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The Offer of a Two-Night Stand, When Just One Would Do

Illustration by Courtney Kuebler

Suzanne Roberts | Longreads | Month 2019 | 18 minutes (4,525 words)

“I crossed the ocean and then the island for you,” Sancho said when he found me at the bar in Rincon, his white teeth shining like the keys of a piano. His small blue backpack was slung over his shoulder. He pushed back his long dread-locks and kissed me. “And it wasn’t easy,” he continued. “I had to take the ferry and then the wah-wah, and finally hitch a ride to Rincon. So here I am.”

“Here you are,” I said and smiled. We stood on the deck of the small noisy bar. The band had just taken a break, and my friend Tracy was inside talking to the guitarist.

“You called me, and I knew I had to come,” he added.

“How did you know I’d be at the Tamboo bar?” I asked.

“I knew,” he said and smiled. “This is the place to be.”

“And I’m always in the place to be,” I joked.

“You are,” he said with a seriousness that made me laugh harder.

I felt giddy at the idea of a man crossing an ocean and then an island for me, even as small as Puerto Rico was. We walked from the deck and into the sand, and under the palms watched the waves roll, crash, foam, and retreat onto the beach. I carried my sandals. The night filled with the sounds of crickets and coquis, the tiny singing frogs, and the smells of salt and the sweet decay of seaweed. Each wave shined blue-green, the crashing causing the bioluminescence, the same flash we’d seen while kayaking in the bay a few days earlier in the “Bio Bay” of Vieques.A blue-green glow zippered across the sand with each wave, the foam a patchwork of neon.

That’s when Sancho kissed me, and his broad mouth and soft lips took me by surprise, even though I’d been waiting two days, or maybe my lifetime, for a kiss to happen like that, on the edge of an island, between two palms, under a sky canvassed with stars. My toes splayed out onto the sand, the ground below me, shifting.
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Bundyville: The Remnant, Chapter One: A Quiet Man

Illustration by Zoë van Dijk

Leah Sottile | Longreads | July 2019 | 25 minutes (6,186 words)

Part 1 of 5 of Bundyville: The Remnant, season two of Bundyville, a series and podcast from Longreads and OPB. Catch up on season one of Bundyville here.

I.

When the house around the corner exploded, Richard Katschke and his wife, Karen, were reading scripture. The retired pair looked up from the pages and froze. In another room, a plastic light cover clattered to the floor.

It was a warm Wednesday. Mid-July 2016, about 8 p.m. Outside, a boy rode his bike near South Fifth Street. A man started a lawn mower.  

The Katschkes were seated on a brown leather couch in a room they’d added onto their Panaca, Nevada, house years earlier for Richard’s elderly mother — both he and Karen called her “Mom.” She lived there until the Katschkes made her more comfortable at the nearby hospital in her final days, where a quiet nurse would rub her feet with cream and stay by her side, watching the old woman’s eyes for a sign she was ready to be with God.

The Katschkes never imagined that nurse, 59-year-old Glenn Jones, would, in the last seconds of his life, commit a bombing around the corner from their house — a cataclysmic event that would send a family screaming from their home seconds before it exploded and, even now, three years later, would still have no official explanation from federal authorities. 

 

Keep the characters of Bundyville: The Remnant straight with this character list.

Glen Wadsworth was the last person to see Jones alive. He was pushing a lawn mower across the grass at his childhood home. Inside, his elderly father sat in front of the television.

Ever since Wadsworth was a teenager, he mowed the lawn the exact same way: pushing and pulling the machine from front yard to side yard to back. But for a reason he still can’t quite understand, that July evening he pushed and pulled a different way than ever before: front, back, side.

Wadsworth — a tall man with straight teeth and neatly combed hair who serves as a member of the local volunteer fire department — looked up from his mower to see Jones back a car up to the gray house next door, where Joshua and Tiffany Cluff lived with their three daughters. Jones parked, got out of the car, and waved to Wadsworth. Wadsworth waved back and continued mowing. He didn’t know Jones, but thought he looked familiar from when the Cluffs built the gray house and friends chipped in on the work. 

Wadsworth didn’t see or hear Tiffany and her girls run out of the house, screaming into the telephone.

“911, What is your emergency?” the operator said.

“I … Someone … somebody showed up at my house with a bomb,” Tiffany Cluff panted into her neighbor’s phone. “He’s going to blow my house up.” 

“Ma’am. Ma’am. Take a breath for me, OK? I can barely understand ya. What is happening?”

“We’re running away from my house,” Tiffany, hysterical, choked on her words. “I grabbed my kids and I ran.”

“He said he was going to kill you?”

“He said he was going to blow the house up.”

“OK, all right, take a couple breaths for me,” the dispatcher said. “Are you away from the home?”

“Ye—”

Tiffany couldn’t even finish the word “yes” before the sound of a bomb exploding and the heart-stopping screaming of three little girls flattened any other noise coming through the receiver. 

Oh my god!” she screamed. “He just blew my house up!

Down the street, Lincoln County Sheriff Kerry Lee — one of Glen Wadsworth’s oldest friends — was out in his yard with his dog when the blast shook his ribcage. 

Lee smiles a lot for a cop — a wide, friendly grin under a thick mustache and a flat-top haircut. And in Panaca, he wears a lot of hats: He’s the sheriff, but he’s also the chief of the volunteer fire department and the county coroner. By July 2016, he’d been in law enforcement for nearly 30 years, and he knew that in Panaca, loud noises are often easily explained: a sonic boom from a military aircraft flying low around Nellis Air Force Base or the Nevada Test and Training Range. 

But this was different. Normal noises don’t shake you from the inside. The sheriff yanked his dog into the house, grabbed the keys to his patrol rig, and sprinted back out again. He paused, trying to understand why, all around him, it sounded like a hailstorm was falling from the clear blue sky: “I knew something wasn’t right.” 

Wadsworth was still mowing. He didn’t hear Jones shoot himself as he sat in the front seat of the car. Maybe the mower drowned out the sharp pop of the gun, or maybe he’d just fired so many gunshots of his own across the dry desert that he had conditioned himself not to flinch at the sound. But when he looked up from his mower and saw the house next door on fire, he sprinted toward it, believing the family was inside. He ran toward the house, but at the front door, it was as if he ran right smack into the palm of an invisible hand. “It was just like a wall. I just couldn’t.” 

Another explosion sounded on the 911 call.

Sheriff Lee could see a mushroom cloud billowing when he looked down South Fifth Street. He assumed it had to be a fire, a gas explosion, an exploded transformer. A bomb? Here? In Panaca? Never crossed his mind. 

The windows of the Wadsworth home exploded inward and a hunk of Jones’s car rocketed straight toward the old man sitting in his chair, landing just short at his feet. Glen Wadsworth, somehow, wasn’t hit by a thing. 

The chipping house next door to the Cluff home inched sideways on its foundation. A chunk of shrapnel careened toward the boy on his bike, hitting him so hard in the shoulder that it knocked him to the ground, but miraculously, only left a small bruise. 

The two explosions sent hot metal shrapnel flying upward, curving in long arcs over the remote desert town. A half mile away, debris rained on the high school. The football team, outside doing drills, dropped to the ground. Daggers of shrapnel stabbed into the sides of nearby houses. One piece punched through the roof of a garage, piercing the hood of the car parked inside. 

In a town where nothing ever happens, a town where there are no secrets, suddenly there was mayhem. 

“It was Glenn Jones,” Tiffany Cluff cried to the 911 dispatcher. “He said he was going to kill himself and blow up our house.”

As Sheriff Lee drove closer, he could see the destroyed house: It looked like a giant had mashed the house with colossal fists and twisted a car into a grotesque tangle of metal, leaving a deep crater in the pavement. 

“Cars blow up like that in a movie,” Lee said. “They don’t normally blow up like that.”

Neighbors who’d gathered at the corner of Fifth and Hansen waved the sheriff down. “Stop! Stop!” he remembers them shouting as he pulled up to the scene. “You’re running over body parts!” 

Sure enough, there on the ground lay a pair of legs. 

It would be 14 hours before investigators would find the rest of Glenn Jones. His torso had flown out of sight, high into a neighbor’s tree.

Though the investigation was transferred to the hands of federal authorities, Sheriff Lee — in another of his roles, as county coroner — inspected the top half of the body when it was fished down from the branches. He was surprised to see two tattoos on the chest. 

One clearly read DNR — medical code for “do not resuscitate.” The other was a phone number for the man whose house he had just exploded: Joshua Cluff.

***

A gravelly town on the sinful side of the Utah-Nevada border, the desert outpost of Panaca was established in the 1860s by Mormon pioneers whose legacies live on in the few street names here and in the last names of the people who still call this place home. 

Today, Panaca is like a peninsula of Utah: the only town in Nevada that is dry, and one of just two in the state where gambling is prohibited. If you want a beer, you’ll have to drive 15 miles to Caliente — pronounced around these parts as “Cal-yen-ee” — to get one, at a smoky bar along a peeling downtown strip. Panaca, Caliente — they’re what you picture when you think of a Western town: At night, tumbleweeds blow down the middle of empty streets, coming to rest against a hardware store with deer heads and bobcat pelts on display in the window. 

It’s a place where you know your neighbor, and you know that really knowing him means understanding what’s your business and what isn’t.

On Thursday, July 14, 2016, the day after the bombing, shrapnel lines a previously quiet street in Panaca, Nevada. (Brett Le Blanc/Las Vegas Review-Journal via AP)

Most Panacans worship together at an LDS church right smack in the center of town. A single market sells snacks and produce. The streets are pocked and rough. Chickens hustle busily in some yards, horses graze in others. Here and there, piles of junk look like they’ve been battered by desert winds for decades. Next to the high school, a massive mint-green rock formation called Court Rock bubbles skyward, named for the way young folks traditionally have “courted” there; on my visit, a condom wrapper stomped into the silty mud at the rock’s foot suggested that’s still the case.

A sign displaying the Ten Commandments guards the town, as if its presence will keep the Devil out. Panaca may have a Nevada zip code, but Lord knows it’s God’s country. 

Panaca is the birthplace of John Yeates Barlow, one of the most influential leaders of the Fundamentalist Church of Jesus Christ of Latter-day Saints — a group that still practices polygamy. LDS folks here are adamant that they would never want to be confused for FLDS, but most don’t mind having them as neighbors.

Mormonism, after all, is what built Panaca, and polygamists historically have had a place in Lincoln County. In the mid-2000s, essentially with the blessing of the FLDS prophet Warren Jeffs, a group that operated a 3,000-acre ranch more than 40 miles north of the town. The Caliente-Panaca area was a special place for Jeffs: At the Caliente Hot Springs Motel, Jeffs reportedly held underage wedding ceremonies at a moment’s notice. 

When the FLDS farm sprung up, Sheriff Lee said the group was clear that they didn’t want the police in their business. So he drove up to introduce himself, shook their hands, and assured them they could call if they needed help. They were “good, good people,” he said, who were living under the direction of Jeffs: “A bad guy. A bad man.” (After a conviction on charges of felony rape was reversed by the Utah Supreme Court, Jeffs was sentenced by a Texas court to life in prison for sexually assaulting two followers — age 12 and 15 — in what his church deemed a “spiritual marriage.”)

Living here means looking the other way sometimes. Picking your battles. More than one Panacan told me they wouldn’t want to speculate about why a bombing occurred in their town, but then offered an opinion anyway: A lot of people here think the bomb was simply a loud, messy expression of a workplace grievance between Glenn Jones and Joshua Cluff. 

Jones, for years, did live in Panaca, and worked under Joshua Cluff as a nurse at the Grover C. Dils Medical Center in Caliente — just across the highway from the Caliente Hot Springs. Records from the Nevada State Board of Nursing show Jones’s license was revoked after he failed to “document administration or waste” of three separate doses of morphine in a two-month span. Messages left for Grover C. Dils Medical Center staff for this story went unreturned, but in 2016 one administrator told the Las Vegas Review-Journal that Jones left his job there voluntarily and on good terms. Even so, some Panacans think maybe Jones blamed Cluff, and that’s enough explanation for why he bombed him. Sheriff Lee is skeptical of the whole workplace grievance theory. “I don’t think that was a major reason for the bombing,” Lee said.

After leaving his nursing job, Jones moved several hours south to a blue-and-white-striped mobile home in the Zuni Village RV Park in Kingman, Arizona. His camper, parked in Space #69, was at the center of the park, surrounded by homes with mostly graying retired folks. 

Upon entering Jones’s RV the day after the explosion in Panaca, bomb technicians found multiple devices, several of which were “fully functional,” one officer wrote in his report. A neighbor told police they’d seen him carrying a large artillery shell into his RV, but Jones was known to buy items like it in the area, restoring and reselling them to other collectors. So most people didn’t bat an eye.

But police accounts paint a picture of a trailer brimming with bomb-making materials: metal containers, fuses, power tools, smokeless powder. Ammo cans were stacked under his dining room table. Even his shower had projectiles inside. 

On a nightstand, investigators found three spiral-bound notebooks each with Jones’s name written on the front. Inside one, he had drawn diagrams for a bomb, which gave investigators reason to believe the devices were originally intended for a different target. 

“The entries indicated that Glenn Jones had been approached [by] a subject identified as ‘Josh’ who offered to pay him to construct an explosive device,” wrote one detective. 

“The intended target of the device was identified on one page as ‘Forth of July BLM Field Office,’” the detective continued. “The journal entries indicate that there was a falling out between Jones and ‘Josh,’ and that Jones instead decided to target ‘Josh’ with his explosive device, or ‘bomb.’

“Jones went on to document that ‘Josh’ is the cousin of LaVoy Finicum and seemed to indicate this was a possible motive for the planned attack on the BLM Field Office.”

In his office, up the road from Panaca in the town of Pioche, Nevada, Sheriff Lee keeps a large chunk of the bomb — one of the pieces the FBI didn’t seize. Just touching a finger to its razor-sharp edges is enough to draw blood. “These bombs were actually bomb artillery shells made to make shrapnel,” he said, “made to kill people.”

Nevada Governor Brian Sandoval and Lincoln County Sheriff Kerry Lee outside the destroyed Cluff home on July 15, 2016. (Brett Le Blanc/Las Vegas Review-Journal via AP.)

****

At the heart of what little is known about the events in Panaca was the handwritten documentation left behind by the bomber. It makes clear that Jones had an interest in Finicum — one of the central figures in the so-called Patriot movement, a collection of anti-government groups that includes the conspiratorial militia-types and sovereign citizens who flocked to the anti-government standoffs and way of thinking popularized by the Bundy family. Finicum was only ever in the movement at the end of his life, but he became a martyr for it in his death in January 2016, when he was shot and killed by law enforcement. He was fleeing a traffic stop in Oregon during which authorities intended to arrest the leaders of the Malheur National Wildlife Refuge occupation.

The car Jones blew up in Panaca was a rental. When police entered the dark green 2007 Saturn Ion that Jones owned, parked in an Avis rental car parking lot, inside they found out more about Jones and Cluff. There was a 2014 contract for a land purchase with both of their names on it and an agreement for Jones to pay Cluff $50,000. 

Two years before the bombing, Jones also deposited $9,000 into an interest-bearing bank account that would mature in one year and, ultimately, be payable at the time of his death to one person: Cluff. 

Much like in the rest of the U.S., people in Panaca don’t talk much about domestic terrorism these days. They likely have a better reason to talk about it than other Americans, but Panacans explain the bombing away — that what’s important to remember is that some  gesture of holy providence saved them that day. 

At the town’s only bed and breakfast, the mother of the kid on the bike — the only person to be hit by shrapnel — served me pancakes and eggs in the morning and mentioned she thinks “angels of our ancestors” were watching over the town that day the bomb went off. 

Panacans believe their collective faith in God bent the trajectories of shrapnel to miss Wadsworth and his father. That faith kept shards of glass out of eyes, harnessed flames and surging power lines, and kept the Cluff family alive. 

If God saved this town, why think about the bad parts of the story anymore — even if there’s never been an official explanation for what happened? Besides, could domestic terrorism really happen in a place like this, where everyone knows everyone else, where every house is a home? 

People laugh darkly about the bombing now: The way, a few days later, a lady caught her dog gnawing on an unfamiliar bone and realized his snack was actually human. The way people still find odd remnants and assume they’re pieces of shrapnel. The way dozens of birds, for weeks, pecked away at some of the Chinese elm trees where Jones’s body parts landed.

Every spring, when Richard Katchske plants a line of flowers along his fence, he digs out twisted nobs of shrapnel from the dirt. Katchske showed me a piece, holding a brownish-black gnarl in his palm. I could have it if I wanted. I declined.

“It’ll be a legacy I pass on to my kids,” he laughed.

 

II.

Last year, when Bundyville came out, I felt satisfied that I’d found the answers I’d come looking for about the Bundy family and the Patriot movement, and I felt I had a sense of their place in America’s long-standing anti-government movement. 

The Bundys created flash points members of those movements could rally around: Their very public confrontation in 2014 near their Bunkerville, Nevada, ranch was borne out of long-simmering discontent with how federal agencies have treated rural people in the American West. In the case of the Bundy family, that was combined with specific gripes about how Mormon pioneers, who tried to flee America in the 1800s to create a new homeland, were treated. Then, in the 1950s, those same people in Nevada, Arizona, and Utah were showered with nuclear fallout without any warning from the government. But the 2014 standoff was also based on a conspiracy theory being pushed by the Bundys: that the feds couldn’t actually own land, and that the Bundys were entitled to graze cattle on public land for free.

So by 2014, when Bureau of Land Management agents came to collect on long-unpaid federal grazing fees — racked up by the family patriarch, Cliven Bundy, as his cattle lived on public land without a BLM permit — the family combined forces with anti-government militia groups willing to point guns at those officials. And it worked. They kept their cows. The Patriot movement declared victory. The feds turned tail. 

Then, in 2016, when two of Bundy’s sons, Ammon and Ryan, helped lead the 41-day armed takeover of a federal wildlife refuge in Oregon, it was the sequel to Bundy Ranch. Anti-government groups looking to stick a finger (or a gun barrel) in the government’s eye convened in one location, as if to dare the feds to chase them out. They talked about Waco and Ruby Ridge. They said they were ranchers upset over grazing prices and the arrest and conviction of Dwight and Steven Hammond, two Oregon cattlemen who’d gone to prison for setting fire to federal land. But really, it was an event that brought out kitted-up militia guys and kitted-up guys who wanted to look like militia guys, sovereign citizens, jaded veterans, Islamophobes, white supremacists, and fringe politicians out in force.

One of the few actual ranchers who did come to the Bundys’ side at Malheur was Finicum: a 54-year-old Arizona rancher who assumed a leadership role at the Oregon occupation and was killed there. But in his death, the Patriot movement got a new martyr. 

Last year, I thought I knew what that meant, how this concept of “Bundyville,” to me, was a state of mind. You believe whatever you want about the world, even if you know very well it isn’t true — as if by thinking this way you will manifest it into existence. And that felt like a way of understanding the deep divides in America right now. 

But then, something I didn’t expect happened. 

After we released Bundyville, these conspiracy theories I’d heard about in the Patriot movement — ones that were always there, but never central to my reporting on the Bundy family — started popping into the headlines more and more. The Guardian reported that investigators, upon looking into motivations for why Stephen Paddock committed a deadly shooting spree in Las Vegas, encountered stories of his supposed sovereign citizen ideology and a purported belief that FEMA runs concentration camps meant to round up Americans.

Then, in March 2019, a Florida man named Cesar Sayoc Jr. pleaded guilty to mailing 16 explosives to a dozen prominent Democrats and billionaire investor George Soros. Within the Patriot movement, talk about Soros — who has been the target of conspiratorial rhetoric by Trump — was something I’d heard more than once. But now the President of the United States was known for floating conspiracies about Soros. Last fall, he told reporters he “wouldn’t be surprised” if the caravan of migrants approaching the southern border were paid to come to the U.S. He added, “a lot of people say” the migrants were funded by Soros.

Back in 2016, when I covered the Oregon Standoff trial, I spent a lot of time talking to Patriot Movement supporters outside the courthouse. Our conversations, often, would feel normal until, quite suddenly, they’d take a hard turn; conversations about federal overreach would turn to conspiracies about the so-called New World Order, shadowy cabals of “globalist” leaders, implementation of sharia law, and supposed terrorist training camps in the U.S. They told me about Agenda 21 — a United Nations plan of action, which they believed would use sustainable development to redistribute wealth and turn the U.S. into a communist state. They talked about Uranium One, a conspiracy in which Hillary Clinton supposedly sold uranium to Russia in exchange for donations to the Clinton Foundation.

I wrote them all down, but then threw those notepads into a blue Rubbermaid bin in my office and mostly forgot about them.

But those conspiracy theories kept resurfacing. The day after Sayoc was arrested, another conspiracy theorist was in the news: An antisemite named Robert Bowers, who’d been posting to a social media site largely populated by racists, and stands accused of opening fire in a Pittsburgh synagogue, murdering 11 and injuring 7 — motivated by his apparent belief that Jews are “children of Satan” and were to blame for any problems in the United States. 

I’d heard things like this before, too, when learning about how Christian Identity — some followers of which believe that Jews are the spawn of Eve and Satan — drove people to form the Posse Comitatus movement, which considered the northwestern United States as a possible outpost for an all-white nation. People like that have found a home, too, within the Patriot movement. 

When I asked Mark Pitcavage, a senior research fellow at the Anti-Defamation League, about conspiracist thinking, he offered that a conspiracy theory develops as a way of fitting in with someone’s worldview. Or it can explain a dramatic event with an equally dramatic theory. He uses President John F. Kennedy’s assassination — and more than 50 years of conspiracy theories about what occurred that day — as an example of how the psychology functions. “It’s a psychological thing where what actually happened is simply too simple for someone to be satisfied with,” he said. “The idea that one person killed the president is just not satisfactory to some people. For such a big event like that they seek an equally big and complex explanation.”


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Pitcavage sees conspiracy theories as the beating heart of the anti-government movement: “All the main movements in the Patriot movement are dominated by conspiracy theories.”

Suddenly, these ideas I’d scribbled down a few years ago were becoming a key conversation in America, and they gave me a sense of what the fringe edge of the far right was willing to believe. So when the president floated half-baked stories to push his agenda, they were willing to hop on board.

As steam built during the government shutdown in the winter of 2019 around President Trump’s plan to build a border wall along the southern edge of the United States, I felt like I was watching a Patriot movement passion project come to fruition. Trump, by then, was justifying the wall’s construction by telling tall tales that cartels were sending drugs over the border and terrorists were streaming into the country. Even Rep. Will Hurd, a Republican representative from Texas called bullshit.

One of the Bundys seemed to be talking relative sense on this topic. Throughout the past few years I’ve heard the family continually explain their unsubstantiated interpretation of the United States Constitution — and now Ammon Bundy, of all people, was telling his acolytes that Trump’s rhetoric about “the wall” wasn’t real. He called for compassion for people fleeing persecution, poverty, and fear. Trump, he said, “has basically called them all criminals,” and Bundy urged his followers to see that the president was peddling conspiracies.

Ammon Bundy in a video posted to Facebook in 2018, which made some internet commenters joke that he was becoming “woke.”

“What about individuals? What about those who have come for reasons of need for their families?” Bundy asked in a Facebook video. “The fathers, the mothers, and the children that come here and are willing to go through the process to apply for asylum so they can come into this country and benefit from not having to be oppressed continually?” Bundy scoffed that anyone could actually believe migrants had been paid by George Soros.

Some of his followers were outraged. Chatter went around online about Ammon Bundy being “woke.” My head spun. I called Ammon Bundy at his Idaho home as news outlets were breathlessly reporting that Cliven Bundy’s most well-known son had left the militia movement. I, too, was interested. Here he was, dividing himself from a group of people from which he’d so clearly benefited. Suddenly, the most anti-government of his followers needed to choose who to believe: Bundy, a man who had twice led them in confrontations with the feds, or the commander in chief himself, the literal embodiment of the government. Many chose the president. Even if what Trump was saying wasn’t based in reality, he was pushing an anti-immigration stance they could get behind.

Maybe Ammon Bundy realized that and saw it was a good time to bow out. His family was free. The Hammonds — the other ranchers at the center of the Bundy-led Malheur standoff — got a pardon from Trump last summer. Anti–public lands figures cycled in and out of the Department of the Interior. Bundy’s brother, Ryan, ran and lost his bid for Nevada governor, but otherwise, things were coming up Bundy. 

Over the phone, Ammon claimed never to have been in the militia movement, and he told me people with fringe ideas have always been the minority of those who come to his family’s side. “Ninety-eight percent probably or better are people that are very peaceful people,” he said. “At Malheur, we considered ourselves to be on the people’s land, and who am I to say [militias] could come or couldn’t come? That makes it difficult to police yourselves.” 

So I asked him: OK, what’s next? 

“I had a reporter a few months ago come to my house and he said, ‘I hear you’re building a 100-man army. No! It couldn’t be farther from the truth,” he said. “I was like, ‘I don’t know what I would do with an army.’” 

Would he make a “hard stand” again? 

“I certainly would if there was an individual or family that I felt would benefit from it. But heavens no,” he said without hesitation. He said he’s “not afraid to do what’s right,” but that as far as another standoff is concerned: “I have no desire, I don’t believe that is where change will be made.”Maybe the Bundys are only anti-government when it’s convenient for them. But — and this sounds crazy even to me — I have to hand it to Ammon Bundy for trying to talk some sense into a historically itchy movement, to use his position to call for calm and normalcy. 

And that’s why I realized we had to make more Bundyville. We are living in Bundyville. The truth is not winning. The center is not holding. The anti-government is now pro-president. And as I continued to report on the stories that make up this series, blood kept being spilled around the world in the name of conspiracies. In Pittsburgh, in New Zealand, in Southern California. Read more…

The Cost of Reading

Illustration by Homestead

Ayşegül Savas | Longreads | July 2019 | 15 minutes (3,811 words)

Two weeks after I read Deborah Levy’s The Cost of Living, I found out that she would be speaking at a literary symposium titled “Against Storytelling” at a venue some minutes from where I live.

The Cost of Living is a memoir about the period following Levy’s separation from her husband. She moves into a dreary apartment block with her two daughters, loses her mother, takes every job she is offered, and continues writing, in an entirely new set-up of family, home, and work.

The book is about other things, too, like cycling up a hill after a day writing at a garden shed; buying a chicken to roast for dinner which tumbles out of the torn shopping bag and is flattened by a car; putting up silk curtains in the bedroom and painting the walls yellow; showing up to a meeting about optioning the film rights to her novel with leaves in her hair.

It is, mysteriously, about a scarcity of time and money, of trying to make ends meet. Mysteriously, because it is such a generous book, so lush and unrushed.

One of my best friends, visiting for the weekend, picked it up from the coffee table while my husband and I were preparing breakfast on Saturday morning.

“Oh my god,” she shouted from the living room, “this book is amazing!”

I guessed that she must have read the opening scene, when the narrator overhears a conversation at a restaurant. A middle-aged man, “Big Silver,” is talking to a young woman he’s invited to his table. After a while, the young woman interrupts to tell him a strange story of her own, about a scuba diving trip, which is also a story of being hurt by someone in her life.

“You talk a lot don’t you?” Big Silver responds.

“It was not easy to convey to him,” Levy writes, “a man much older than she was, that the world was her world too… It had not occurred to him that she might not consider herself to be the minor character and him the major character.”

My friend went home on Sunday evening. She’d just been offered a new job, and would be spending the week negotiating her terms and meeting with the people at the new office. One of her reservations about the job concerned a partner who had first approached her for recruitment. Yet he didn’t have the tact, even as he sought her out, to stifle sexist comments meant as jokes. My friend wondered whether she should call him out on this during their meeting. In their offer, the firm had praised my friend’s directness.

That week, she and I messaged back and forth about the offer, as well as about all our favorite parts in The Cost of Living. She told me she’d recommended the book to her therapist.

Another friend was struck by the book’s lightness — its reluctance to belabor any sorrow, despite the sadness that runs throughout. He felt that this was a form of respect towards readers, their capacity to understand grief and hardship without dissecting it to pieces.

Yet another friend (we were all reading The Cost of Living) said that the book had lungs. Between the empty spaces of its short paragraphs, it breathed with light and transforming meaning. This friend had just read all of Levy’s work in one stretch.
Read more…

Wimbledon: Where Women Wait

Maud Watson, winner of the first women's singles title at Wimbledon in 1884. (Rischgitz/Getty Images)

Ben Rothenberg | Racquet and Longreads | July 2019 | 13 minutes (3,300 words)

This story is produced in partnership with Racquet magazine and appears in issue no. 10.

Even though its grass surface is alive, and newly planted blooms of campanula, foxglove, and petunia blossom on the grounds, there is something distinctly ancient about Wimbledon, like a fossil that was somehow reanimated.

Wimbledon is keeping up with the times in many ways, technologically, using Hawk-Eye review systems on an increasing number of courts and installing tiny cameras inside the nets for a close-up glimpse at players on Centre Court. The tournament’s lushly designed mobile app and website are the most reliable and innovative in the sport, without ever feeling even remotely flashy or garish.

Still, nowhere in tennis is the past as present as Wimbledon. Matches are played on meticulously manicured grass courts, a throwback to when the sport was known as “lawn tennis.” Players are required to wear white, a rule that the All England Club has made stricter in recent years.

But perhaps most telling of Wimbledon’s archaism is that this year, for the first time, the Championships will pay the same total amount of prize money to men and women.

Yes, this year, 2019; yes, for the first time.

In past years there had been 32 more spots for men to enter Wimbledon’s qualifying event (128) than there were for women (96). This asymmetry may feel minor, but the discrepancy in job opportunities left a noticeable pay gap lingering; in 2018 it was £230,000 (about U.S. $300,000). A similar gap was also closed this year by the Australian Open, but still lingers at the French Open.

There was never a clear rationale for this stubborn remnant inequality, but nor was it anachronistic, At Wimbledon especially, women have often been waiting for equal treatment. And in many ways, culturally, they still are. Read more…

The Ugly History of Beautiful Things: Mirrors

Illustration by Jacob Stead

Katy Kelleher | Longreads | July 2019 | 21 minutes (5,409 words)

In The Ugly History of Beautiful Things, Katy Kelleher lays bare the dark underbellies of the objects and substances we adorn ourselves with.

Previously: the grisly sides of perfume, angora, and pearls.

* * *

Eight thousand years ago, a craftsperson sat inside their mud-brick house in Turkey and rubbed a piece of obsidian with their hands, smoothing the surface carefully, polishing the stone until it shone darkly in the hot sun, burning a piece of volcanic rock into something miraculous. In this piece of black stone, they could see their reflection, surrounded by the walls of their dwelling, built on the bones of their ancestors, the painted plaster walls rendered colorless by the obsidian’s deep gloss. But they weren’t done. They took white plaster and applied it to one side of this stone disk in a conical shape. Eventually this stone came to rest in a grave, alongside a woman from the early agricultural society. There it stayed until archeologists found it in the 1960s. It is, as far as we know, one of humankind’s first mirrors.

According to archeologist Ian Hodder, who oversees the hilly, 34-acre archeological site at Çatalhöyük in central Turkey, there have been “five or six” obsidian mirrors found there, all located in the northeast corners of tombs belonging to women. “They are beautiful things,” he says of the Neolithic mirrors. “Nobody really expected there would be things like mirrors in those early days. These are the first sort of settlements after people have been living as hunters and gathers. In many ways, these were quite simple societies, so it is odd.” Yet these early proto-urban people clearly wanted to look at themselves — or at something. It’s possible they were used in rituals by shamans or other religious figures. “One of the most commonly suggested for the time period is that they’re something to do with predicting the future or understanding the spirit world through reading images in the mirrors,” says Hodder. We just don’t know. We’ll probably never know.

With a name taken from the Latin mirare and mirari (“to look at” and “to wonder at, admire,” respectively), a mirror can be any reflective surface created for the purpose of seeing oneself. They can be made of stone, metal, glass, plastic, or even water. Throughout history, we’ve constructed mirrors from all those substances, to a varying degree of efficacy, for various reasons. Some were used as ceremonial items, others were used to repel malevolent spirits, and still others were used for the simple pleasure of examining one’s countenance.

But no matter what they’re made of, mirrors are objects of mystery, obsession, and fear. They’re simple yet complex. They’ve been used for purposes both sacred and profane. We love them, yet we’re loath to admit it. Even their creation has been shrouded in secrecy and aided by willful ignorance and sometimes outright violence; mirror making was once a toxic affair, and its secrets were guarded by laws and punishable by death. Long reserved for the wealthy few, we now walk around with compact mirrors in our pockets, and even if you left yours at home, there’s always a cell phone screen that can function, if you want it to, if the light is right, as a mirror.

Often, when objects become mundane, they lose some of their luster. But mirrors retain their ability to hold our attention, and they retain a certain amount of power over us. We’re still interested in seeing our reflections, and we still want to know what the future holds. Yet we’ve lost the reverence we once had for them. We no longer bury our dead with hand mirrors, and we don’t often speak of the control a mirror can exert over a person. Instead, we allow this force to alter our perceptions, to diminish our happiness, while denying its power. Looking in a mirror is just something you do — just something women do. We’re so used to seeing this impulse as vanity that most of us have forgotten the innate sense of awe that comes with looking. We’ve forgotten how to face our reflections not with judgment or fear, but with a sense of joyful discovery, a sense of hope. We can see our reflections anywhere, yet still face the mirror with a certain amount of suspicion, as though desiring knowledge of how the world sees you is somehow wrong. Read more…

Putin’s Rasputin

St. Basil's Cathedral in Red Square; Moscow, Russia. (Rickson Liebano/Getty)

Amos Barshad | An excerpt adapted from No One Man Should Have All That Power: How Rasputins Manipulate the World | Harry N. Abrams | 17 minutes (4,490 words)

 

In the lobby of a heavy-stone building in central Moscow, I’m greeted by a friendly young woman in a pantsuit who, she explains, is working “in the field of geopolitics.” She takes me to the security desk, where my passport is carefully, minutely inspected before I’m granted access. As we head upstairs the woman slowly whispers a joke: “This is what will save us from the terrorists.”

We walk down a long, high hallway that looks or bare or unfinished or forgotten, like maybe someone was planning on shutting down this wing of the office but never got around to it. There are linoleum floors, cracking and peeling, and bits of mismatched tile in the style of sixties Americana. Rank-and-file office clerks shuffle through, and no one pays attention to a faint buzzing emanating from somewhere near.

We stop in front of a heavy wooden door. Inside is Aleksandr Dugin.

The man is an ideologue with a convoluted, bizarre, unsettling worldview. He believes the world is divided into two spheres of influence — sea powers, which he calls Eternal Carthage, and land powers, which he calls Eternal Rome. He believes it has always been so. Today, those spheres are represented by America, the Carthage, and Russia, the Rome. He believes that Carthage and Rome are locked in a forever war that will only end with the destruction of one or the other. Read more…

Remembering João Gilberto

Dario Zalis/Contexto/Getty Images

Music is contradictory. Highly personal expressions can become hugely popular. Tradition can be reinvented as something completely new. Understatement can often get a point across the most forcefully. Few musicians embody these contradictions more than composer, singer, and guitarist João Gilberto, who died on July 6, at age 88.

Gilberto almost single-handedly invented bossa nova — which translates from Portuguese as “new wave” — in the mid-1950s. He did so while isolated, during an ebb in his developing career. His intimate way of singing and playing would inspire every composer in the bossa nova genre, leading to incredible commercial success and the brief, if dazzling, resuscitation of jazz as a popular art form in America.

João Gilberto do Prado Pereira de Oliveira was born in Juazeiro, in the Brazilian state of Bahia, on June 10, 1931. From an early age he was utterly charming and only concerned with music. Singer Maria Bethânia described him as “simply … music. He plays. He sings. Without stopping. Day and night. He is very, very strange. But he is the most fascinating being, the most fascinating person, that I have encountered on the surface of the earth. João, he is mystery. He hypnotizes.”

After moving to Rio de Janeiro, Gilberto sang with the vocal group Garotos da Lua for a while, but in 1951 he was fired for turning up late for gigs — or sometimes not turning up at all. Never having a place of his own, he was a permanent houseguest for a revolving set of friends. “It was always understood by his hosts that he would never be asked to participate in paying the rent or covering other household expenses,” Daniella Thomposon wrote for Brazil magazine. “Occasionally he would bring home some fruit (tangerines were his favorites), but his most significant contributions were his surpassingly intelligent conversation and the captivating music he played.” Gilberto grew out his hair, wore shabby clothes, continually smoked marijuana, and refused to get a real job.

By 1956, Gilberto began an eight-month stay with his sister and her husband in Diamantina. Seldom changing out of his pajamas, he installed himself in the tiled bathroom, as much for privacy as acoustics, practicing guitar and voice nonstop. It was here at age 25 that he created bossa nova, largely by reducing the older musical form of samba down to its essence.

“I think João Gilberto did it like this,” guitarist Baden Powell once said. “He just took the rhythm of the tamborims [a small tambourine-like drum] of the Samba Schools to the exclusion of the other percussion instruments. That’s the clearest rhythm you hear in it all. He took out all the rest.”

Gilberto also began singing more quietly and without vibrato. He changed his phrasing and used his voice as its own percussion instrument — sometimes as a complement to the guitar, sometimes creating rhythmic tension.

Despite the musical breakthrough he accomplished in his sister’s bathroom, Gilberto’s obsessiveness caused concern. His sister and her husband sent him to live with his parents in Juazeiro.

Afraid of being ridiculed for his new vocal style, Gilberto practiced on the banks of the São Francisco river, where he wrote a song mimicking the sway of the washerwomen as they walked by, carrying baskets of laundry on their heads. He used his new vocal and rhythm techniques to compose “Bim-Bom,” and so it is considered by some to be the first bossa nova song.

Gilberto’s father, unimpressed with his abilities and embarrassed by his son’s lack of respectability, had him committed to an asylum. During one interview, Gilberto stared out the window. “Look at the wind depilating the trees,” he said. When reminded that trees have no hair, he responded, “And there are people who have no poetry.” He was released after one week.

Gilberto returned to Rio and renewed his friendship with musician Antônio Carlos “Tom” Jobim, then a composer and arranger for Odeon Records. Jobim arranged his song “Chega de Saudade” for Gilberto to record, but the artist’s perfectionist streak held up the process: Gilberto chided the musicians for little mistakes, made the unheard-of demand for separate microphones for his voice and guitar, and argued with Jobim about the chord progression. “Chega de Saudade” and “Bim-Bom” were finally cut on July 10, 1958. After a slow start, the single became a regional success.

American guitarist Charlie Byrd heard Gilberto’s music in 1961 while on a Jazz Ambassador tour organized by the State Department. Byrd returned home with some Gilberto/Jobim bossa nova albums, which he played for saxophonist Stan Getz. “I immediately fell in love with it,” Getz remembered. “Charlie Byrd had tried to sell a record of it with I don’t know how many [record] companies, and none of ‘em wanted it. What they needed was the voice — the horn.”

Getz and Byrd released Jazz Samba in April 1962. It entered the Billboard pop album chart in early March and ultimately peaked at No. 40. Getz earned a Grammy for his performance of Jobim’s “Desafinado.” The bossa nova craze had begun, and its definitive statement would come two years later, when Getz collaborated with the genre’s originator.

 

“I’m not a sociologist, but it was a time when people in the States wanted to turn to something other than their troubles,” João’s wife Astrud Gilberto said in 1996. “There was a feeling of dissatisfaction, possibly the hint of war to come, and people needed some romance, something dreamy for distraction.” The eight tracks on the 1964 album Getz/Gilberto provided just that. Getz’s lyrical phrasing was a match for Gilberto’s intimate vocal. Jobim’s understated piano proved a perfect complement. Jazz critic Howard Mandel called the album “another tonic for the [Kennedy] assassination’s disruption, akin for adults to the salve upbeat the Beatles had provided for teenagers after their appearance on The Ed Sullivan Show in February 1964.”

Jobim cowrote several compositions on the album, most notably its opener “The Girl From Ipanema.” João sang the first verse in Portugese; Astrud the second in an English translation.

Both the single and the album were an astonishing success. Getz/Gilberto spent almost 100 weeks on the charts and won four Grammys, including Album of the Year. “The Girl From Ipanema” is second only to the Beatles’ “Yesterday” as the most recorded song.

Gilberto went on to release albums for five more decades, making solo records as well as collaborating with American jazz greats like Herbie Mann, and a new generation of Brazilian musicians including Gelberto Gil and Caetano Veloso. He became a cult figure in Japan.

What might be hard to understand is that the João Gilberto who locked himself away in a bathroom and eschewed a day job is the same man who would go on to change Brazilian — and popular — music. He was fortunate to have been surrounded by people who valued him and trusted his artistic vision.

In the mid-’50s, Gilberto played, or sometimes just held court, at the Clube de Chave in Porto Alegre, appearing at any hour with his guitar. After being asked why he never finished a song, he admitted to not liking his guitar’s steel strings. The patrons, many of whom had changed their sleeping habits to conform to his, chipped in and bought him a nylon-stringed instrument. This one also wasn’t quite to Gilberto’s taste. When it was exchanged for another, he began a months-long residency.

Musicians, like music, can be contradictory. Sometimes their most idiosyncratic expressions are reflections of the universal. “João Gilberto does not underestimate people’s sensitivity,” Jobim wrote in the liner notes to Gilberto’s first album. “He believes that there is always room for something new, different and pure which — although it may not seem so at first sight — may become, as they say in the jargon, highly commercial. Because people understand love, musical notes, simplicity, and sincerity, I believe in João Gilberto, because he is simple, sincere, and extraordinarily musical.”

***

Tom Maxwell is a writer and musician. He likes how one informs the other.

Editor: Aaron Gilbreath; Fact-checker: Ethan Chiel

Inside the 21st-Century British Criminal Underworld

Longreads Pick

Rather than the classic white, pub-going thugs focusing on a single product, be it guns or drugs, England’s new criminal organizations are multinational, tech-savvy, and diversified, aka “polycriminal,” and they have helped make London the world capital of money-laundering.

Source: The Guardian
Published: Jul 4, 2019
Length: 16 minutes (4,242 words)

How To Embrace Professional Decline

Pexels

In most fields, professional decline starts earlier than almost anyone thinks. Research by Dean Keith Simonton, professor emeritus of psychology at UC Davis, shows that success and productivity increase for the first 20 years after the inception of a career. Therefore, if your career kicks off at age 30, you will reach your pinnacle around 50 and go into decline soon after that.

Age is, of course, a fever chill

that every physicist must fear.

He’s better dead than living still

when once he’s past his thirtieth year.

The author of those gloomy lines? Paul Dirac, a winner of the 1933 Nobel Prize in Physics.

Is it inevitable that the result of this is a loss of happiness?  Garnering your sense of self-worth from your professional successes certainly seems an increasingly precarious road to tread as we age; with professional decline comes the potential for a terrifying loss of identity.  However, in this essay for The Atlantic, social scientist Arthur C Brooks finds that this does not have to be the case. In a four-year quest, he found how to turn his potential deterioration from a matter of dread into an opportunity for progress.

What’s the difference between Bach and Darwin? Both were preternaturally gifted and widely known early in life. Both attained permanent fame posthumously. Where they differed was in their approach to the midlife fade. When Darwin fell behind as an innovator, he became despondent and depressed; his life ended in sad inactivity. When Bach fell behind, he reinvented himself as a master instructor. He died beloved, fulfilled, and—though less famous than he once had been—respected.

The lesson for you and me, especially after 50: Be Johann Sebastian Bach, not Charles Darwin.

How does one do that?

A potential answer lies in the work of the British psychologist Raymond Cattell, who in the early 1940s introduced the concepts of fluid and crystallized intelligence. Cattell defined fluid intelligence as the ability to reason, analyze, and solve novel problems—what we commonly think of as raw intellectual horsepower. Innovators typically have an abundance of fluid intelligence. It is highest relatively early in adulthood and diminishes starting in one’s 30s and 40s. This is why tech entrepreneurs, for instance, do so well so early, and why older people have a much harder time innovating.

Crystallized intelligence, in contrast, is the ability to use knowledge gained in the past. Think of it as possessing a vast library and understanding how to use it. It is the essence of wisdom. Because crystallized intelligence relies on an accumulating stock of knowledge, it tends to increase through one’s 40s, and does not diminish until very late in life.

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‘If an Animal Talks, I’m Sold’: An Interview with Ann and Jeff Vandermeer

A Midsummer Night's Dream. Illustration by Arthur Rackham (1867-1939). (Culture Club / Getty Images)

Alan Scherstuhl | Longreads | July 2019 | 19 minutes (5,080 words)

“Hic sunt dracones,” the 500 year-old Hunt-Lenox globe warns travelers off the coast of southeast Asia: Here be dragons. In the half millenium since that mysterious Euro-centric globe’s construction, dracones have evolved, in the popular imagination, from representatives of a dangerous, fantastical unknown to something like just another of the familiar beasts populating what we might call the Fantasy-Industrial Complex. Through big-budget TV and movies, video and pen-and-paper games, and hundreds of novels and short stories each year, fantasy rules like never before. Dragons reign over much of our pop-culture globe, not just one patch.

Diverse and often self-reflexive, today’s fantasy fiction varies wildly in quality and approach. Writers like N.K. Jemisin (The Hundred Thousand Kingdoms), Sofia Samatar (A Stranger in Olondria), Ann Leckie (The Raven Tower), Kameron Hurley (The Mirror Empire), Seth Dickinson (The Traitor Baru Cormorant), Marlon James (Black Leopard, Red Wolf), Steven Erikson (the Malazan Book of the Fallen series), and many more have in recent years spun dazzling, forward-thinking variations on a genre that has at times been accused of wallowing in repetitive stories, simplistic good-versus-evil conflicts, and an inherent conservatism.

Now, with the publication of The Big Book of Classic Fantasy (Vintage), anthologists Ann and Jeff Vandermeer (shes a Hugo Award-winning editor; hes the bestselling author of the Southern Reach trilogy; and together theyve edited The Big Book of Science Fiction, The Weird, and other collections) are declaring that fantasy has always been weird and wild, thoughtful and delightful. The Big Book covers a diverse array of fantasy fiction from the mid-nineteenth century through the end of World War II. It opens with a German fairy tale (Bettina von Armin’s “The Queens Son”) about a queen whose son, immediately upon sliding from the womb, is stolen by a she-bear; it closes, fittingly, with J.R.R. Tolkien, whose tale “Leaf by Niggle” concerns nothing less than an artist’s act of world-making. The almost 800 pages between these offer almost 90 stories from around the world, from the expected writers of fantasy (Fritz Lieber, Robert E. Howard, Lord Dunsany, L. Frank Baum), many unexpected fantasists (Zora Neal Hurston, E.M. Forester, W.E.B Du Bois, Edith Wharton), and a host of surprises from lesser-known writers. The Vandermeers approach is expansive. Half the stories in The Big Book are works in translation; fourteen have never before been published in English; few concern monster-slaying. Read more…