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Making More Magazines: A Reading List

Photo: Sharon Terry

Last year, Longreads published a list with behind-the-scenes stories about magazines. Last week, Anne Helen Petersen published an article about the state of Tiger Beat for BuzzFeed News. Inspired, I decided to create an addendum to Making the Magazine. This reading list includes bigger names, like an archived examination of Ms. and Petersen’s update regarding Tiger Beat; a feminist-food magazine; a defunct magazine for sex workers and their supporters; and a lesbian/queer magazine for denizens of D.C. and beyond. Read more…

Trouble in the Bloomberg Solar System

The Bloomberg was often seen inside the company it built as a sort of heavenly body. Dan Doctoroff likened it to the sun, a “life-giving force” that sustains its orbiting planets of business and media ventures. The CEO kept a model of the solar system near his desk, with a tiny replica of The Bloomberg affixed to the sun. The analogy might have even been too limited. There are now 324,000 Bloombergs in operation. Each brings in more than $20,000 in annual subscription fees per user. Bloomberg’s annual revenue is about $9 billion, with gross profit approaching $3 billion, according to Douglas Taylor of Burton-Taylor International Consulting, a market research and consulting firm that closely tracks the privately held company. The lion’s share of that profit comes from the terminal, which Bloomberg’s media operation and its 2,400 journalists exist to serve. Started by Winkler as a supplement to the terminal, the wire service has evolved into an essential feature. Taylor estimates that Bloomberg’s terminal business would suffer a 30 to 50 percent hit if Bloomberg News were to disappear.

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To stay solvent today, almost every media outlet strikes a devil’s bargain with its business model, some more offensive than others. (BuzzFeed, for instance, has deleted posts that big advertisers object to.) The difference with Bloomberg is that its news service doesn’t merely grapple with that questionable compact—it was born from it. Bloomberg News was created to fuel the sun, not to be sustained by it in virtuous orbit. That is a tension that may never be resolved, a gap between business and influence, Owner and Mayor, a conflict inherent in the DNA of the company created in Mike Bloomberg’s image.

Which is why everything at Bloomberg, ultimately, begins and ends with what is going on in the black box of a billionaire’s brain. It has always been thus. Bloomberg is, as many of his employees told me, a brainy, unpredictable, sometimes irrational actor driven by ego. He has never been able to let the media professionals take over.

Politico Magazine senior correspondent Luke O’Brien reports on the existential problem facing the 73-year-old billionaire’s eponymous company as he returns to run it.

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Thought Catalog and First-Person Essay Industrial Complex

Thought Catalog homepage

And it has predicted a remarkable rise in juicy, first-person writing on the Internet. Consider the success of xoJane, which launched in 2011, or of The Washington Post’s “PostEverything” blog. On Medium.com and Jezebel, memoirish personal essays win big. CNN ramped up its “First Person” project in 2013. And Vox.com just recently followed suit. As of press time, the Ezra Klein-run explainer site is hiring a deputy editor for “Vox First Person.”

But Thought Catalog takes the self-expression emphasis a step further. Tellingly, staffers like senior writer/producer Kovie Biakolo don’t take the title Editor because, as she puts it, “I don’t actually perform edits to people’s work.” Biakolo says that the lack of editing can encourage writers to improve on their own. “My kind of attitude to that, especially because of how I allow my contributors to publish and how I deal with them, is that it’s going to make you a better writer if you are embarrassed by what you see,” Biakolo says. “Because you always want your name to be attached to good things. And you don’t want people to be humiliated. So I will edit for them after the fact, but I always tell them, ‘I’m not going to edit your work because I want you to do work.’ Like after it’s published, when they’re like, ‘Oh, could you please change this sentence, it’s really bad.’” She adds, “I think that writers should get in the habit of [editing their own work] again. I think the pen is being spoiled by the Internet.”

 Zach Schonfeld writing in Newsweek about the rise of Thought Catalog, an online publication that has seen “unimaginable growth” over the last five years.

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The Top 5 Longreads of the Week

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

Sign up to receive this list free every Friday in your inbox.

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Q. Sakamaki and the Art of the Socio-Photo-Documentary

Homeless people line up for food on Christmas Day at the soup kitchen at La Plaza Cultural, on Ninth Street and Avenue C. December 1987.

Lucy McKeon | Longreads | May 2015 | 15 minutes (3,806 words)

 

Photographer Q. Sakamaki was born and raised in Japan, but he moved to New York City in 1986, and has lived there ever since, covering the nightclub scene of ‘80s and ‘90s New York, documenting political efforts like the anti-gentrification movement, and capturing everyday life through striking street photography across the city.

New York is not his only focus. While Sakamaki has taken photographs around the world, from Burma to Haiti, China to Kosovo, Bosnia to Israel, Palestine to Liberia, and Afghanistan to Harlem, where he resides today—it’s his Instagram feed that has recently attracted many new fans. There, his daily, often-impressionistic images communicate a sense of profundity, even melancholy, in representing the quotidian.

Sakamaki’s photographs have appeared in books and magazines worldwide and have been the subject of exhibitions in New York and Tokyo. Among the many honors he’s received are four POYi prizes, two Overseas Press Club awards, and a first prize World Press Photo in 2006. He has published five books, including WAR DNA, which covers seven conflicts, and Tompkins Square Park, which documents the Lower East Side protests of the late ‘80s to mid-‘90s. Sakamaki is represented by Redux Pictures. We spoke recently about how he got his start and how he aims to combine identity with photography.

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I’ve read that you began your career in photojournalism covering the Tompkins Square Park uprising in New York City in the late 1980s—is that right? Did you take photographs even before that, if not professionally?

I photographed before, but it was more fashion photography [and] portraits. I was doing that and trying to get a job, when something started in the Lower East Side at Tompkins Square Park. It started before ’88, the summer of ’88, and then continued until the middle of the ’90s, depending on people’s definition of what is a movement. It was like a real melting pot, there. The only real melting pot I’ve ever seen in New York City. Not like here [in Harlem] today. But anyway, after [the Tompkins movement in reaction to gentrification and other labor issues], I decided I would like to cover more—I don’t like the term photojournalism. [We’ll return to this later.]

I used to be very political, when I was 13 or 14 year old. Then I loved fashion and entertainment in my late teens. So the Tompkins Square Park movement felt like something of a flashback. Until the mid-’90s I covered a lot of New York political movements, like the anti-gentrification movement. But then the Tompkins Square Park movement was gone—with Mayor Dinkins closing the park. People tried to keep it going, but in the mid-’90s, they couldn’t. So the mid-90s in New York started to feel very boring for me. I started to pay attention more to outside, worldwide. I went to many conflict zones, war zones—to Haiti, Cambodia, and Israel, Palestine, then Afghanistan, Kosovo, Bosnia. Read more…

Buried Alive in a Grain Silo

Illustration by: Kjell Reigstad

Erika Hayasaki | December 2014 | 2,554 words (10 minutes)

 

Four years ago, Erika Hayasaki learned about the death of two young men in a corn grain bin accident in the Midwest. Over the next two years, while pregnant and later with her then-six-month-year-old daughter and husband in tow, she left her life in Los Angeles to visit Mount Carroll, Illinois, population 1,700, to capture the story. Her interest, however, wasn’t so much in rehashing the deaths of the two young men, but in telling the story of the survivor, Will Piper, who nearly died trying to save his friends from the deadly pull of the grain bin, and whose life took a surprising turn after the accident. The following is an excerpt from Hayasaki’s story, Drowned By Corn, which describes the lives of the young workers before the accident. Read more…

David Carr: 1956-2015

Photo by internaz

David Carr, the acclaimed journalist, media columnist for The New York Times, and author of the bestselling Night of the Gun, died February 2015 in New York at the age of 58.

Here is a brief reading list of stories by and about Carr, his life and work. It doesn’t even begin to cover it. We will miss him. Read more…

When Mitch McConnell Met Roger Ailes: An Early Lesson in Winning At All Costs

Photo by gageskidmore

Alec MacGillis | The Cynic | September 2014 | 13 minutes (3,241 words)

 

Below is an excerpt from The Cynic, a book by The New Republic writer Alec MacGillis about U.S. Sen. Mitch McConnell. Our thanks to MacGillis for sharing this with the Longreads community.

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Benjamin C. Bradlee: 1921-2014

Legendary Washington Post editor Ben Bradlee, who led the newspaper for 26 years and oversaw coverage of the Watergate scandal that led to the impeachment of President Richard Nixon, died Oct. 21 at the age of 93.

“There is nothing like daily journalism! Best damn job in the world!” Ben Bradlee said, as he happily slammed a folded newspaper on his desk one morning in 1985 after I wrote a story that had his phone ringing off the hook.

Ben loved to stir things up, loved to get people talking.

— Some tributes: Editor Mary Jordan remembers what it was like to get praise from Bradlee. Former managing editor Leonard Downing reflects on working with Bradlee, and novelist Ward Just describes his relationship with Bradlee.

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Making the Magazine: A Reading List

Magazine nerds, here we go: A starter collection of behind-the-scenes stories from some of your most beloved magazines, including The New Yorker, Time, Entertainment Weekly, Cosmopolitan, Vanity Fair and the New York Review of Books, plus now-defunct publications like Might, George, Sassy and Wigwag. Share your favorite behind-the-magazine stories with us on Twitter or Facebook: #longreads. Read more…