“Cree First Nations believe ‘the northern lights are dancing spirits of loved ones who have passed on.’”
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Posted inNonfiction
‘The Underland Is a Deeply Human Realm’: Getting Down with Robert Macfarlane
“I thought the underland would be — of all the landscape forms that have drawn me to explore them — the most uninhabited. This proved wildly incorrect.”
Posted inBooks
What Is Elizabeth Rush Reading? : Books on Antarctic Adventure, Ice, Motherhood
“I sometimes wonder if this continent of ice is begging for a different kind of story to be told about it.”
Posted inReading List
Longreads Best of 2019: Sports Writing
We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in sports writing.
Posted inNonfiction
‘They Happen To Be Our Neighbors Across the Span of a Century, But They’re Our Neighbors.’
One hundred summers ago, black Chicagoans were terrorized by whites during the Red Summer. Poet Eve Ewing talks about reaching out to her neighbors across time in “1919.”
Posted inBooks, Nonfiction, Profiles & Interviews, Story
‘Imagine Us, Because We’re Here’: An Interview with Mira Jacob
Mira Jacob talks about why she wrote a graphic memoir, and why she is tired of performing her pain in order to help white people understand racism.
Posted inHighlight, Profiles & Interviews, Quotes
A Moral Center In a Decayed Ethical Universe
“The best thing I did was simply respect him.”
Posted inBooks, Fiction, Profiles & Interviews, Story
Irvine Welsh on Brexit, Existential Panic, and His Latest ‘Trainspotting’ Sequel
“The books from ‘Trainspotting’ onwards have been about deindustrialization … the cruel existential panic that we feel, in the sense that we don’t really know what we’re here for anymore.”
Posted inEditor's Pick
Looking for Carolina Maria de Jesus
For a brief period in the 1960s, the Afro-Brazilian author of the memoir “Child of the Dark” was one of the most well-known writers in the world.
Posted inEditor's Pick
Bradley Cooper Is Not Really Into This Profile
Cooper’s new film is ultimately about the way commerce can ruin art, which is why he won’t answer the personal questions Taffy Brodesser-Akner asked him. It makes this profile kinda meta, you know?
