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‘I’m Not Saving These Pit Bulls—They Are Saving Me’

Image by Stacy / Flickr / CC BY 2.0

After experiencing great loss in his life, Jason Flatt relocated to Georgia for a fresh start. Someone gave him a pit bull puppy, which he credits for saving his life and giving him something to live for. When Flatt went to the pound to get the pup a playmate, he noticed that all of the kennels had pit bulls. He decided to foster a few dogs, placed them in permanent homes, and then kept taking on more. In 2009, he founded an animal rescue foundation, Friends to the Forlorn, which specializes in rescuing pit bulls, but also special-needs dogs, pups in line to be euthanized, and those otherwise rejected by other organizations.

“The worse shape the dog is in, the more determined I am to fix it,” says Jason. To date, Friends to the Forlorn has saved 600 dogs and counting. At Atlanta Magazine, Candice Dyer profiles Flatt, who says he’s found exactly what he was put on earth to do: save as many dogs as possible.

“People assume I’ve been in prison,” he says with a shrug. “Women clutch their pocketbooks tighter when I walk by. Children point and stare. I get treated like a freak show.”

No matter; his unconventional presentation is a defiant statement of solidarity with his spirit animal. “Pit bulls and I both are looked down upon without people getting to know us,” he says. “We are judged by what we look like and not what we are. We both are expected to fail. I have always had to prove people wrong. So do they. I relate to them.”

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‘Mommy, Are We Famous?’: On the Rise of Kid Influencers on Instagram

Children are a growing part of Instagram’s billion-dollar influencer industry. Take two-year-old twins Taytum and Oakley Fisher (@taytumandoakley), for example, who have 2.2 million followers and earn between $15,000 and $25,000 for a single post. Or Zooey Miyoshi (@zooeyandthecity), the sunglasses-wearing, Tokyo-and-L.A.-based six-year-old with a seemingly busy life of fashion photoshoots and paid partnerships.

What does it mean to have a child influencer on Instagram? As you might imagine, the parents of these little stars face their share of haters and critics. “They’re voluntarily exposing them to a digital world where their monetary value as an influencer is measured in likes and comments,” writes Katharine Schwab. As part of a Fast Company series on the Instagram Economy, Schwab reports on the rising kid stars of the platform, and the parents managing their content behind the scenes.

For young kids under the age of 13–Instagram’s minimum age requirement to open an account–this big business is largely the domain of their parents. Many of the parents I spoke to say their kids have either no awareness of Instagram, or think of it mostly as taking fun pictures with Mom. While some are too young to talk yet, I asked the parents of some of the older kids to ask them about their roles in this process. Mai Nguyen-Miyoshi, whose 6-year-old daughter Zooey has 146,000 followers on Instagram, described her response: “‘It feels great!!!’ And then she threw her arms up and out like she was going to give a big hug.” Jaqi Clements, the mother of 8-year-old twins Ava and Leah, whose account has 869,000 followers, described a recent conversation: “They actually got into the car a few weeks ago from school and said, ‘Mommy . . . are we famous? . . . One of our friends at school said we were.’”

But there are larger concerns for these Instagram parents. The internet has a dark side, one teeming with racists, sexists, pedophiles, and trolls. Nguyen-Miyoshi, mother of six-year-old Zooey, has personal experience dealing with trolls online. She worked in social media for 10 years, and during that time she posted a picture of two men who’d refused to give up their seats to pregnant women on Twitter. The post went viral, and Nguyen-Miyoshi had so many trolls come after her that she left the internet for a time.

The experience has made her hyper-conscious of what could happen to her daughter. Nguyen-Miyoshi doesn’t post any photos that she thinks could read as sexual. She combs through all of Zooey’s new followers every day and blocks any that look suspicious, like accounts with no profile picture that follow thousands of other users, or accounts of men who only post selfies. She blocks all negative comments. And along with not posting where Zooey goes to school, where they live, or where they’re hanging out, she has Zooey wear sunglasses in most of the photos she posts. Nguyen-Miyoshi says this is an anti-pedophile tactic. Many years ago, she says she read an article about how pedophiles mostly connect with children through their eyes, so she dresses Zooey with sunglasses as a means of circumventing it.

“To prevent that connection she always wears sunglasses,” Nguyen-Miyoshi says. “It helps prevent the creepy men.” The white sunglasses have become a core part of Zooey’s aesthetic.

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The World of Nora Ephron: A Reading List

Nora Ephron (Photo by Munawar Hosain/Fotos International/Getty Images)

Every Thursday, I wake up and perform the same routine: I drive to downtown Durham, NC, park and walk to the bakery for a coffee, then cross the street and unlock the bookstore I work at. I crank Dusty Springfield up, sweep the mats, straighten the display cases, and flip the open sign around. Occasionally, someone will wander up and try to come in, five minutes before open, at which point I can offer one of those tiny retail mercies — outsized, and ultimately more rewarding for me then them — and say, it’s fine, really, go ahead and come on in.

It’s a nice sequence, though it’s not lost on me that while doing my job I’m also reenacting a scene, one I’ve secretly carried close since high school. Few movies made it into my parents’ strict North Carolina household, but You’ve Got Mail did, somehow, and the opening reel played on loop in my head for years: Meg Ryan skipping down the steps, buying her coffee, rolling up the gate to her bookstore. It’s autumn in New York; the trees blaze with color and the Cranberries are playing. The scene was adhesive not just because it was a prelude to romance, but because it was a vision of adult life was that funny and smart and paid attention.

Ephron cherished the use of routine in her movies, in much the same way that she cherished the use of references — movies, books, songs — to make us feel as if we’re pulled into a greater narrative, one at once familiar and inevitable. Years after first watching the movie, I’d walk through Washington Square Park, smack dab in the middle of a thrilling autumn, as my friend SJ delivered an impassioned monologue about how messed up it was for Joe Fox to actively deceive Kathleen Kelly through an online avatar. (Now we have a set of unflattering romantic shorthands — catfishing, ghosting, benching — not yet available to Ephron in the ’90s.) In theory, I probably agreed with SJ, but I was new to the city and new to dating and not yet entirely deformed by cynicism. Mostly, I was distracted by how much the argument itself seemed pulled from an Ephron film: two friends (Ephron loved, and lingered, on the banter between friends) walking through a park, tugging their coats closed and arguing about love and narrative and the movies.

Somehow, You’ve Got Mail turns 20 this year. The landscape of romance and the social mores and New York has all changed (Amazon now representing a much less charming evil than 1998’s Fox Books), and my own relationship with her writing has changed, too. I’m less sure than I was, 10 years ago, about what she was trying to say. Still — I think the language she offered up for love and revision is as relevant as ever, and as happily easy to rip off. “Everything is copy,” Nora Ephron liked to say in reference to her omnivorous approach to art. Increasingly, I feel it’s just as true to say of the people who watch her movies and feel the tug of longing, of wit, and of attention.

1. “Nora Ephron’s Potato-Chip Legacy” (Matt Weinstock, June 28, 2012, The Paris Review)

In Greta Gerwig’s “Lady Bird,” last year, the most important — or at least, most quoted, most tweeted — line comes when the titular heroine is called into the office at her Catholic school. They’re discussing college options. It’s clear, the nun tells her, that she loves Sacramento. “I guess I pay attention,” Lady Bird says, at which point the nun looks at her intently. “Don’t you think that’s the same thing? Love and attention?”

Matt Weinstock makes a similar point about Ephron’s working definition of love, as found in a typical Ephron film — that anecdotal evidence of love can be found in the things you notice about another person, as when Harry delivers a monologue on New Years Eve, in When Harry Met Sally, about the amount of time that it takes Sally to order a sandwich, or when Sam describes his ex-wife in Sleepless in Seattle. Succinctly: “She could peel an apple in one long, curly strip. The whole apple.”

The beautiful thing about Weinstock’s piece is how closely it examines her flaws. It’s not mean-spirited, but it does take careful account of the inconsistencies of Ephron’s body of work, and the ways that she seemed to edit out her neuroses, or at least, outsource them to her characters. No matter. It’s a love letter, deeply felt, that doesn’t just pay attention to the quippy highlights of her legacy. The list of Sally’s idiosyncrasies that Harry rattles off, after all, aren’t all things that he necessarily likes about her. They’re his way of saying he’s paying attention.

2. “An Oral History of You’ve Got Mail,” (Erin Carlson, February 13, 2015, Vanity Fair)

Crisp white blouses, crab cake lunches on set, her aversion to the color blue — Delia Ephron, Meg Ryan, Hallee Hirsh (the actress that played Annabelle Fox — F-O-X!), and assorted cinematographers and producers from “You’ve Got Mail” gather to discuss Ephron’s relationship with her set, which of course also comes out to a conversation about her relationship with New York City.

John Lindley (cinematographer): [Nora] grew up in Los Angeles, right, but she had a love and a loyalty to New York that exceeded any native New Yorker that I ever met. She lived on the Upper West Side when we made that movie, and it was a little love story to the Upper West Side. And one of the things that I remember her saying is that many people think of New York as this monolithic, intimidating place. But when you live there, you realize that what it is: a bunch of little villages. And her little village was the Upper West Side.

3. “Nora Ephron’s Final Act,” (Jacob Bernstein, March 6, 2013, New York Times Magazine)

Ephron didn’t tell a lot of people that she was dying from Leukemia—an act of privacy that confounded her admirers, who’d grown accustomed to tracking her life, both onscreen and on paper. Wouldn’t a woman so intent on using her life for material (divorce, heartbreak, insecurities, messy purposes, dreams) want to write about her final act? Jacob Bernstein, Ephron’s son, wrestled with this idea enough to write a beautifully intensive piece on the last days of her death — and then, following in his mother’s footsteps, to turn it into art (“Everything is Copy,” his documentary, is available on HBO).

All her life, she subscribed to the belief that “everything is copy,” a phrase her mother, Phoebe, used to say. In fact, when Phoebe was on her deathbed, she told my mother, “Take notes.” She did. What both of them believed was that writing has the power to turn the bad things that happen to you into art (although “art” was a word she hated). “When you slip on a banana peel, people laugh at you; but when you tell people you slipped on a banana peel, it’s your laugh,” she wrote in her anthology “I Feel Bad About My Neck.” “So you become the hero rather than the victim of the joke.”

4. “On the Front Lines With Nora Ephron” (Lawrence Frascella, July 8, 2013, Rolling Stone)

What kind of generation did Ephron think she was writing to? Her movies were often cultural close studies, taking her essayistic impulse to diagnose and putting it to screen. In 1993, on the cusp of stardom — before Harry Met Sally and You’ve Got Mail — she debriefed with Rolling Stone’s (patently misogynistic) Lawrence Frascella about the state love in the 90’s.

The younger persons that I know, especially the ones in California, I don’t even think they have sex. They have business dinners and business breakfasts, sometimes two business breakfasts. But I believe very strongly that underneath all of that is just a bunch of romantic stuff. Everybody’s got it. That’s one of the reasons Tom Hanks’s character moves to the Northwest. He goes from Chicago, which is your modern, work-driven urban environment, to Seattle, which is – let me tell you, after three days there with my husband, Nick says, “This is a city where people have chosen lifestyle over work.” And he’s right. There are cities like this all over America, full of people who are kayaking and living the good life.

5. “You’ve Got Mail” (Casper Ter Kuil, February 20, 2018, On Being)

Like me, fanboy Casper Ter Kuile grew up loving “You’ve Got Mail,” and he freeze-frames that experience — of growing up in the age of AOL, and watching too natural-born enemies bumble blindly toward each other on a chat room — beautifully, here. In the late 90’s, it hadn’t become quite creepy to chat with strangers on the Internet—novelty still had its grip — but it also hadn’t become normal to the point of banality, either. There was plenty of room for projection.

MR. TER KUILE: Right. She doesn’t even know, really, who he is. And she says, at some point, “I just wanted to write this down. So good night, dear void. Even if it’s just going into the void, good night, dear void.” And I remember, like, I wrote that in my diary to myself. [laughs] I really thought I was that kind of person.

MS. PERCY: Oh, my God.

MR. TER KUILE: Just, like — yeah, just, like, you have so many feelings, and where is it all going? And I think that’s what I love about this movie, is, yes, it’s a love story, but they don’t meet until the very last scene of the movie. The story is really about an idea of someone. And I met my husband online, so there’s an echo in my own life here. But there is a — the story and the love that builds inside both of these characters is one of longing, and of really projection onto the unknown of what might be. And I’m someone who always lives kind of in the future. I love to think about future plans. And I think this movie is so much about that — that it’s — you get to create perfection in your mind before it even happens.

6. “An Interview with Nora Ephron,” (Kathryn Borel, March 1, 2012, The Believer)

Enough attention is directed at the aesthetics of mid-90’s romantic comedies, that it’s easy to forget that Ephron led a prodigious career as a journalist, for over a decade, before co-writing her first script with her first husband, Carl Bernstein, in the mid-70’s (she began her career as a mail girl at Newsweek, and went on to be promoted and, eventually, sue Newsweek in the class action lawsuit that was serialized in Amazon’s lamentably short-lived show, “Good Girls Revolt.”) Her 2006 interview in The Believer, though, devotes some nice attention to her years at the Post and Esquire, and the making of Ephron as a writer.

That moment, for me, was not Heartburn. It was a piece I wrote in Esquire called “A Few Words about Breasts.” I knew when I finished writing that piece that either it was going to be a huge success or be judged as a kind of “Who needs to know any of this?” kind of thing. One or the other was going to happen, but I absolutely knew that both were possible. By the time I did Heartburn, I was around forty. I had a very clear memory of being at my typewriter in Bridgehampton, where Carl [Bernstein] and I had had a house—that was now in the divorce—but we were still using it at alternate times. I was supposed to be writing a screenplay. And when I started writing, sixteen pages of that novel came out in two days. I thought, Oh, I’ve found it. The whole time the marriage was breaking up and I was in a state of complete torment and misery, I knew that this would someday be a funny story. I absolutely knew it. It was too horrible. It was too ridiculous not to be.

7. “Nora Knows What To Do,” (Ariel Levy, July 6, 2008, (The New Yorker)

This is one of the New Yorker’s best-paired profiles, with Ariel Levy a charming, adaptable match for Ephron’s rapid-fire banter. She also manages to pull a difficult trick, which is that her profile is an entirely reverent one which also finishes, in the last three paragraphs, with a modest pan of Julie & Julia. And yet, the register of the piece — staged thematically over award dinners and lunches across New York (if it has any flaws, it’s probably that too much time is probably devoted to Ephron’s tidy eating habits) — is still adoring, and probably gives us as much insight into the prismic mind of the icon as we’ll get.

Ephron detests whining: you can acknowledge a problem, but only in the service of solving it. “Nobody really has an easy time getting a movie made,” she said. “And furthermore I can’t stand people complaining. So it’s not a conversation that interests me, do you know? Those endless women-in-film panels. It’s, like, just do it! Just do it. Write something else if this one didn’t get made.

***

Sarah Edwards s a freelance writer whose work has been published in The Village Voice, NewYorker.com, and The Baffler, among others.

Longreads Best of 2018: Sports Writing

We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in sports writing.

Mirin Fader
Writer-at-large for Bleacher Report’s B/R Mag.

Most Dominating Athlete of 2018: Simone Biles (Danyel Smith, ESPN the Magazine)

Danyel Smith’s ESPN the Magazine cover story of Simone Biles was one of the most impactful pieces of sports writing I read this year. After I finished it, I felt like I knew Biles. Smith got Biles to open up, to even admit the fear she feels while competing on bars (what Olympic gold-medal winning athlete readily admits fear?), which is a kudos to Smith’s skills as a reporter. Although I don’t know Smith personally, I felt like I could hear her voice throughout the piece. She seamlessly interwove history and culture and context and sport to put together one of the most versatile sports profiles I’ve ever read. My favorite paragraph really sums up Smith’s brilliance as a journalist, and Biles’ genius as a gymnast: “But no matter how sparkly her leotard, she’s a killer as stone cold as David Ortiz or Robert Horry ever was. She creates each time she competes. Plus, Biles will run the score up on you with a red cheer bow on a ponytail pulled higher than J-Lo’s.”


Louisa Thomas
Contributor for The New Yorker.

Juan Martín del Potro Strikes Back (Chloe Cooper Jones, GQ)

Juan Martín del Potro is one of tennis’s most popular — and inspiring and tragic — figures. Del Potro won the U.S. Open in 2009, beating Roger Federer, and then his wrists began to fray. Cooper Jones tells the story of his long journey back. This is a beautifully written profile, an insightful portrait of the player on the court and the person off it — but it is also, most movingly, a meditation on pain.

Drew Brees is Hiding in Plain Sight (Greg Bishop, Sports Illustrated)

Bishop tackles the age-old question of what makes greatness — or even the greatest — and why it can be so easy to overlook. Take Drew Brees, the subject of this piece. At the same time, without being didactic, Bishop reminds us of something else: as seriously as we take all the records, sports are fun. And so is this story.

Everyone Believed Larry Nassar (Kerry Howley, The Cut)

A thoroughly reported, devastating reconstruction of what might be the most important sports story in recent history: how Larry Nassar sexually abused hundreds of young women and not only got away with it, but thrived in the gymnastics community.

Joel Anderson
Senior writer for ESPN the Magazine.

The Search for Jackie Wallace (Ted Jackson, The Times-Picayune)

On the Friday before the Super Bowl, The Times-Picayune dropped this tremendous profile of former NFL player and New Orleans native Jackie Wallace and his heartrending — and apparently ongoing — struggle with homelessness and drug abuse. The story got its start in 1990, when photographer Ted Jackson came across Wallace living in a camp underneath Interstate 10. Jackson photographed him for a story that ran that year, which seemed to lead to Wallace being rescued from the streets and addiction. But this is where the story begins, as Jackson loses touch with Wallace over the years and details his search for him over the next couple of decades. There’s so much to love here, starting with the care Jackson and the Times-Picayune put into showing how drugs can unravel a life and into asserting the fundamental humanity of Wallace. Jackson also subtly shows there’s more to his relationship with Wallace — a reminder that reporting doesn’t have to be merely transactional — and much more to Wallace than his troubles. It’s surprising in all sorts of ways, but especially in how humanizing it is of Wallace.

Everyone Believed Larry Nassar (Kerry Howley, The Cut)

In excruciating detail, Kerry Howley showed here how Larry Nassar — the unassuming and relentlessly charming USA Gymnastics national team doctor — wormed his way into the homes and hearts of hundreds of young female gymnasts and their families en route to becoming one of the most notorious child sex abusers in modern history. It’d be irresponsible not to credit the herculean investigative efforts of the Indianapolis Star in breaking the case against Nassar and USA Gymnastics — and the many other reporters and media outlets who tracked the developments through Nassar’s sentencing in federal and state court — but Howley’s exhaustive story illuminates exactly how and why Nassar was able to escape detection for so long. It wasn’t because his victims were silent. Far from it, in fact. It wasn’t because Nassar was particularly discreet. No, Howley writes, it was because Nassar “was good at this.” Two scenes from Howley’s story show this best. The first is told from the vantage point of a 9-year-old girl, who was digitally penetrated by Nassar with her mother sitting only a few feet away in his living room in 1990. The second comes near the end of the story, when one of his victims manages to make him cry during his sentencing hearing and she feels briefly triumphant. I won’t spoil the final line for you but it’s an unforgettable close that couldn’t have been more perfect, or haunting.


Natalie Weiner
Staff writer for SB Nation.

The Children of Central City (Jonathan Bullington and Richard A. Webster, The Times-Picayune)

They Are the Champions (Katie Barnes, ESPN the Magazine)

Both of these stories are extraordinary examples of my favorite kind of sportswriting — the kind that uses sports’ near-universal appeal and reach to illuminate social and political issues. “The Children of Central City” uses the lens of one youth football team in New Orleans to examine violence in one of the city’s most dangerous neighborhoods; as its former coach explains early in the multi-part series, he’s had 28 former players be shot and killed over a 14 year span. The football team is a jumping off point through which the authors (and director — there’s a corresponding documentary) can explore how the trauma that comes from growing up surrounded by violence impacts kids’ lives, and how football is an escape, if an imperfect one. It’s a thoughtful, empathetic take on a story that’s too often left unexamined because it’s wrongly perceived as inevitable.

In “They Are the Champions,” two very different kids growing up in very different parts of the country share one thing: they are transgender. Their stories are pressing  not only because LGBTQ perspectives are grossly underrepresented in media as a whole, but also because they show that sports is the battleground where the very core of how we understand gender will be determined — a statement that sounds like hyperbole, but when you’re in the middle of Barnes’ story parsing the various ways people rationalize dividing sports by gender, quickly becomes self-evident. Mack Beggs and Andraya Yearwood just want to compete, and the world is going to have to catch up.


Matt Giles
Editor and head of fact-checking, Longreads.

Alone at Sea (Elizabeth Weil, New York Times Magazine)

Aleksander Doba has kayaked the Atlantic Ocean three times, and each crossing has been more dangerous than the last. Weil’s profile of the Polish native is an engrossing read of his trans-Atlantic trips, and why the 71 year old continues to push his body and psyche to such extreme limits. As he explains his reasoning to Weil, “I do not want to be a little gray man.”

* * *

Read all the categories in our Best of 2018 year-end collection.

Thank You for Not Being Afraid, Pat Maginnis

Photo by Charlotte Cooper via Flickr (CC BY 2.0)

You’ve almost certainly heard of Betty Friedan, and probably also of Margaret Sanger. But what about Pat Maginnis? If you don’t know about the outspoken, angry, pioneering abortion rights activist and health educator, Lili Loofbourow’s excellent profile at Slate is a good starting point.

When Maginnis launched her leaflet campaign, she chose a location that would maximize her ability to confront a medical community she saw as at best patronizing to women and at worst exploitative and controlling. The state Board of Medical Examiners had gathered at the University of San Francisco to discuss the implementation of hospital committees that would determine whether women could receive abortions. As the mostly male board debated the circumstances under which women could be forced to give birth, Maginnis was outside handing out information on how to abort without the help of the doctors within. She was shocked at how unseriously the board took their mandate. She told the Berkeley Barb that when she’d handed some board members a leaflet titled “Are you Pregnant?” with abortion information on it, they “twittered like a bunch of schoolgirls.”

This, she felt, was the collective effect of the laws and ordinances that made even talking about abortion illegal: The entire concept had become untouchable, a boogeyman. “The word abortion was taboo,” she says. “And I thought: That’s crazy. People won’t talk about abortion! They’re afraid to. I’m going to talk about abortion! ABORTION!” she yelled. “Women weren’t talking about it. They were afraid to talk about it.”

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Longreads Best of 2018: Crime Reporting

We asked writers and editors to choose some of their favorite stories of the year in various categories. Here is the best in crime reporting.

Pamela Colloff
ProPublica senior reporter and New York Times Magazine writer-at-large.

The Disappeared (Hannah Dreier, ProPublica with Newsday)

When eleven high school students went missing in a single county on Long Island in just two years, law enforcement shrugged. Most of the teenagers who disappeared were recent transplants from Central America, and many of them were last seen heading into the woods, lured by the promise of weed. The Suffolk County police department responded with stomach-churning indifference, telling frantic parents that their children had simply run away.

Hannah Dreier chronicles an upside-down world in which one boy’s mother – an envelope factory employee who speaks no English – is left to piece together what happened to her son. Based on more than 100 interviews and voluminous public records, Hannah Dreier’s storytelling is as vivid as it is effortless. She builds upon an accumulation of damning details — like the fact that one Spanish-speaking mother, whose son was murdered, had to pay a taxi driver to interpret for her at the police station. (“He kept the clock running and charged her $70,” Dreier writes.) “The Disappeared,” which was turned into an episode of This American Life, is a devastating work of both relentless reporting and empathy.


Michael A. Gonzales
Contributor to Catapult, The Paris Review, and Longreads.

A Preacher, a Scam, and a Massacre in Brooklyn (Sarah Weinman, CrimeReads)

Fans of vintage New York crime stories will love Sarah Weinman’s brilliant Brooklyn-based tale, a sordid story that only gets worse the more you read. Weinman takes the reader into the mind and home of a con man named DeVernon LeGrand, a pretend preacher who kept a stable of women who dressed as nuns and begged on the streets. Of course, in true pimp fashion, LeGrand took most of their money. After moving his flock to 222 Brooklyn Avenue in 1966, things get worse for the crooked organization as it eventually becomes involved in kidnapping and murder. Although in the early 2000s I lived four blocks away from the scene of LeGrand’s various crimes for thirteen years, I had never heard of him or his house of pain and death until reading Weinman’s wonderfully written piece.


Jeff Maysh
Contributor to The Atlantic, Smithsonian MagazineLos Angeles Magazine, and The Daily Beast. Author of The Spy with No Name.

Jerry and Marge Go Large (Jason Fagone, Huffpost Highline)

I write about unusual heists from middle-America, so I was game for this Michigan lotto scam story from FOIA-bandit Jason Fagone. In crime writing it’s the characters who make for a good yarn, and I was all-in on this Mom and Pop who used brain-power to beat the system, and the odds.

The Man Who Captures Criminals for the DEA by Playing Them (Yudhijit Bhattacharjee, The New Yorker)

Why actor Spyros Enotiades told his story to Yudhijit Bhattacharjee I don’t know (there must surely be a bounty on his head), but the storytelling was extraordinary. Undercover capers don’t get better than this.


Jayati Vora
Managing editor at The Investigative Fund.

The Trauma of Everyday Gun Violence in New Orleans (Jimmie Briggs and Andre Lambertson, VICE)

This photojournalistic investigation into how gun violence affects black communities explores how living with that violence can cause post-traumatic stress disorder (PTSD) just like experience with war can. But unlike with returning veterans, gun violence-plagued communities don’t get the funding or mental health resources to help them cope.


Alissa Quart
Executive Editor of the Economic Hardship Reporting Project. Author of five books including SqueezedBranded, and the poetry book, Monetized. She writes The Guardian’s Outclassed column.

Could an Ex-Convict Become an Attorney? I Intended to Find Out (Reginald Dwayne Betts, The New York Times Magazine)

This is fantastic longform that embodies what I think social justice reportage should be today. It combines an under-heard, first-person voice with a gripping true story about one of the most crucial issues in America today, incarceration. Betts, who is a lawyer and a poet, also gives his tale an unexpected literary feel, with a comprehensive gloss on the sociology behind juvenile crime, prisons, jailhouse lawyers, and the limited social possibilities for ex-felons.

Omnipresence (Ann Neumann, Virginia Quarterly Review)

This multimedia criminal justice story is about how too-bright, all-night lighting in housing projects, and faulty design overall, contributes to a troubling level of surveillance in poorer communities under the guise of fighting crime. It makes something as basic as sleeping uncomfortable for thousands upon thousands of law-abiding citizens. I really like this story’s taxonomic, poetic style, as well as how architectural photographer Elizabeth Felicella gives the story a more formalist visual valence than your typical housing piece.


Tori Telfer
Author of Lady Killers and host of the Criminal Broads podcast.

Blood Cries Out (Sean Patrick Cooper, The Atavist)

In the book Popular Crime by Bill James, the author writes that the phrase “something terrible has happened” is “the best title ever for a crime book…those words turn the ‘crime story’ inside out by exposing the human beings standing on what otherwise appears to be a vast and grisly stage.”

We’re hardly ten percent of the way into the story in “Blood Cries Out” before someone uses those words to tell her husband that the unthinkable has occurred: there’s been a murder right across the road. And the vast and grisly stage? Small-town Chillicothe, Missouri, where two men have amicably farmed the same land for years, until one of them wakes up in the middle of the night with a bullet in his face and his wife dead beside him. The wounded man initially suspects his daughter’s abusive boyfriend, but then changes his story and accuses his farming partner, and then his farming partner’s son, which results in the sort of twisty and utterly corrupt legal process worthy of Making a Murderer part three.

The piece is full of letters and depositions and secret meetings and a lot of paperwork, but on occasion, it vibrates with poignantly biblical/Americana-esque undertones, from the title (plucked from Genesis) to lines like, “[the victim’s] murder was an attack on a Christian matriarch, a cherished local archetype. Similarly, [the innocent man’s] conviction represented the denial of an eldest son’s right to live and work on his father’s land.”


Sarah Weinman
Author of The Real Lolita: The Kidnapping of Sally Horner and the Novel That Scandalized the World.

The End of Evil (Sarah Marshall, The Believer)

I published a book and wrote a lot of my own pieces in 2018 — including one for this site — so, oddly, I didn’t keep as good track of longform reporting produced by others (podcasts, however, that’s a different story, but this is Longreads, not Longlistens). But I keep returning to Sarah Marshall’s “The End of Evil” because it makes fresh a story long consigned to easy tropes. Marshall, who also co-hosts the stellar podcast You’re Wrong About… and is one of my favorite true crime writers, gives voice to the myriad of women and girls Bundy murdered, shows him as something far less than an evil mastermind, and demonstrates why, with particular clarity, “the longer you spend inside this story, the less sense you can find.”


Catherine Cusick
Audience editor, Longreads

Checkpoint Nation (Melissa del Bosque, Texas Observer)

When Americans think of “the border” as a narrow and specific line, we neglect the legal reality that the term actually applies to a border zone, a much larger halo covering up to 100 air miles from any U.S. land or coastal boundary. The zone touches parts of 38 states, covering 10 in their entirety — and within that wide rim, anyone can be subjected to a warrantless search at any time. In this signature longform reality check, Melissa del Bosque digs into the history of how Congress vested U.S. Customs and Border Protection (CBP) with alarming, far-reaching powers to search and detain even long-term residents who’ve never committed a crime at surprise, “suspicionless” checkpoints.

Japan’s Prisons Are a Haven for Elderly Women (Shiho Fukada, Bloomberg Businessweek)

In a series of sweet, anonymous snapshots, Shiho Fukada talks to and photographs a growing cohort of Japanese seniors: “otherwise law-abiding elderly women” who have found a solution to the loneliness of aging in the reliable comforts of prison. Almost 1 in 5 women in Japanese prisons is a senior, Fukada reports, and 90 percent of them are arrested for shoplifting. From the simple things they steal (rice, cold medicine, a frying pan) to the circumstances they’re trying to escape (bedridden or violent spouses, invisibility, loss, and financial strain), the details of this story make structural inadequacies to meet the unmet social and healthcare needs of an aging population all too clear.

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Read all the categories in our Best of 2018 year-end collection.

Guy Gunaratne on the ‘Push-Pull of Ancestry and Meaning’ in London

Pedestrian crossings in London are painted with bold letters telling you exactly in which direction to look for cars before stepping out in the street. (Photo by Athanasios Gioumpasis/Getty Images)

Hope Reese | Longreads | December 2018 | 11 minutes (3,036 words)

 

“We were London’s scowling youth,” is how narrator Yusuf, whose family came to the city from Pakistan, introduces himself and his peers in Guy Gunaratne’s debut novel In Our Mad and Furious City. Depicting the struggle of city life from the perspectives of three young second-generation immigrants from the Caribbean, Pakistan, and Ireland — Selvon, Yusuf, and Ardan — and two of their parents, the novel investigates precisely what those “scowling youth” experience in London — a complicated and sometimes hostile place.

The fictional work, which takes place over a 48-hour period, was inspired by the 2013 murder of Lee Rigby, a soldier, by Michael Adebolajo and Michael Adebowale, Islamic extremists. Gunarate tells me he was struck by his “perverse identification” with the killer, and set out on a journey to explore the way violence and extremism can develop in a multicultural city.

Gunaratne tells the story as an insider. As the son of a Sri Lankan immigrant, he grew up in northwest London and has seen firsthand how the city can be viewed from the perspective of the two generations. And in his work as a documentary filmmaker and journalist, he has also become interested in exploring human rights issues, which he says have taught him the habit of “zeroing in on the parts of… stories that most disturb you and provoke a response within you.” Read more…

Longreads Best of 2018: All of Our No. 1 Story Picks

All through December, we’ll be featuring Longreads’ Best of 2018. Here’s a list of every story that was chosen as No. 1 in our weekly Top 5 email.

If you like these, you can sign up to receive our weekly email every Friday. Read more…

Alternative Reality: ‘California Divided’

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I thought that it was a good couple of weeks for alt weeklies as I surveyed recent stories published in alternative papers around the United States for the second installment in this regular reading list.

In Portland, the Willamette Week covered the city’s embattled mayor, Ted Wheeler. Maya Smith, a staff writer for the Memphis Flyer, filed a charming profile of a blind pharmacist named Charles A. Champion. Christina Sturdivant Sani looked at the underrepresentation of black journalists in D.C. for the Washington City Paper. In Phoenix, a New Times reporter zeroed in on the questionable practices of Arizona’s former parks director.

Back East, DigBoston took aim at Massachusetts’ state gun purchasing agreements. All About Beer, the country’s oldest beer mag, was eulogized in Durham’s Indy Week. Anthony Mariani, the editor of Fort Worth Weekly, wrote an intense personal essay on his brother’s suicide. And the Chico News & Review published an amusing and informative dispatch on the Jefferson separatist movement in Northern California.

It goes without saying that I came across more good writing than I could include in this modest list. But I hope this mix of profiles, investigations, and personal musings will keep you busy until next time.

1. “Portland’s Mayor Is Struggling on the Job. And It’s About to Get Harder.” (Rachel Monahan, December 5, Willamette Week)

The Willamette Week, Portland’s best alternative newspaper, gives readers a long, detailed status report on the city’s mayor, Ted Wheeler, whose term began at the beginning of last year. Reporter Rachel Monahan portrays an ineffectual leader who is losing the faith of his allies after failing to deliver on a number of campaign promises, such as providing a shelter bed for every homeless Portlander.

No man is an island, but Ted Wheeler looks marooned. Next month will mark his second anniversary in one of the highest-profile jobs in Oregon politics—and Wheeler is struggling in a remarkably public manner.

No one doubts his intelligence or his integrity. But nearly all of the two dozen people WW spoke to about Wheeler say those qualities are not enough. They describe a mayor unable to move the city forward on challenges large and small. He’s disappointed the left and the right, while frustrating the institutional players who want to see Portland’s achievements measure up to its potential.

Wheeler seems unable to take control.

2. “Dr. Charles Champion, a Memphis Institution for 50 Years” (Maya Smith, November 29, Memphis Flyer)

Charles A. Champion is the blind proprietor of Champion’s Pharmacy and Herb Store on Elvis Presley Boulevard in Memphis, TN. Maya Smith, a staff writer for the Memphis Flyer, has written a lovely profile of this 88-year-old pharmacist, who now spends most of his time greeting customers at the front of the store.

Opaque lenses hide eyes that, for the last four years, have been able to make out only faint light. The man in the glasses, wearing a white coat embroidered with “Dr. Charles A. Champion,” sits in a green chair in Champion’s Pharmacy and Herb Store on Elvis Presley Boulevard. Champion is 88 years old, but still has his wits about him and shows up to work every day.

His wife of 60 years, Carolyn Champion, is sitting to his right. His cane, a stack of newspapers, and a plastic bucket of peppermints are on his left. Trusting his ears and gentle nudges from his wife, he gives one of each to everyone who walks by. Champion is the owner of the South Memphis pharmacy and has been there every day (Tuesday through Saturday) since 1991.

There are many fine details in this piece. But I liked this one in particular, a saucy quote from Champion, who has several strong opinions on medicine: “I turn down more people than I serve,” he says. “Just because you want a certain drug, it doesn’t mean you need it. I have to be the one to look out for people. I won’t give someone medicine just so they can continue living unhealthy.”

3. “California Divided” (Stephen Magagnini, November 29, Chico News & Review)

California’s Jefferson separatist movement has always served journalists well. In 1942, a reporter for The San Francisco Chronicle named Stanton Delaplane won a Pulitzer for his coverage of the “gun-toting citizens” who wanted to secede from the Golden State. In the Chico News & Review, Stephen Magagnini takes stock of the movement as it exists today in Northern California, which he describes as an “unlikely assortment of survivalists and hippies, pot growers and hardline cops, real estate appraisers and loggers, fencing instructors and gun lovers, Latinos and anti-immigrants.” Jefferson’s leader is Mark Baird, a rugged Trump supporter and something of a libertarian cowboy.

The movement has long been popular with a segment of rural far-Northern California, but Baird, 65, a strapping reincarnation of John Wayne, started breathing new life into Jefferson five years ago. The 6-foot-4-inch fire tanker pilot, rancher and Siskiyou County reserve deputy sheriff cuts an impressive figure. He sports a black belt holster, but instead of a sidearm, packs his weapon of choice, a copy of the Constitution.

Though it seems unlikely that the Jeffersonians will get their way, it would be foolish to dismiss the movement outright, given that Trump’s victory was a surprise to such a large swath of the American population.

4. “The Reality of Being a Black Journalist Covering Local D.C. News” (Christina Sturdivant Sani, November 29, Washington City Paper)

Christina Sturdivant Sani, the Washington correspondent for The Commercial Observer and an urban journalism fellow at Greater Greater Washington, takes a look at the underrepresentation of black journalists in D.C.’s media scene.

As a black journalist and native Washingtonian, I am equally proud to report local news and frustrated by my industry.

Beyond local black media, such as the Washington Afro American and the Washington Informer, there’s an underrepresentation of black journalists at print and digital outlets that cover D.C news.

In a city comprised of 47 percent black residents—the largest racial demographic in the city—it pains me that “mainstream” publications are majority white, most of them by a significant margin. It’s also telling that after writing for a dozen local news outlets, I’ve only had black editors at the Afro.

To its credit, City Paper gives Sturdivant Sani the space to take a look at its own track record with diversity. “Many editorial staffs around town, including Washington City Paper,” Sturdivant Sani writes, “could use a heavy dose of melanin — to document D.C.’s historically black culture and preserve the wellness of its black journalists.”

5. “Parks and Wreckage: Meet the Archaeologist Who Brought Down Parks Boss Sue Black” (Steven Hsieh, November 29, Phoenix New Times)

Steven Hsieh, a staff writer for Phoenix New Times, digs deep into an Arizonan archeological scandal. The protagonist of his story is Will Russell, who, while serving as a compliance officer for Arizona State Parks, blew the whistle on Sue Black, the department’s director who, with her deputy director, James Keegan, approached development “with more regard for awards and political ambition than archaeological sites,” Hsieh writes.

During Russell’s year and a half at Parks, he grew angry over practices he viewed as flagrant violations of state law.

Not long after he was hired, it became clear to him that Black and her allies, especially Keegan, did not value his role as a compliance officer. Parks leaders pressured Russell to treat antiquities sites not as cultural resources in need of protection, but as obstacles to development.

Records obtained by Phoenix New Times show Arizona Parks built gardens, trails, campgrounds, picnic areas, and cabins on several archaeological sites without following procedures intended to protect Arizona’s cultural resources.

6. “Fire Sale” (Chris Faraone and Curtis Waltman, September 27, DigBoston)

DigBoston, the cleverly named alt weekly, is currently knee-deep in an investigation into Massachusetts’ opaque state gun purchasing agreements, in collaboration with the Emerson College Engagement Lab and Muckrock, the non-profit news site.

Since the beginning of this year, our team at the Boston Institute for Nonprofit Journalism has examined hundreds of state purchasing agreements, for everything from heavy crime-fighting equipment to consumables for laser printers. Of the many contracts that caught our attention, the firepower free-for-all unpacked herein (SP16-AMMO-X85, abbreviated as AMMO in following references) stands out as especially dubious, with entities on all sides operating in an unchecked fashion despite being on the radar of state prosecutors. Nearly three years into the AMMO arrangement, a malleable open call that allows for multiple contracts to be approved under it, vendors have leveraged the opportunity to make millions of dollars off the state. For most of those procurements, there was no competitive bidding. And the process is far from transparent.

The second installment in the series was published in late November, and the next part, on tasers, will come out in January, according to Chris Faraone, who co-wrote the story and serves as DigBoston’s news and features editor.

7. “Saying Goodbye” (Anthony Mariani, November 15, Fort Worth Weekly)

A recent cover story for Fort Worth’s alternative newspaper — which, every week, publishes breaking news and cultural criticism along with a longform piece that usually tops out around 5,000 words — gets quite personal. Anthony Mariani, the editor of Fort Worth Weekly, writes about his brother Adam’s suicide, and the essay is sad, manic, and occasionally uplifting.

Everyone keeps telling me not to blame myself, that there was nothing I could have said or done to have changed a thing. But why? Why can’t I blame myself if that’s going to make me a better person, a better son to my mother and a better brother to my sister and other brother? And, perhaps most importantly of all, a better husband to my wife and father to my son? I was a lazy brother to Adam. There is no doubt about that. That is a fact. I could have called him more often. I texted him a bunch but rarely ever called. And I knew. I knew he was not doing well. Our mom exploded a couple of years ago when I chose to spend my vacation with my friends instead of with Adam. What’s the big deal? I whined. I even solicited Adam’s blessing while I was living it up with my buds. Ever humble and ever supportive of his little bro, he wrote off Mummy’s angst toward my vacation as her simply being her usual neurotic self. At least that’s what he told me. He was a good brother that way.

8. “For 39 Years, Local Mag All About Beer Shaped the Craft Beer Scene. This Is How It Collapsed.” (Michael Venutolo-Mantovani, November 27, Indy Week)

America’s oldest beer magazine, the Durham-based All About Beer, founded in 1979, appears to have ceased publication in mid-October. The magazine, whose website now sits abandoned on the web like so much digital flotsam, played a large part in elevating the country’s burgeoning craft beer movement, as Michael Venutolo-Mantovani makes clear in his detailed postmortem for Indy Week, the alt weekly serving North Carolina’s Research Triangle.

At the magazine’s founding, there were fewer than one hundred breweries across America, nearly all of which were mass producers such as Anheuser-Busch, Miller, and Coors. But even then, AAB quietly heralded the ultra-nouveau movement of craft and small-batch brewing. Its fourth issue had a brief mention of newcomer Sierra Nevada—today the seventh-largest brewer in the U.S., with production facilities in Asheville. In the decades that followed, AAB found itself on the leading edge of an exploding scene.

It’s a sad moment when a publication goes under. Let’s pour one out for All About Beer.

***

Matthew Kassel is a freelance writer whose work has been published by The New York Times, The Wall Street Journal and The Columbia Journalism Review.

The Neanderthal

Illustration by Lily Padula

Jen Gilman Porat | Longreads | December 2018 | 14 minutes (3,447 words)

A couple of years ago, I purchased a pair of 23andMe kits for myself and my husband, Tomer. I intended to scientifically prove that Tomer’s most irritating behaviors were genetic destiny and therefore unchangeable. I’d grown tired of nagging him — oftentimes, I’d hear my own voice rattling inside my brain in the same way a popular song might get stuck in my head. I needed an out, something to push me toward unconditional acceptance of my husband. My constant complaining yielded zero behavior modification from on his part; on the other hand, it was changing me into a nasty micromanager. I briefly considered marital therapy, but that’s an expensive undertaking, costing much more than the $398.00 one-time fee for both DNA kits. Plus, couples’ therapy could take a long time, requiring detours through our shared history. In much appealing contrast, 23andMe, promised to launch us straight back to our prehistoric roots, to an earlier point in causality, one that might provide Tomer with something akin to a formal pardon note, thereby permitting me to stop fighting against him, once and for all. I imagined we could help others by way of example too, for what long-married woman has not suffered her husband’s most banal tendencies — the socks and underwear on the floor, the snoring? Not me, actually, because my husband puts his used clothes in the hamper, and I’m the snorer. Really, I’m probably blessed as far as masculine disgustingness goes. But my husband is flawed in one repulsive way: his barbaric table manners.

I have no doubt this is a genetic situation, for even back when we were first dating, I’d shuddered upon seeing my father-in-law poke through the serving bowls of a family-style meal with his bare hairy hands. My husband’s father has also been caught eating ice cream directly from the carton (the thought of which I now appreciate for its built-in binge deterrent). Moreover, my father-in-law eats like a caveman-conqueror, reaching across dinner plates to pluck a taste of this or that from his mortified tablemates. A family dinner looks like a scene straight out of Game of Thrones, minus any crowns. And so, when my husband first began to exhibit similar behaviors, I had to wonder: Had I suffered some rare form of blindness previously? Did some barrier of unconscious denial gently shield my eyes each day, year after year, but only at mealtimes? It was as if a blindfold suddenly fell from my face, or as if Tomer had finally removed a mask from his own. My gentleman turned into a beast, seemingly overnight.

I watched with horror, one Sunday evening, as my husband served himself a plate of meat and vegetables with his hands. His fingers ripped skirt steak in lieu of cutting it with a knife. He abandoned his fork altogether, and I lost my appetite.

Had Tomer suffered some obscure symptom of the mid-life crisis? Or was this a regressed state? During a phone conversation with a close friend, I described my father-in-law’s vile eating manners and wondered if his pre-existing condition had grown contagious. She suggested Tomer’s change of behavior might indicate an epigenetic effect; she’d read somewhere that some aspects of our genetic code lie in wait and get activated along the way. Apparently, some inherited traits remained invisible for years, hiding patiently in our cells until: Surprise! Just when you hit middle age and are totally comfortable in your own skin (despite the new fine lines around your eyes and those brown circles that are hopefully age spots and not melanoma), some new biological fact of your genetic code makes itself manifest, waking you up from your mid-age slumber.

Another interesting detail I could not ignore: Around the same time Tomer stopped liking forks, he’d adopted the Paleo diet, (versions of which are known as the caveman diet). He’d cut all processed foods from his intake, eating nothing but meat, nuts, vegetables, and fruit. Prior to going Paleo, he’d suffered from a severe case of irritable bowel syndrome and relied on bread products, thinking that challah and croissants were the softer, gentler foods. I suspected a gluten allergy and told him to lay off all the Pepperidge Farm cookies. I probably even told him to “eat like a caveman,” but I only meant for him to eat a more natural and gluten-free diet, in order to heal him, which in fact, it did.

“My stomach is no longer a quivering idiot,” Tomer said, and he said it more than once, to countless friends and family members, until he’d worked up a complete narrative on how he’d triumphed over his very own stomach. And each time he told this story, he lifted his shirt, pounding his fists upon his midsection. His proud smile began to appear, well, wild and hungry, as if he’d tamed his digestive system but in doing so, had activated a primitive gene and sacrificed his own civility.

Shortly thereafter, I came across an article pertaining to Neanderthal DNA. According to modern science, the Neanderthals and our prehistoric ancestors mated, leaving many of us with a small percentage of Neanderthal DNA. I did more Googling and learned that 23andMe can tell you how much Neanderthal DNA you carry. Although they do mean different things, in my mind’s eye, the words “Neanderthal” and “Caveman” summoned identical images: that of savage meat-eating maniacs ripping raw meat from bone with fat fingers and jagged teeth.

And this was it — the thing that sold me on 23andMe: the chance to determine one’s degree of Neanderthal-ness. Without any consideration of all the possible consequences of submitting one’s DNA to a global database, I ordered two kits, grinning and convinced that my husband’s result would show a statistically significant and above average number of Neanderthal variants in his genome. Since Father’s Day was only a month away, I decided I’d giftwrap the kits upon arrival too. I’d kill two birds with one stone.
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