Search Results for: writing

The Beauty (and Predictability) of a Slot Machine’s Algorithm

A Russian mathematician from St. Petersburg named Alex has quite the talent: he reverse engineers the pseudorandom number generators (PRNGs) that govern how slot machines behave. His team of field agents roams casinos around the world and “milk” the machines whose algorithms they’ve cracked.

Here’s how it works: an agent records a video of a targeted slot machine, sends the footage back to St. Petersburg, and Alex analyzes the slot’s behavior to determine the moment it will pay out. “By using these cues to beat slots in multiple casinos,” writes Brendan Koerner in Wired, “a four-person team can earn more than $250,000 a week.”

After interviewing Alex on the record, Koerner tells the story of this programmer-turned-hacker and what he views as his Robin Hood-like crusade against the global gambling industry.

In the course of reverse engineering Novomatic’s software, Alex encountered his first PRNG. He was instantly fascinated by the elegance of this sort of algorithm, which is designed to spew forth an endless series of results that appear impossible to forecast. It does this by taking an initial number, known as a seed, and then mashing it together with various hidden and shifting inputs—the time from a machine’s internal clock, for example. Writing such algorithms requires tremendous mathematical skill, since they’re supposed to produce an output that defies human comprehension; ideally, a PRNG should approximate the utter unpredictability of radioactive decay.

After wrapping up the casino gig, Alex spent six months teaching himself everything he could about PRNGs—in part because he admired their beauty but also because he knew that such expertise could prove profitable. “I mastered it to the point where I can develop such algorithms myself, on a level I am yet to see in a gambling machine,” says Alex, who will never be accused of lacking confidence. “It’s in my bloodstream now. I feel the numbers; I know how they move.”

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In Foreign Territory, Wondering: Who is the Alpha Monkey?

Illustration by Rebekka Dunlap

Leigh Shulman | Longreads | August 2017 | 20 minutes (4,962 words)

 

Still breathless from dragging our heavy bag down the hill and through the mud, I never expected to be turned away on arrival. “No children allowed here,” he tells me.

“But Rafael,” I explain after introductions, “Monica knows we’re coming. Por favor ask her.”

What Rafael doesn’t tell me is that Monica, the owner of this magnificent animal sanctuary in the middle-of-nowhere jungle, left two days earlier for La Paz to tend to her sick father. She neglected to inform anyone that my nine-year-old daughter Lila and I would be landing on their doorstep. It’s a 20 km walk to the nearest town and no more buses for the day. How did I get us into this mess?

Thirty-six hours earlier, we locked the door of our house in Argentina, cabbed to the terminal and hopped a late bus headed for Bolivia. Lila snuggled against my shoulder, attempting to sleep through her excitement over our first night away. The driver rolled to a halt in every tiny dirt-pathed town, belching passengers into the cool Andean night. We touched the border before dawn.

Four hours and two passport stamps later, an unrelenting Bolivian sun burned our skin as we breakfasted on buttery rolls and coffee.

“How long is the next ride?” my little one asked.

“Twenty hours from here to La Paz.”
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The Hippies Who Hated the Summer of Love

Newcomers to the Haight-Ashbury neighborhood in April, 1967. At the height of the "Summer of Love," the area had a population density greater than Manhattan.

Kate Daloz | Longreads | August 2017 | 11 minutes (2700 words)

The posters began to appear around the city just after New Year’s, 1967. “A Gathering of the Tribes for a Human Be-in…Bring food to share, bring flowers, beads, costumes, feathers, cymbal flags.” On Saturday, January 14, a crowd of young people began to form on the open fields of Golden Gate Park. Throughout the day, local bands — not yet famous — took turns on the stage: The Grateful Dead, Jefferson Airplane, Janis Joplin’s Big Brother and the Holding Company. Poets Allen Ginsberg and Gary Snyder led Hindu chants to the bouncing rhythm of finger cymbals. Timothy Leary addressed the crowd, urging them for the first time ever to “turn on, tune in, and drop out.” Owsley Stanley, the rogue chemist credited with manufacturing the period’s highest-quality LSD, donated 75 turkeys for sandwiches — the bread was sprinkled lightly with crushed White Lightning acid. At one point, a skydiver descended gently into the crowd, borne by a white parachute.

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And How Much of These Hills Is Gold

Illustration by Kjell Reigstad

C Pam Zhang | The Missouri Review | Spring 2017 | 17 minutes (4,793 words)

This short story first appeared in The Missouri Review, the quarterly print journal produced at the University of Missouri since 1978. In a frontier Western mining town, the children of two Chinese miners struggle to survive on their own. It’s the first chapter of an in-progress novel. Our thanks to C Pam Zhang and the TMR staff for allowing us to reprint it at Longreads.

* * *

Ba dies in the night, prompting them to seek two silver dollars.

Sam’s tapping an angry beat come morning but Lucy, before they leave, feels a need to speak. Silence weighs hard on her, pushes till she gives way. Leaking apologies or Ha ha has.

“Sorry,” she says now to Ba in his bed. The sheet that tucks him is the only clean stretch in this dim and crusty room, every surface sticky with tobacco spit. Ba didn’t heed the mess while living and in death his mean squint goes right past it. Past Lucy. Straight to Sam. Sam the favorite, round bundle of impatience tapping at the door in too-big boots. Sam clung to Ba’s every word and now won’t even meet the man’s gaze. That’s when it hits Lucy: Ba really is gone.

She digs a toe into the dirt floor, rooting for better words. Words to make them listen. To spread benediction over years’ worth of hurt. Dust hangs ghostly in the air, no wind to stir it.

Something prods her spine.

“Pow,” Sam says. Ten to Lucy’s twelve, wood to her water as Ma liked to say, Sam is nonetheless shorter by a full foot. Looks young, deceptively soft. “Too slow. You’re dead.” Sam cocks fingers back from pudgy fists and blows on the muzzle of an imaginary gun. The way Ba used to. Proper way to do things, Ba said, and when Lucy said Teacher Lee said these new guns didn’t clog and didn’t need blowing, Ba judged the proper way was to slap her. Stars burst behind her eyes, a flint of pain sharp in her nose.

Lucy’s nose never did grow back straight. She thumbs it, thinking. Proper way, Ba said, was to let it heal itself. When he looked at Lucy’s face after the bloom of bruise faded, he nodded right quick. Like he planned it all along. Proper that you should have something to rememory you for sassing.

There’s dirt on Sam’s face, sure, and gunpowder rubbed on to look (Sam thinks) like Injun warpaint, but beneath it all, Sam’s face is unblemished.

Just this once, because Ba’s big muck-shovel hands are helpless and stiff under the blanket—and maybe she is good, is smart, thinks in some part of her that riling Ba might make him stand and swing at her jaw—Lucy does what she never does. She cocks her hands, points her fingers. Prods Sam in the chin, at the join where Injun paint gives way to baby fat.

“Pow yourself,” Lucy says. She pushes Sam like an outlaw into the street. Read more…

The Editor Who Brought Julia Child to America

Image: AP Photo (Richard Drew)

The adjective “legendary” has been losing its lustre in recent years. We often use it to connote longevity and persistence rather than greatness. The descriptor feels quite apt in the case of book editor Judith Jones, who died today at the age of 93. (She stepped down as Senior Editor and Vice President at Alfred A. Knopf in 2011, at the age of 87.) Imagine the second half of the 20th century without The Diary of Anne Frank (which Jones rescued from a pile of rejected submissions), Julia Child’s cookbooks, or John Updike’s fiction.

In a 2015 profile at Eater, Charlotte Druckman wisely gives Jones the stage. What follows is a string of observations and casual aphorisms on the evolution of food writing in the past few decades — including how she championed Child’s Mastering the Art of French Cooking.

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Why Fiction Haunts Us: Pulitzer Prize Winner Viet Thanh Nguyen on His Ghosts

(Photo by Primo Barol/Anadolu Agency/Getty Images)

In a profile at New Republic, Josephine Livingstone talks with Viet Thanh Nguyen about the ghosts that inhabit his life, his writing, and his birthplace in Vietnam. Nguyen’s book, The Sympathizer won the 2016 Pulitzer Prize for Fiction.

The ghost is an apt figure for the war that is fought a second time. It is a metonym for the memory of a living person, as well as the vocalizing embodiment of death itself. The ghost is a kind of walking death-in-life principle. “I don’t think I have ever seen a ghost,” Nguyen told me. “But I do know people who have.” He believes in them “as a figurative sign of haunting, given everything that [he] experienced growing up in the Vietnamese refugee community.” Back in Vietnam, Nguyen explained, “I had an adopted sister that we left behind.” He only knew her by a black and white picture that belonged to his parents. “So I grew up literally knowing there was a missing person in the family, and not really understanding why. That is a kind of a haunting.”

In a way, the novelist’s role in the culture is similar to a ghost’s within a family. A work of fiction haunts us: It watches over the shoulder, inspires memories, encourages reflection. Viet Thanh Nguyen’s books are almost overwhelming in their capacious embrace of a war that was so very, very big. But Nguyen’s career is evidence that patience and memory are intertwined parts of the brain. Sometimes a writer must wait and remember, until the voice of memory emerges. Then, like a ghost, it can never die.

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Viet Thanh Nguyen’s Ghosts

Longreads Pick

In this profile at New Republic, Josephine Livingstone talks with Viet Thanh Nguyen (winner of the 2016 Pulitzer Prize for Fiction for The Sympathizer) about the ghosts that inhabit his life, his writing, and his birthplace in Vietnam.

Source: New Republic
Published: Jul 25, 2017
Length: 6 minutes (1,516 words)

The Gossip Columnist Who Became the News

Liz Smith and Ivana Trump celebrate Trump's 40th Birthday at La Grenouille in New York City in 1989. (Ron Galella, Ltd./WireImage)

“If you were a woman and wrote about politics and D.C., you were a Washington gossip. If you were a man, you were a columnist,” explained Rona Barrett, the television presenter and celebrity gossip queen of the 1970s and ’80s, in an interview with BuzzFeed’s Anne Helen Petersen last year. Gossip—he said, she said, who was there, who was he with, what did they talk about—is the official currency of the Trump Administration, and any reporter who thinks they are above it is going to lose the newspaper war.

The women who became the great gossip columnists of the late twentieth century knew they weren’t above it—a reporter merely reported what their sources told them, a gossip columnist psychoanalyzed them.

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The Boy With the Coin-Filled Cellophane Cigarette Wrapper, and Me

Illustration by Kjell Reigstad

Amber Leventry | Longreads | July 2017 | 12 minutes (3,016 words)

 

I entered my daughter’s kindergarten classroom and walked behind her with enough distance to accommodate the swinging of her backpack and the unpredictable steps taken by a five-year-old wearing wet snow boots on a linoleum floor. We squeezed through the door and by her classmates who, with barely combed hair and missing baby teeth, are practically carbon copies of her. She shuffled over to her friends, and I placed onto a table the well-labeled Ziploc bag containing the exact amount of money she needed for the school’s pre-Christmas sale, in the exact denominations requested.

One of my daughter’s classmates placed his sack of coins on the same table, but it was not over-prepared in the way my daughter’s was. There was no label or even a seal to keep his change from spilling onto the table or floor. His money was seemingly grabbed from what could be found in pockets or the car on the way to school and was stuffed into the clear cellophane wrapper pulled off of a pack of cigarettes. It was clearly an afterthought on a morning that placed other things more stressful or pertinent above a kindergarten teacher’s reminder to send a dollar’s worth of dimes into school for a holiday tag sale.

Even with their different backgrounds hidden beneath the surface of similar physical features, each child is measured against the same school motto: Be Kind, Be Safe, and Be Your Best. The expectations are reasonable, but the ability of each child to exhibit these qualities is variable. One’s best may be viewed as far below another’s. Sometimes one’s best is only as good as what is provided at home, by what is held in one’s hands.

I don’t know this boy’s circumstances, and the similarities in our childhood experiences may start and end with this isolated detail provided by a cigarette-smoking caretaker. But his bag of tobacco-greased pennies and nickels could have been pulled from my childhood home, if my parents had been so clever or resourceful. The coins and their presentation quickly conjured memories from my childhood.

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Choire Sicha’s New Role: Editor of The New York Times Styles Section

Choire Sicha
Photo via YouTube

Choire Sicha is a very special human being. Just look at these Twitter mentions congratulating him on his new role as editor of The New York Times Styles section. It’s a trip through the past 20 years of New York media featuring an all-star cast of writers, many of whom he helped shepherd to fame (or at least a steady job).

Choire makes people feel good about themselves and their work, and this of course is what makes an editor truly great. Like any other nobody with a blog, I have my own Choire story: I started Longreads shortly after he and Alex Balk started The Awl, and he was supportive and encouraging from the start. (He also condemned me for not having Renata Adler anywhere on the site yet.) Great editors will save you from future embarrassment.  Read more…