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The Holder of Secrets

Longreads Pick

A profile of the filmmaker Laura Poitras, whose new documentary “Citizenfour” tells the inside story of the N.S.A. whistle-blower Edward Snowden.

Source: The New Yorker
Published: Oct 20, 2014
Length: 33 minutes (8,298 words)

A Year With Nobel Peace Prize Recipient Malala Yousafzai

In one of our conversations, Malala told me that she once went to the theatre — a show called Tom, Dick and Harry in Islamabad — and loved it, so I got tickets for Hamlet at the Royal Shakespeare Theatre.

As it starts, she is wide-eyed. She jumps at the gunshot as the ghost of Hamlet’s father appears, and I hope it doesn’t trigger anything. A long and violent Shakespeare play may not have been the perfect choice — more than three hours is a lot for anyone to sit through, and both Malala and my son fell asleep. But they woke for the swordfight at the end.

Afterwards, she says she loved it. “I think it’s a good lesson,” she says. “Hamlet does to Laertes [killing his father] the same as what happened to him and it gets him nowhere. I don’t seek vengeance against those who tried to kill me. They were led the wrong way. I just wish I could have talked to them.”

She is way too wise for a 15-year-old.

One day in mid-April, Time magazine arrives with Malala’s face on the cover, as one of the world’s 100 most influential people. She complains she doesn’t like the photo.

Sometimes when I go to their house I notice elaborate bouquets. When I ask where they come from, they say: “Oh, Angelina Jolie was over for dinner,” or: “The ex-prime minister of Norway dropped in for tea.” The family visits London and is taken to see Boris Johnson. He leaves Malala slightly baffled. “He just kept saying, ‘What’s it all about?’ ” she says. In the paper we read she is favourite for the Nobel Peace Prize. My son is astonished. “How can she win?” he asks. “She’s always fighting with her brother!”

— From, “My Year With Malala,” Christina Lamb’s 2013 Sunday Times profile of Malala Yousafzai, who became internationally recognized after she survived being shot in the head by the Taliban. Malala Yousafzai and Kailash Satyarthi shared the Nobel Peace Prize today in recognition “for their struggle against the suppression of children and young people and for the right of all children to education.”

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Photo: Southbank Centre

Sam Simon on Life After ‘The Simpsons’

“In the pressure cooker of a TV show, it’s a little bit of a witches’ brew. I completely think I’m capable of being crazy. I probably was crazy when I was doing The Simpsons. But my pulse used to be really low, my blood pressure used to be really low, and I could be screaming at someone on the phone, yelling at the network, I might even be throwing some stuff, but my blood pressure wouldn’t go up. My heartbeat wouldn’t go up. Because I was doing a bit. Shtick. Pretending to be that mad to get my way. Which is not a good way to do it. I don’t suggest it.”

And so, in the fullness of time, it came to pass that almost 100 episodes of The Simpsons were completed, most with Sam at the helm, thus ushering the show into the lucrative world of international syndication. Then, in 1993, he left. “I can’t honestly say we were getting along as well at that point as when the project started,” he says. (The terms of his departure included a non-disclosure agreement.) “But it worked out for everyone. Everyone should be happy.” His settlement gave him a percentage of everything relating to the show—including the licensing and merchandising—worth hundreds of millions of dollars over the years. “I make tens of millions of dollars a year, which may not sound like a lot, but over 25 years it adds up.” Sam laughs.

“I’m an atheist, but there’s a thing called tithing that a lot of religions do. Ten percent was the minimum you were supposed to give to charity every year. And I always outdid that,” Sam explains. In 2002 he started the multi-platform Sam Simon Foundation, one arm of which rescues animals from Los Angeles kill shelters and trains some of them to be service dogs for the hearing-impaired and veterans who suffer from post-traumatic stress disorder. Then there’s the mobile veterinary clinic, also in Los Angeles, which offers free surgery and free spay and neuter services. But it’s not just animals; another arm of the foundation funds the Feeding Families program, a vegan food bank that offers free meals to some 400 Los Angeles families a week. “We’re on track to distribute over a half-million pounds of food to more than 65,000 people this year,” its spokesman tells me. Sam is also the largest individual donor to Save the Children, which just announced a new global philanthropic community called the Simon Society.

— In Vanity Fair, Merrill Markoe profiled her friend Sam Simon, a co-creator of the Simpsons who was diagnosed with terminal cancer two years ago. He lived the only way he knew how: with good humor and by dedicating his life to philanthropic causes.

Sam Simon died today at the age of 59.

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Photo: Mercy for Anim

What Keeps Anthony Bourdain Excited About Making His Show

Bourdain’s shows have grown more visually complex and cinematic over the years, using intricate editing and atmospheric slo-mo shots to add mystery and gravitas. Episodes are often directly inspired by Bourdain’s film passions. A season 2 trip into Tokyo’s nightlife underbelly–complete with segments on bondage and S&M–was informed by the work of Tokyo Fist director Shinya Tsukamoto, while the Shanghai episode currently unspooling on-screen tapped Hong Kong’s Wong Kar-wai as its key reference point. Bourdain usually picks the influences, but it’s up to the team to execute that vision. “Before we go out on a shoot, Tony will give us a homework assignment, which is about a dozen esoteric films,” says Brigden. “We become obsessed with those filmmakers. We live and breathe them.”

Bourdain is more than just Parts Unknown’s host, head writer, and executive producer; he is its creative engine, picking locations, teasing out themes, obsessing over narrative structure, and guiding its overall artistic vision. At one point while watching a meditative, beautifully shot Shanghai montage, he’s distracted by some incongruously funky background music. “I wish there was no bass,” he says to Brigden and Andrukanis. “It shouldn’t be danceable. It should be wistful.” It’s a small detail in a short segment from a single show, but it’s easy to see how that one tweak will transform the mood of the scene–and maybe even the whole episode.

That quest for excellence is a big part of what’s kept Bourdain excited about making a show with the same basic format for the past 14 years. He can be intense, but he constantly pushes the crew to reach toward the new. “We literally sit down and try to figure out, ‘What’s the most fucked-up thing we can do?’ ” he says, taking a swig from his industrial-size cup of light-and-sweet deli coffee. “ ’What haven’t we done that we can try?’ ”

— Anthony Bourdain, profiled this week in Fast Company. Says a producer who has worked with Bourdain for a long time: “He is fun, funny, smart, sardonic, and a pain in the fucking ass sometimes. But it’s a very collaborative process. He is challenging in all the best ways. He can outtalk, outwit, outhumor anybody who’s trying to argue with him, and sometimes that gets your ire up. But ultimately you take that ire and channel it into the show.”

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Photo: YouTube

The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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Anthony Bourdain Has Become the Future of Cable News, and He Couldn’t Care Less

Longreads Pick

A profile of the ‘foodie explorer’ at 58.

Source: Fast Company
Published: Sep 24, 2014
Length: 19 minutes (4,807 words)

Understanding Mick Fleetwood by the Story of His Car, ‘Lettuce Leaf’

There’s a way to understand Mick Fleetwood, and it’s through “Lettuce Leaf.” Fleetwood was a 20-something penniless musician playing blues with John Mayall when he saw a 1933 Austin Seven four-seater on a London street. He left the owner a note proclaiming, “I’m in love with your car, if it ever needs a good home, please call me.”

He bought the car two years later, just as Fleetwood Mac was forming, and he nicknamed it Lettuce Leaf for its green color. He drove Lettuce Leaf to his 1970 wedding to Jenny Boyd, the younger sister of Pattie Boyd, then married to George Harrison.

Time passed, and the money and cars started coming in. Fleetwood stashed Lettuce Leaf at his friend Eric Clapton’s British estate when he moved to L.A. in the 1970s and forgot about her for 14 years. His band sold millions of records; he got divorced, remarried, and got divorced again from Jenny. And then he got a call from Clapton’s manager, asking him if he remembered the Austin. Fleetwood found Lettuce Leaf in an apple orchard, with birds and squirrels making it their home. He had the car restored and shipped to Maui. Now he squires Mum to lunch in Lettuce Leaf every Sunday.

Fleetwood’s tendency is never to let go of anything, whether it’s Lettuce Leaf, his band, or the stubborn delusion there’s money to be made in celebrity restaurants. This has been a blessing with the band, less so in his personal and financial life. He bought a farm outside Sydney in 1980, and when his accountant flew out to tell him he couldn’t afford it anymore, Fleetwood simply departed for Singapore in the middle of the night, leaving his accountant behind and sending a note reading:

“Oh Brian, Brian, we’ve something to say./We stopped in Singapore the other day./To a hotel we went, the best in town./Amusements we sought, amusements we found.”

— In Men’s Journal, Stephen Rodrick profiles Mick Fleetwood, who at 67, is still having the time of his life.

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Photo: Joe Bielawa

‘It’s not too much of a stretch to say that this story fundamentally changed me as a person’

All reporters have pieces that stay with them, stories whose characters and components linger long after the last revisions have been rendered and the paper put to bed. For Jennifer Mendelsohn, Sean Bryant was that character.

Mendelsohn first encountered Sean Bryant shortly after his death, nearly two decades ago. Transfixed by his short, vivid life and subsequent suicide, she eventually produced “Everything to Live For,” a gripping, deeply reported  investigation into Bryant’s life and death. The story first appeared in the June 1998 issue of Washingtonian, and our thanks to Mendelsohn for allowing us to reprint it here. Mendelsohn also spoke with Longreads about how she first encountered Bryant, her reporting process, and the effect his life has had on hers. Read more…

Everything to Live For

Jennifer Mendelsohn Washingtonian | June 1998 | 36 minutes (8,995 words)

Jennifer Mendelsohn is the “Modern Family” columnist for Baltimore Style magazine. A former People magazine special correspondent and Slate columnist, her work has appeared in publications including The New York Times, The Washington Post, Washingtonian, Tablet, Medium, McSweeney’s and Jezebel. This story first appeared in the June 1998 issue of Washingtonian (subscribe here). Our thanks to Mendelsohn for allowing us to reprint it here. You can also read a short Q & A with the author here.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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Read more…