’
Mark Haber discusses “Reinhardt’s Garden” and its protagonist’s quest for a true understanding of melancholy: “not a feeling but a mood, not a color but a shade, not depression but not happiness either…”
Am I Writing About My Life, Or Selling Myself Out?
After people repeatedly recognize Shannon Keating and her girlfriend from a personal essay she published about a lesbian cruise, and in the midst of the furor over Natalie Beach’s essay about her friendship with Instagram influencer Caroline Calloway on The Cut, Keating wonders about the line between writer and influencer, and the ethics of writing […]
Shelved: Jeff Buckley’s Sketches for My Sweetheart the Drunk
The posthumous Buckley industry began with this problematic album, proof that the people who control a musician’s estate don’t always have his music in mind.
My Year on a Shrinking Island
Former baker Michael Mount explores the interplay of community, cookie dough, and changing terrain on Martha’s Vineyard
Perilous Passage
The true story of a Ukrainian father and son who became the first — and only — Soviet defectors to seek freedom in the West by crossing the icy Bering Strait.
‘A World Where Mothers Are Seen’
Vanessa Mártir introduces Writing the Mother Wound, a series of essays on mothering presented in collaboration with Writing our Lives and Longreads.
‘Writing This Book Was a Weird Séance ’: An Interview With Deborah Levy
“If you have the depth, the surface can be as light as it’s possible to make it…I don’t mind that ‘Swimming Home’ is sometimes described as a ‘beach read’ — actually that’s a triumph.”
How I Got My Shrink Back
An entanglement with her shrink-stalking protege teaches Susan Shapiro something about forgiveness.
