Search Results for: obama

The Case for More Female Cops

Betty in uniform for the Wichita Police Reserve, 1977. (Photo courtesy of Sarah Smarsh)

Sarah Smarsh | Longreads | July 2016 | 20 minutes (4,886 words)

 

Betty was in the bathroom dyeing her platinum hair black while the kids played with her teenage sister down the hall. Betty had recently left Bob. He’d beaten her, which was officially a crime, but there wasn’t any use in calling the cops. A hometown boy and typesetter for the Limon Leader, Bob knew everybody in their small Colorado burg on the plains, from the police station to the butcher. Betty, my future grandma, was a 23-year-old outsider from Wichita—a social challenge likely not helped by her unapologetic wearing of miniskirts in 1968.

Two years prior, Betty had blown into Limon, 90 miles west of the Kansas border, with her four-year-old daughter, Jeannie, and a pair of go-go boots. Her mom, Dorothy, and little sisters, Polly and Pud (as in “puddin’”) were along, too. Betty and Dorothy both had just washed their hands of Kansas men. Back in Wichita, Dorothy’s third husband, Joe, had strangled her. Betty’s jealous first husband, my biological grandfather, routinely beat her up and, Betty suspected, had paid someone to throw gasoline on her male friend’s face and set it on fire. So Betty and Dorothy piled the kids in a jalopy and headed west, destination unknown, to start over.

“Why Limon?” I asked her once.

“It was where our car broke down,” Betty said with a shrug.

Betty and her daughter Jeannie at City Park in Denver in the mid-1960s, when she worked as a highway-diner waitress in Limon, Colorado. (Courtesy of Sarah Smarsh)

Betty and her daughter Jeannie at City Park in Denver in the mid-1960s, when she worked as a highway-diner waitress in Limon, Colorado. (Courtesy of Sarah Smarsh)

Betty and Dorothy took jobs working in diners along the highway that cut through town. Betty waited tables, her mom cooked specials. Before too long, Betty hooked up with a customer named Bob. Then she got pregnant. She drove past the chapel the first time and left him at the aisle, but on the second try they got married. She gave birth to a son, Bo. Then Bob hit her and snapped his belt at Jeannie one too many times. After just a couple years of marriage, she moved out and filed for divorce.

Now Betty had a 6-year-old daughter with a dangerous Kansas man, a 2-year-old son with a dangerous Colorado man, and a divorce decree pending at the courthouse. Custody of their child, Bob had assured her, would go to him. He’d make sure the judge knew what kind of woman she was.

She had the dye worked into her hair when the phone rang. A voice warned that Bob was on his way over, and he was mad. There wasn’t time for Betty to rinse her hair. She wrapped a towel around her head. Dark dye dripped down her neck as she and Pud put the kids in the car. They rolled through town until the road turned into a highway.

Then, sirens and flashing red lights. Read more…

Unattributed: A Reading List on Plagiarism

Image by ThePixelsFactory (CC BY-SA 4.0)

It’s been just over a day since the internet exploded with analyses, memes, and hashtags on Melania Trump’s liberal use of phrases from Michelle Obama’s 2008 Democratic National Convention speech. The awkwardness of this particular case of (alleged) plagiarism will soon be drowned out by other stories. But debates around plagiarism never quite disappear: they touch on originality, authenticity, and property, concepts that are deeply linked to our modern sense of humanness.

Here are six meaty reads on plagiarism: from deep dives into infamous recent cases to essays that question the very possibility of writing that isn’t, to some extent, an act of unattributed borrowing.

1. “The Ecstasy of Influence.” (Jonathan Lethem, Harper’s, February 2007)

By now a postmodern classic, Lethem’s piece is a passionate, erudite defense of plagiarism — composed almost entirely of passages he himself lifted from other works.

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Red, White, and Bruised

Cleveland's "Ten Cent Beer" riot in 1974. A security guard escorts Indians pitcher Tom Hilgendorf from the field after he was hit on the head with a folding chair. Photo via Cleveland State University. Michael Schwartz Library. Special Collections.

Kyle Swenson | Longreads | July 2016 | 14 minutes (3,440 words)

 

My hometown isn’t very good at stomaching bad news. The word on Tamir landed on an icebox Monday afternoon deep into December. The Cuyahoga County Prosecutor’s Office must have been watching the calendar—and the Doppler radar. The announcement arrived in the patch of dead static between Christmas and New Year’s when most of the country is unplugged or has hit the mental snooze button. As Prosecutor Timothy McGinty started his press conference, a perfect storm of human error, a tragic accident, winter rain began soaking the city. That night, spot protests were small in number. But the word went out: tomorrow afternoon, downtown, be there. Read more…

Our Well-Regulated Militia

Illustration by: Kjell Reigstad

Alexander Chee | Longreads | April 2016 | 15 minutes (3,713 words)

My partner Dustin and I recently bought a cabin in a 1930s-era hunting association a few hours from New York City. Out in the yard is a game hook for hanging a deer after shooting it. We are thinking of turning it into a swing.

Last summer, my retired prison guard neighbor there tried to convince me to do two things: marry Dustin—“I’ve seen too many gay guys like you get screwed by the family when something happens to one of you”—and get a hunting license to help him shoot some of the bears. We thanked him but did not marry, and as for the hunting license, we prefer watching the bears eat apples from the trees in the meadow—you could even say we prefer the bears to some of our neighbors.

The bears don’t bother us.

Most of the members of the association don’t seem to hunt much. Dustin and I go up regularly, every other weekend, and only a few times a year do we really hear anyone off in the woods shooting at anything. One day another neighbor appeared in camouflage and a bush helmet, carrying a bow and arrow, inviting us over to drinks.

Real hunting, as I know from my own family life, is hard. You have to be in decent shape, you need to be dressed for the weather, sprayed for bugs, you need sunblock, you need food packed for the day, you have to have a good dog you’ve trained year round, and you have to be able to field-dress what you kill or at least drag it to where you parked your car. Also: you need to know how not to get lost in the woods. I have a lot of respect for many of these hunters even if I don’t agree with what they’re doing or want to participate in it.

But I also know my cousin Jon back in Maine has a sideline as a butcher for deer and moose, was young when he learned how to carve them up from his game warden father, and he gets a little money and a little or sometimes a lot of meat from it, plus bones for his dog. This sideline exists because most of the hunters coming through his small town don’t know how to do what he does, or they can’t be bothered to do it.

His venison with garlic marinade is exceptional. Every time I have it, I’m grateful to his clients.

I wonder if the day will come when I’ll have to buy a gun. I’m just afraid that when the day comes, it won’t be because I’m hunting bears. Read more…

You Can Do Anything if You Just Do it Slowly: An Interview with Lauren Groff

Cody Delistraty | Longreads | March 2016 | 12 minutes (3,332 words)

 

2015 was the year of Groff.

President Obama called her novel Fates and Furies his favorite of the year. The New York Times named it a bestseller. Amazon.com bestowed its top annual pick upon it. Seth Meyers and Charlie Rose even sat down for interviews with her.

But before all that, Lauren Groff wrote in the shadows.

After graduating from Amherst, when she thought she wanted to be a poet, Lauren worked at a bar in Philadelphia. Mixing cocktails at night and writing fiction during the day struck her as romantic. But on her first day of work, there was a double homicide at the bar. Her second day was September 11th, 2001. (“Seriously?” I say. “Seriously,” she says.)

At Amherst, Lauren was a rower. “There was this beautiful backlit fog rising off the river, and the banks were just pearly and beautiful, and it felt almost impossible to get our bodies moving in the cold,” she told The Amherst Student three years ago. “And Bill (Stekl, her coach) from his boat into his microphone shouts, ‘You can do anything — just do it slowly enough!’ And it’s almost been my motto in life. You can do anything. You just do it slowly enough.”

In 2008, after getting married, earning an MFA, turning thirty, and writing three unpublished novels, she saw her first glimmer of success: her debut novel, The Monsters of Templeton. In the years following she worked slowly. She wrote short stories and published another novel, Arcadia.

But it’s her latest novel, Fates and Furies, that brought fame.

A meditation on marriage and the impossibility of ever truly knowing someone, Fates and Furies struck a cultural nerve. Robin Black in The New York Times Sunday Book Review called it “a novel of extraordinary and genuine complexity,” and its strikingly inventive plot and evocative prose put it in rarefied company for contemporary fiction.

Yet Lauren won’t revel in her success. She has three new projects she’s working on, not to mention the two sons she’s raising with her husband, Clay, in Gainesville, Florida, where she lives. Fates and Furies has turned her into a modern literary icon, but she maintains the slow and steady pace that brought her success in the first place.

I spoke with Lauren about everything from artistic narcissism to Véra Nabokov to critic James Wood, as well as her winding road to success, the pressures of newfound literary fame, and what it feels like to have the President of the United States love your book.

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A Brief History of Solitary Confinement

Eastern State Penitentiary, c. 1876. Via Wikimedia Commons.

Jean Casella and James Ridgeway | Introduction to Hell Is a Very Small Place: Voices from Solitary Confinement | The New Press | February 2016 | 20 minutes (5,288 words)

 

Below is Jean Casella and James Ridgeway‘s introduction to Hell Is a Very Small Place, the collection of first-person accounts of solitary confinement which they edited together with Sarah Shourdas recommended by Longreads contributing editor Dana Snitzky. 

* * *

Imagine you’re locked in the cell, and don’t know if you’ll ever get out.

Imagine a corridor flanked by closed, windowless cells. Each cell may be so small that, inside, you can extend your arms and touch both walls at the same time. The cell contains a bunk, perhaps a solid block of poured concrete, with a thin plastic mattress, a stainless steel toilet, maybe a small table and stool. A few personal possessions—books, paper and pencil, family photos—may be permitted, or they may not. The door to the cell is solid steel.

Imagine you’re locked in the cell, and don’t know if you’ll ever get out. Three times a day, a food tray slides in through a slot in the door; when that happens, you may briefly see a hand, or exchange a few words with a guard. It is your only human contact for the day. A few times a week, you are allowed an hour of solitary exercise in a fenced or walled yard about the same size as your cell. The yard is empty and the walls block your view, but if you look straight up, you can catch a glimpse of sky.

Imagine that a third to a half of the people who live in this place suffer from serious mental illness. Some entered the cells with underlying psychiatric disabilities, while others have been driven mad by the isolation. Some of them scream in desperation all day and night. Others cut themselves, or smear their cells with feces. A number manage to commit suicide in their cells. Read more…

How to Drop Out of a Presidential Race

Adlai Stevenson (left) at a 1952 AFL convention. Photo: Kheel Center, Flickr

This is not an idle consideration. Dropping out of the presidential race can be more important—and can have a more lasting impact—than entering it. Departing the right way can help a candidate built a lasting “brand” and set him or her up for speaking fees, TV contracts, a book deal and, who knows, maybe another run for the top prize one day.

Of course, some candidates go out with more grace and style than others. One of history’s best dropout lines came from Democrat Adlai Stevenson, who, after losing to Dwight Eisenhower, confessed, “It hurts too much to laugh, but I’m too old to cry.” Richard Nixon, after he lost his race for governor of California in 1962, chose a different tack, famously proclaiming he’d quit politics forever and snapping to reporters, in words that would haunt him the rest of his life, “You won’t have Dick Nixon to kick around anymore.” Ronald Reagan fought Gerald Ford all the way to the convention in 1976, and spent the next four years giving speeches and addresses that set up his frontrunner status in 1980. In 2008, when Hillary Clinton left the presidential campaign after a long, bitter struggle against Barack Obama she proclaimed herself a “glass ceiling” breaker—and made it pretty clear she’d be back to try to shatter the glass again.

—Matt Larimer, writing for Politico. Larimer’s piece offers an excellent guide for the losers of Iowa and New Hampshire and armchair analysts alike.

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Longreads Best of 2015: Under-Recognized Stories

We asked all of our contributors to Longreads Best of 2015 to tell us about a story they felt deserved more recognition in 2015. Here they are. Read more…

Buddy Guy and the Inequity of Musical Fame

Guy heads into his living room and points out some of his favorite memorabilia collected over his 60 years in the business: a photo of him grinning onstage with Clapton at the Royal Albert Hall in 1990; a thank-you note from Mick Jagger for appearing in Shine a Light. There’s a photo of Guy with his family and the president and first lady from the first of four times Guy was invited to the Obama White House. “He’s from Chicago, so he knows,” Guy says of Obama. “As soon as he put his arm around me, I said, ‘Mr. President, it’s a long way from picking cotton to picking the guitar in the White House.’ And we laughed.”

Guy points out a painting of Hendrix, and tells the story of the day Hendrix brought a reel-to-reel recorder to tape Guy’s guitar workshop at Newport. “Everyone was saying, ‘Hendrix is here,'” Guy says. “I’m like, ‘Who?’ We went back to the hotel and played until the sun rose. He was so damn good, so creative.”

Next to that is a painting of Stevie Ray Vaughan, playing his guitar behind his back — a trick he learned from Guy. “That one’s priceless,” he says. Vaughan had been a fan ever since he heard Guy singing and playing alongside Wolf and Waters on the 1963 American Folk Festival of the Blues LP as a kid. Whenever Guy played Antone’s nightclub in Austin, he invited Vaughan and his older brother Jimmie onstage. “He became like a big brother to us,” says Jimmie. “It was such a trip.” Guy played with Stevie Ray at Wisconsin’s Alpine Valley in 1990 — Guy took a different helicopter back to Chicago; Vaughan’s helicopter crashed, killing him and four others.

Patrick Doyle, writing in Rolling Stone about the life of trailblazing bluesman Buddy Guy, a brilliant guitarist and longtime Chicago club manager whose influence is as sweeping as Howlin’ Wolf’s, B.B. King’s and Sonny Boy Williamson’s, but whose name isn’t as recognizable.

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There Goes the Neighborhood

Longreads Pick

Obama, Chicago, and the politics of presidential libraries.

Source: The Baffler
Published: Jul 27, 2015
Length: 28 minutes (7,197 words)