Search Results for: writing

Wish I Were There: The Life and Times of a Travel Writer

Longreads Pick
Author: Tom Swick
Published: Apr 16, 2017
Length: 15 minutes (3,906 words)

The Unnecessary Beauty of Ice Hockey

the goalie in an ice hockey game dives for the puck

“Sports! They are absurd and superfluous—and hockey is the most absurdly superfluous of them all.” Kent Russell loves hockey, a lot. I don’t and I have no idea who Eddie Olczyk or Doc Emrick are, but Russell’s writing about the game and its players (“two to six men fighting for the puck in a corner like two to six pigs wrestling over a Milk Dud”) is utterly engrossing, including a section on how television and play-by-play commentary change our experience of sports.

Maybe it’s something to do with the fact that watching a game on television as opposed to IRL at the arena is roughly analogous to watching a drama on a screen as opposed to a stage. In the arena or theater, I am responding to a total scene unfolding. My eye can wander while I take in everything at once. But onscreen, the play gets filtered through a camera lens, gets dislocated temporally so that the network can edit out a fourth-liner screaming FUCK! Onscreen, the play has its point-of-view shifted regularly—wide shot, now a behind-the-net shot, now the overhead shot, here’s the crowd shot. So that I apprehend the game not as drama but as mediated narrative. And I suppose I need all manner of commentary to help me thread together the disparate strands of that narrative.

I don’t know. Am I alone here? Does no one else think that Eddie Olczyk’s enthusiasm relates to the play only insofar as the play relates to whom Eddie Olczyk bet on that day? Does no one else hate that Doc Emrick calls games like a hen that wears a bonnet?

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The Real Obama: An Interview with Pulitzer Prize-Winning Biographer David J. Garrow

Author photo by David Rubin.

Cody Delistraty | Longreads | May 2017 | 12 minutes (3,333 words)

 

There are few subjects in contemporary history who deserve a 1,400-page biography, but Barack Obama’s ascendance to the presidency merits every word. Deeply researched over nine years — with over a thousand interviews and many never-before-seen documents — David J. Garrow’s Rising Star: The Making of Barack Obama covers 44’s life to date: his youth in Hawaii and Indonesia, community organizing in Illinois, his impressive work as a Harvard Law student, and his pursuit of politics as a profession in Chicago. All the while, Garrow shows, Obama was both being shaped and thoughtfully crafting himself, turning himself from the bright, jocular kid at Punahou School in Hawaii into one of the most revolutionary, exciting presidents of the modern era.

Garrow is a Professor of Law and History, and a Distinguished Faculty Scholar at the University of Pittsburgh. He holds a Ph.D. from Duke University, and has written several nonfiction books, including Liberty and Sexuality: The Right to Privacy and the Making of Roe v. Wade, Bearing the Cross: Martin Luther King, Jr., and the Southern Christian Leadership Conference, The FBI and Martin Luther King, Jr., and Protest at Selma: Martin Luther King, Jr., and the Voting Rights Act of 1965. He won the 1987 Pulitzer Prize in Biography for Bearing the Cross.

His latest book has already been compared to Robert Caro’s history of Lyndon Johnson, but Garrow’s Obama biography seems to go even further: two hundred pages of footnotes, conversations with seemingly every vital person in Obama’s life, and a nonpartisan perspective that will no doubt open the floodgates of interpretation.

I spoke with Garrow recently, and it’s clear he’s a born interviewer; he began asking me questions about my own life, until, finally, I steered us toward a wide-ranging, exceptionally in-depth conversation in which we discussed Obama’s coming-of-age, influences, formative experiences, shifting personality, the significance of friends and family, and how he eventually understood his own legacy and the arc of his grand personality.

* * *

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How Temple of the Dog Pioneered a New Genre of Music Videos in the ’90s

Photo collage by Kjell Reigstad

Matt Giles | Longreads | May 2017 | 15 minutes (3,772 words)

Last month, Pearl Jam was inducted into the Rock and Roll Hall of Fame. Introduced by David Letterman, who looked resplendent with his chin-length beard, it was a fitting honor for one of the greatest rock groups of all time. “I feel like maybe we’re about halfway there to deserving an accolade of this kind of stature, but this is very encouraging,” said Eddie Vedder, Pearl Jam’s lead singer, as part of his acceptance remarks.

What was left unmentioned by Vedder and his fellow bandmates was the collaboration that directly preceded Pearl Jam’s formation more than 25 years ago in Seattle—a supergroup that enjoyed its own moment in the spotlight last year.

Temple of the Dog only released one album, but after a two-decade hiatus, the group reformed in June and announced a multi-concert tour across the United States. Normally, this wouldn’t have made headlines, but it did because Temple of the Dog was a mix of soon-to-be superstars from Pearl Jam and Soundgarden, including Jeff Ament, Stone Gossard, Matt Cameron, Mike McCready, Chris Cornell, and Vedder (who didn’t tour, but was in the original lineup). These rock gods had never officially toured as Temple of the Dog (there have been a few shows here and there, and every few years a video of Cornell and Vedder jamming out to “Hunger Strike,” the band’s hit single, goes viral), but this tour was the first time the musicians got together as the early-’90s super group. “We’re essentially a baby band,” Ament told Rolling Stone in a recent oral history of the band. “We’re 25 years down the road, but we’ve never toured.”

The tour renewed the attention paid to Temple’s “Hunger Strike” music video. Released three times over the ensuing decades, the video — sparse, loaded with symbolism, and an ode to both the city of Seattle and Andy Wood, the Mother Love Bone singer whose death both launched and inspired Temple’s founding — gained notoriety for helping to foment the wave of the ’90s video genre. You know what they look like: dark colors, set in nature, elderly individuals writing on a chalkboard, anthropomorphism, warped graphics, unconventional camera angles, and more. The TV sitcom “How I Met Your Mother” mocked the style in the 2013 episode, “PS I Love You”; the episode featured the alt-rock backstory of Robin Scherbatsky, whose breakout hit had all the ’90s music video trappings (including extras clad in flannel). Read more…

The Top 5 Longreads of the Week

President Donald Trump pauses as he talks to media before signing an Executive Order on the Establishment of Office of Trade and Manufacturing Policy at The AMES Companies, Inc., in Harrisburg, Pa., Saturday, April, 29, 2017. (AP Photo/Carolyn Kaster)

This week we’re sharing stories by Evan Osnos, Ashley C. Ford, Michael Grabell, Chris Heath, and Becca Andrews.

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Norma McCorvey Versus Jane Roe

Norma McCorvey and Gloria Allred leave the Supreme Court on April 26, 1989 after a Missouri abortion case failed to overturn Roe v Wade. (AP Photo / J. Scott Applewhite)

Norma McCorvey | I Am Roe: My Life, Roe v Wade, and Freedom of Choice Harper Collins, 1994 | 19 minutes | 4,650 words

When journalist Andy Meisner met Norma McCorvey to work on her memoir, “she was cashing checks at the 7-Eleven” and living with her partner Connie Gonzalez in Dallas. The New York Times visited McCorvey before the book’s publication in the summer of 1994, and McCorvey showed the reporter the steel door they’d had installed after their house was shot at in 1989 — as well as her dream keeper, a closet full of prized coats, and a collection of clowns she had purchased for Gonzalez. “Once people read I Am Roe, I think they’ll understand where I’m coming from,” she told the Times. “I’m a simple woman with a ninth-grade education who wants women not to be harassed or condemned.”

A year later, McCorvey publicly converted to born-again Christianity — and later, to Roman Catholicism — and she would spend the next twenty years of her life campaigning furiously against the pro-choice movement and the abortion she never received. “Roe has been her life, but it’s no longer much of a living,” wrote Vanity Fair in 2013.

McCorvey died in Dallas of heart failure at the age of 69 on February 18, 2017. In her review of I Am Roe, Susan Cheever writes: Norma McCorvey is an angry shadow from the dark side of the American dream…That Jane Roe and Norma McCorvey are the same person is just another example of the randomness and absurdity of a politics marked by an unbridgeable gulf between myth and reality.”  I Am Roe is currently out of print, and this excerpt is courtesy of Harper Collins.

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In Your Dreams: A Reading List

Photo: Gavin Clarke, (CC BY-NC 2.0)

I dream often. Every night, actually. Sometimes my dreams are sexy or scary. Mostly, I dream about school. It’s the first day, and I don’t have my schedule. It’s the last day, and I didn’t take a math class and now I won’t graduate. I’m lost. I’m running late. I skipped too many English classes, didn’t do the reading, and won’t pass the final. I can walk in my commencement ceremony, but I have to return to campus in the summer to finish my degree. Everything looks familiar but wrong somehow, like it does in all of our dreams. I look at numbers or words and realize they’re jumbled, unintelligible symbols. Sometimes, I know I’m dreaming, but I can’t control what’s happening; I’m not a lucid dreamer. Occasionally, I throw myself into the dream-ground and fall into bed. The dreams where I don’t want to wake up are the best ones, of course, and the next night I won’t fear sleep.

1. “A New Vision for Dreams of the Dying.” (Jan Hoffman, The New York Times, February 2016)

Hospice Buffalo is integrating their patients’ dreams and visions into their treatment and comfort routines, breaking with old-school care traditions.

2. “Loose But Lucid: A Dreamer in Paradise.” (Bucky McMahon, Esquire, February 2002)

Bucky McMahon travels to Hawaii to learn how to lucid dream (successfully!) from expert Stephen LeBarge.

3. “Can You Die From a Nightmare?” (Doree Shafrir, BuzzFeed, September 2012)

In 2012, after two years of writing and almost a decade of night terrors, Doree Shafrir published this essay about her violent, unpredictable sleep behaviors. Investigating potential causes and cures for her parasomnia led Shafrir to check in at the New York Sleep Institute, phone up comedian Mike Birbiglia, and sit down with Tim Dubitsky, the boyfriend of the late artist Tobias Wong, who killed himself in the midst of a night terror.

4. “Angry Signatures.” (Ursula Villarreal-Moura, Nashville Review, December 2016)

Short fiction from a Texan author about a mother-daughter pair and the manifestation of their prophetic dreams.

5. “Why We Dream About Our Childhood Homes.” (Janet Allon, The New York Times, July 1998)

What do New Yorkers dream about? Subways, manholes, expanding apartments, and flying over Central Park. Janel Allen includes each dreamer’s profession, and I enjoyed trying to make connections between their dream and waking lives.

6. “What Escapes the Total Archive.” (Rebecca Lemov, Limn, March 2016)

Pursuing the twentieth-century dream of capturing all sociological data in a single clearinghouse, a group of American social scientists in the mid-1950s attempted a bold, if not completely unprecedented, experiment. They would test the limits not only of content (what was collected) but also of format (how it was collected, saved, circulated, and distributed). The resulting data set of data sets, which I call the “database of dreams,” but which its creators referred to by the somewhat less evocative Microcard Publications of Primary Records in Culture and Personality, took shape between 1955 and 1963. Meanwhile, its more extensive vision—the total archive it portended and evoked containing all ephemeral data from the domain of subjectivity collected from peoples around the world, and available in turn across the globe—never did come about. Yet its would-be creators spoke of it as if to invoke it into existence.

The Love and Terror of Nick Cave

Longreads Pick

When musician Nick Cave’s son Arthur died, Cave dealt with his grief the only way he knew how: by continuing to write music. “Songwriting is an immensely positive act,” Cave said, “nothing to do with sadness or depression, no matter what you’re writing about.” A film made about the new album’s recording offers a penetrating portrait of tragedy, creation and grief.

Source: GQ
Published: Apr 27, 2017
Length: 29 minutes (7,286 words)

The Story of Memory: An Interview with Paula Hawkins

Author photo by Alisa Connan.

Cody Delistraty | Longreads | May 2017 | 8 minutes (2,228 words)

 

Born in Zimbabwe on August 28, 1972, Paula Hawkins’ family moved to London when she was a teenager. Although writing fiction interested her in her younger years, her stories generally remained unfinished. After graduating from Keble College, Oxford, she took the practical route and entered the newsroom at The Times of London, where she became a well-respected financial journalist.

In her thirties, she wrote romantic comedy novels with titles like Confessions of a Reluctant Recessionista, All I Want for Christmas, One Minute to Midnight, and The Reunion under the pseudonym Amy Silver, but this never proved a perfect match for her talents. Increasingly tight on money and disenchanted with writing lighter fare, she sent a partial draft of a new novel to her agent. It was unlike anything she had ever published: dark, twisted, and page-turning. Her agent went gaga. The rest is literary history.

The Girl on the Train
has sold about twenty million copies worldwide since January 2015, according to her publisher, and last year’s film adaptation grossed $173 million. Into the Water (out from Riverhead on May 2, 2017), is already destined to be a bestseller and DreamWorks recently purchased the film rights.

Like The Girl on the Train, Into the Water also concerns memory, unreliable narrators, and an obsession with the dark and macabre, but the novel is more complex, with interweaving narratives, narrative perspective shifts, and a cast of characters so complicated it surely deserves a front-of-book family tree for clarity.

I recently spoke with Hawkins about faulty memory, her rise to fame, her desire to be more literary, and the way her novels reflect the contemporary political climate.

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Is Butter the Future?

A freshly cut wheel of swiss cheese sits at the U.S. Championship Cheese Contest in Green Bay, Wis. The contest organizer, Wisconsin Cheese Makers Association, says the number of cheeses, yogurts and butters competing at this year's event is at an all-time high. They say it's because cheesemakers are seeing what a win does for sales. Judging was set for Tuesday and Wednesday, with winners announced Thursday. (AP Photo/Carrie Antlfinger)

In the April issue of Elle magazine, Molly Langmuir questions the societal and dietary norms that preach ‘fat is bad.’ Langmuir spoke with Sally Fallon, who, for two decades, has preached  the health benefits of enjoying animal proteins, organ meats, and raw milk and yogurt (while avoiding all things processed), and reveals that food—like all else—isn’t binary. Enjoying fatty foods doesn’t have to just be a cheat day indulgence.

Raised in Palos Verdes, California, by parents she calls “the original foodies,” Fallon got an English degree at Stanford in 1970 and settled in Washington, DC, with her then husband (they later divorced), who worked in the aerospace industry. “I knew in my bones this low-fat thing was wrong,” she said. But she didn’t have evidence until she read Nutrition and Physical Degeneration, published in 1939 by an intrepid dentist named Weston A. Price, which documented his world travels studying diets and health. His conclusion? Various diseases, cavities, even “personality disturbances,” were rare among groups who ate like their ancestors— lots of meats or seafood, plenty of fat, and, if they ate carbs, whole grains—but rampant among those who’d adopted a modern diet, with heaps of white flour and sugar.

Fallon eventually had four kids and fed them foods like liver and raw milk—she credits this with their continued good health and in 1995 she put Price’s beliefs into practical form in the self-published Nourishing Traditions. At first, Fallon stored the books in her garage and shipped out a few copies a month, but “it started to grow and grow,” she said. Even Atkins blurbed her book, gushing that the first chapter “is so right on target that I feel a little guilty for taking her ideas.” There are now 740,000 copies in print.

Over lunch—a tomato soup into which she’d stirred an entire container of crème fraîche and a dip made from cheese, butter, and cream—she said that at her farm, she does things “the old-fashioned way,” meaning it’s a multispecies realm with pigs that eat the leftover whey, cows that eat the grass, chickens that eat anything they scratch out of the ground, and cats that eat the mice. The living-history–museum vibe carries over into the 150-year-old main house, a precisely decorated three-story affair filled with antique china and Oriental rugs. (There are a few incongruous nods to the present: a swimming pool, a wine fridge.) Fallon does her writing at an enormous antique desk, on which sits a glass paperweight I mistook for a crystal ball. “I don’t see the future,” she said. Then she laughed. “Yes, I do! And it’s butter!”

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