Search Results for: oral history

The Skies Belong to Us: How Hijackers Created an Airline Crisis in the 1970s

Brendan I. Koerner | The Skies Belong to Us | 2013 | 25 minutes (6,186 words)

 

‘There Is No Way to Tell a Hijacker by Looking At Him’

When the FAA’s antihijacking task force first convened in February 1969, its ten members knew they faced a daunting challenge—not only because of the severity of the crisis, but also due to the airlines’ intransigence. Having spent vast sums on Beltway lobbyists, the airlines had the political clout to nix any security measure that might inconvenience their customers. So whatever solutions the FAA proposed would have to be imperceptible to the vast majority of travelers. Read more…

The Story of H.M.: The Amnesiac Who Profoundly Changed the Way We Think About Memory

Sam Kean | The Tale of Dueling Neurosurgeons | 2014 | 12 minutes (3,008 words)

 
For our latest Longreads Member Pick, we’re excited to share a story from The Tale of the Dueling Neurosurgeons, a new book from science reporter Sam Kean looking at stories about the brain and the history of neuroscience. Here’s Kean:

In our minds, we more or less equate our identities with our memories; our very selves seem the sum total of all we’ve done and felt and seen. That’s why we cling to our memories so hard, even to our detriment sometimes—they seem the only bulwark we have against the erosion of the self. That’s also why disorders that rob us of our memories seem so cruel.

In the excerpt below, I explore one of the most profound cases of amnesia in medical history, H.M., who taught us several important things about how memory works. Perhaps most important, he taught us that different types of memories exist in the brain, and that each type is controlled by different structures. In fact, H.M. so profoundly changed our ideas about memory that it’s hard to remember what things were like before him.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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Read more…

Stairway to Heaven

Longreads Pick

Did Led Zeppelin write the greatest song opening in rock history—or steal it?

For live audiences, Stairway’s power starts with its introductory notes. “Can you think of another song, any song, for which, when its first chord is played, an entire audience of 20,000 rise spontaneously to their feet, not just to cheer or clap hands, but in acknowledgment of an event that is crucial for all of them?” Observer critic Tony Palmer wrote in a 1975 profile. Dave Lewis writes in Led Zeppelin: The Complete Guide to Their Music that “Stairway has a pastoral opening cadence that is classical in feel and which has ensured its immortality.”

But what if those opening notes weren’t actually written by Jimmy Page or any member of Led Zeppelin? What if the foundation of the band’s immortality had been lifted from another song by a relatively forgotten California band?

Source: Businessweek
Published: May 15, 2014
Length: 16 minutes (4,150 words)

The Good Girls Revolt

Lynn Povich | The Good Girls Revolt, Public Affairs | 2012 | 14 minutes (3,368 words)

 

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“Editors File Story; Girls File Complaint”

On March 16, 1970, Newsweek magazine hit the newsstands with a cover story on the fledgling feminist movement titled “Women in Revolt.” The bright yellow cover pictured a naked woman in red silhouette, her head thrown back, provocatively thrusting her fist through a broken blue female-sex symbol. As the first copies went on sale that Monday morning, forty-six female employees of Newsweek announced that we, too, were in revolt. We had just filed a complaint with the Equal Employment Opportunity Commission charging that we had been “systematically discriminated against in both hiring and promotion and forced to assume a subsidiary role” simply because we were women. It was the first time women in the media had sued on the grounds of sex discrimination and the story, irresistibly timed to the Newsweek cover, was picked up around the world:

• “‘Discriminate,’ le redattrici di Newsweek?” (La Stampa) “Newsweek’s Sex Revolt” (London Times)
• “Editors File Story; Girls File Complaint” (Newsday)
• “Women Get Set for Battle” (London Daily Express)
• “As Newsweek Says, Women Are in Revolt, Even on Newsweek” (New York Times)

The story in the New York Daily News, titled “Newshens Sue Newsweek for ‘Equal Rights,’” began, “Forty-six women on the staff of Newsweek magazine, most of them young and most of them pretty, announced today they were suing the magazine.”

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle and Readmill users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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How the Creators of ‘Street Fighter II’ Figured Out How to Make the Best Game for an Arcade

YOSHIKI OKAMOTO (HEAD OF ARCADE DEVELOPMENT, CAPCOM JAPAN): Back in the day, people at arcades weren’t happy. Space Invaders was popular and cost 100 yen ($1) to play. And we were thinking, if you’re playing a shooter and there’s a lot of bullets coming at you, that’s a lot of fun. But if it doesn’t last very long, then developers are happy and arcade operators are happy, but players aren’t happy. So we were thinking really hard about what would make everybody happy.

We thought about putting big machines in arcades, so you would need to spend 500 yen per game — developers would be happy because they would make more money, players would be happy because they would get a better experience, but arcade operators wouldn’t be happy because it would cost a lot to swap these big machines in and out.

So we thought about it more and came to the conclusion that if two people played at once … operators would get twice the money. Players would essentially split the cost so they could both play for longer. We kind of did that with Final Fight since players help each other out, but we realized some players still felt cheated because the game was too difficult … If we dictated the difficulty, players could always get frustrated. But if players were competing against each other, whether they won or lost would be up to them. So we were thinking that could take out the frustration.

In Polygon, 20 former Capcom employees and business partners look back on the arcade game that transformed the industry: Street Fighter II.

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David Foster Wallace and the Nature of Fact

Josh Roiland | Literary Journalism Studies | Fall 2013 | 23 minutes (5,690 words)

Josh Roiland is an Assistant Professor in the Department of Communication & Journalism and a CLAS-Honors Preceptor in the Honors College at the University of Maine. Roiland is a cultural historian of the American news media, who researches and teaches classes on the cultural, political, and literary significance of American journalism. This piece originally appeared in the Fall 2013 issue of Literary Journalism Studies. Our thanks to Roiland for allowing us to reprint it here, and for adding this introduction:

David Foster Wallace saw clear lines between journalists and novelists who write nonfiction, and he wrestled throughout his career with whether a different set of rules applied to the latter category. In the years after his death, he has faced charges of embellishment and exaggeration by his close friend Jonathan Franzen and repeated by his biographer D.T. Max. Their criticisms, however, do not adequately address the intricate philosophy Wallace formulated about genre classification and the fact/fiction divide. This article explores those nuances and argues that Wallace’s thinking about genre was complex, multifaceted, and that it evolved during his writing life.

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Before he sat down with the best tennis player on the planet for a noonday interview in the middle of the 2006 Wimbledon fortnight, David Foster Wallace prepared a script. Atop a notebook page he wrote, “R.Federer Interview Qs.” and below he jotted in very fine print 13 questions. After three innocuous ice breakers, Wallace turned his attention to perhaps the most prominent theme in all his writing: consciousness. Acknowledging the abnormal interview approach, Wallace prefaced these next nine inquires with a printed subhead: “Non-Journalist Questions.” Each interrogation is a paragraph long, filled with digressions, asides, and qualifications; several contain superscripted addendums.  In short, they read like they’re written by David Foster Wallace. He asks Roger Federer if he’s aware of his own greatness, aware of the unceasing media microscope he operates under, aware of his uncommon elevation of athletics to the level of aesthetics, aware of how great his great shots really are. Wallace even wrote, “How aware are you of the ballboys?” before crossing the question out.

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The Bohemians: The San Francisco Writers Who Reinvented American Literature

Ben Tarnoff | The Bohemians, Penguin Press | March 2014 | 46 minutes (11,380 words)

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For our Longreads Member Pick, we’re thrilled to share the opening chapter of The Bohemians: Mark Twain and the San Francisco Writers Who Reinvented American Literature, the book by Ben Tarnoff, published by The Penguin Press. Read more…