Search Results for: new york times

The Lost Genocide

A woman in Kutupalong Refugee Camp. Since August, nearly half a million Rohingya have escaped over the Myanmar border to Bangladesh. (Doug Bock Clark)

Doug Bock Clark | Longreads | November 2017 | 6,868 words

From his tent in the illegal shantytown carved out of a Bangladeshi forest, 25-year-old Abdul watched as men, women, and children limped into the refugee camp, gaunt from not eating for days. They were his people, the Rohingya, a Muslim ethnic minority that has been widely called the world’s most persecuted people. Abdul had arrived in the camps ten months earlier, when 66 thousand refugees fled the neighboring country of Myanmar in the last months of 2016. Nearly a year later, the Rohingya were once again on the run, with hundreds of thousands fleeing to Bangladesh through grooves worn in the swamps made by the more than 1 million refugees who had preceded them over seven decades.

The most recent violence began on August 25, 2017, when armed Rohingya groups attacked as many as 30 Burmese police and military posts near the Bangladesh-Myanmar border. The army’s retaliation had been swift, with soldiers razing more than 200 villages, causing about 600 thousand Rohingya to flee. The refugees told stories of Burmese soldiers ambushing their villages, raping the women, and shooting the men or decapitating them with knives. They described landmines being laid along the well-known escape routes. Each morning, corpses of Rohingya who had drowned trying to cross the mile-wide Naf River, which divides Myanmar from Bangladesh, washed onto the shore where they had once sought safety.

Abdul called the new arrivals into his shelter, which was made of discarded plastic stretched over bamboo slats, though all he could offer them was a spot on the red-clay floor. Soon, 30 people were occupying just 80 square feet. But they counted themselves lucky: Most new arrivals slept under monsoon-season skies. Nearly a million Rohingya now crammed into a narrow peninsula on the southern tip of Bangladesh, almost all of them in squatter settlements ringing the U.N.-run camps, which have been at capacity for decades. Eventually, Abdul’s tent became so crowded that he had to bed down at a nearby mosque. But having made a similar escape with shrapnel embedded in his shoulder just 10 months earlier, Abdul felt he had to help.

Read more…

The True Story of Refugees in an American High School

Helen Thorpe | The Newcomers: Finding Refuge, Friendship, and Hope in an American Classroom | November 2017 | 14 minutes (3,444 words)

On the first day of school—it was going to be a ninety-degree scorcher—Eddie Williams jogged up the four stone steps at the main entrance to South High School in Denver, Colorado, half an hour before the first bell rang, eager to meet his new students. The teacher was a tall man, six foot four inches in his socks. He was thirty-eight years old, but could have passed for twenty-eight, and he was wearing a short-sleeved purple South High polo shirt. All the teachers had put on purple shirts, that being the school color, so that the students could easily see whom they should turn to if they had a question about how to find a particular classroom, or how to read the confusing schedules they carried. Mr. Williams usually avoided short-sleeved shirts, because they revealed the dark blue tattoo that circled one of his biceps, and he feared his students might misinterpret the inked designs as macabre, given their backgrounds. He worked diligently to communicate in all sorts of ways that he was a person they could trust.

Mr. Williams had inherited his Anglo father’s rangy height and propensity to freckle, along with his Latina mother’s dark eyes and hair. Fluent in both Spanish and English, he was the sort of teacher who devoted an enormous portion of his kindness, vitality, and intellect to his students. Most of the classrooms in the school were crowded with noisy, chattering teenagers. That morning, however, as he looked around his room, Mr. Williams saw many empty chairs and only seven students. The teenagers assigned to him wore shut-door expressions on their faces. Nobody in the room was talking, not even to one another. The teacher had expected. His room always got off to a quiet start.

“Welcome to newcomer class!” he said, in a deliberately warm tone of voice. “My name is Mr. Williams. What is your name? Where are you from?” Read more…

An Elegy for DNAinfo, Local Media’s First Responders

DNAinfo reporter Ben Fractenberg speaks to writers, journalists, and labor activists at a protest at City Hall. The site was shut down a week after its employees voted to unionize. (Spencer Platt/Getty Images)

By Danielle Tcholakian

If you haven’t already read about it, on the afternoon of November 2, DNAinfo New York and Chicago, as well as Gothamist and all its sister sites in Chicago, Los Angeles, San Francisco and Washington D.C. were shut down by their owner, billionaire Joe Ricketts, a week after 25 employees in New York voted to join a union. Ricketts had founded DNAinfo in 2009, merging it with the older, more profitable Gothamist sites this spring, shedding staff and catalyzing the union effort.

The end came quickly. One employee returned from the restroom to find that he and all of his colleagues had been fired, and the site’s archive had been removed from the internet. (The archives have since been restored after a public outcry.) Shutting Gothamist and DNAinfo meant 115 people lost their jobs that day.

Read more…

The Top 5 Longreads of the Week

Old military binoculars with reflection on black background.
Getty Images

This week, we’re sharing stories from Ronan Farrow, Diana Nyad, Rachel Monroe, Ross Andersen, and Teresa Mathew.

Sign up to receive this list free every Friday in your inbox. Read more…

Misogyny, Translated

Thomas Degeorge, Slaughter of the Suitors by Odysseus and Telemachus (Public domain, via Wikimedia Commons)

In the last 400 years, about 60 English translators — all men — have tackled Homer’s Odyssey. This fact has lost its transparency now that Emily Wilson, a classicist at the University of Pennsylvania, released her own version, a radically contemporary take on the most canonical text in the Western tradition. At The New York Times Magazine, Wyatt Mason recently profiled Wilson and explored her approach to the Odyssey. The effect of some of her choices is startling — like seeing an old canvas for the first time after the removal of centuries of grime. Case in point: the way she’s addressed a short but deeply troubling scene, the slaughter of the women slaves at Odysseus’ palace.

In the episode that Wilson calls “one of the most horrible and haunting of the whole poem,” Odysseus returns home to find that his palace has been overrun by suitors for his wife’s hand. Though she has resisted them, the women in her palace have not. Odysseus, after slaying the suitors, tells his son, Telemachus, to kill the women. It is an interesting injunction from Odysseus, who himself, during his 10 years of wandering, was serially unfaithful. In Robert Fagles’s much-praised translation of the poem, Telemachus says, before he executes the palace women on his father’s command: “No clean death for the likes of them, by god!/Not from me — they showered abuse on my head, my mother’s too!/You sluts — the suitors’ whores!”

But Wilson, in her introduction, reminds us that these palace women — “maidservants” has often been put forward as a “correct” translation of the Greek δμωαι, dmoai, which Wilson calls “an entirely misleading and also not at all literal translation,” the root of the Greek meaning “to overpower, to tame, to subdue” — weren’t free. Rather, they were slaves, and if women, only barely. Young female slaves in a palace would have had little agency to resist the demands of powerful men. Where Fagles wrote “whores” and “the likes of them” — and Lattimore “the creatures” — the original Greek, Wilson explained, is just a feminine definite article meaning “female ones.” To call them “whores” and “creatures” reflects, for Wilson, “a misogynistic agenda”: their translators’ interpretation of how these females would be defined. Here is how Wilson renders their undoing:

"I refuse to grant these girls
a clean death, since they poured down shame on me
and Mother, when they lay beside the suitors.” 
At that, he wound a piece of sailor’s rope
round the rotunda and round the mighty pillar, 
stretched up so high no foot could touch the ground. 
As doves or thrushes spread their wings to fly 
home to their nests, but someone sets a trap — 
they crash into a net, a bitter bedtime; 
just so the girls, their heads all in a row,
were strung up with the noose around their necks
to make their death an agony. They gasped,
feet twitching for a while, but not for long.

Read the story

The Dead Man Fund

(Lambert/Archive Photos)

Jack El-Hai | Longreads | November 2017 | 7 minutes (1,672 words)

In 1989, Morningstar, Inc., an advisory service, issued a strongly worded and unusual recommendation to its clients who had placed money with a firm then called the Steadman Funds (later known as the Ameritor Funds). “We urge you to cut your losses and get out,” Morningstar counseled. Doubtless, some investors heeded this advice. Many couldn’t, though, because they were dead.

A few years ago, the fate of Ameritor— nicknamed “The Dead Man Fund” — and its unfortunate investors, became entangled with the history of my house. An envelope had landed in our mailbox containing a check in the amount of $10.32 made out to one Anna Mae Heilman. She was nobody we knew, but the name rang familiar to me for some reason. With the check was a letter explaining that the money was a final settlement of Heilman’s investment of 171 shares in the Ameritor Security Trust mutual fund, which had closed down.

It didn’t take long for me to remember how I knew Heilman’s name. When we bought the house, we acquired its abstract, a thick and crumbling packet of legal documents that chronicled more than a century of transactions involving the property. Heilman’s name was in there. She and her husband had owned our house for several years ending in 1971.

Heilman’s tiny payout at a rate of only six cents per share seemed strange, so I began looking into the history of Ameritor and the circumstances of the Heilmans’ sale of our house. I then learned of two terrible misfortunes that afflicted one family. Read more…

In the Wake of Weinstein and #MeToo, Why Does R. Kelly Still Have an Audience?

(Rex Features via AP Images)

At Rolling Stone, reporter Jason Newman recently revealed another round of sexual assault and abuse allegations against R. Kelly. The allegations are from one of Kelly’s former girlfriends, disc jockey Kitti Jones, who dated the singer from 2011 to 2013.

It was June 2011, and R. Kelly had just performed to a frenetic crowd at the Verizon Theatre outside Dallas, Texas. It had been nearly two decades since the singer’s raunchy lyrics and honeyed voice turned him into a R&B superstar and sex symbol. But despite multiple controversies over his alleged sexual relationships with underage girls, his still-dedicated fan base sent his latest album — the throwback soul LP Love Letter ­— to number six on the Billboard 200…

[Jones had] been into Kelly since she was a teen in the early 1990s, when she’d hide in her room with his music to escape her mother’s tumultuous romantic relationships. She’d buy every magazine he was in and, upon the release of his 1993 solo debut, 12 Play, took a limo to a third-row seat at her first Kelly show. She’d seen him in concert seven times since. “He was my Brad Pitt,” she says.

The story of Jones’s relationship with Kelly includes food deprivation, forced sex acts, and a dormitory-style, cult-like atmosphere with his other girlfriends. It echoes Buzzfeed’s July story, “R. Kelly is Holding Women Against their Will in a Cult, Parents Told Police,” reported by Jim DeRogatis, who has followed the cloud of allegations surrounding the singer since before his 2008 trial for child pornography.

Jones says she went to Rolling Stone to support the women mentioned in the Buzzfeed report, some of whom are younger than 21 and are, according to one woman’s parents “brainwashed” by the singer.

Reports of Kelly’s illicit, predatory behavior go back to his marriage to singer Aaliyah in 1994 when she was 15 years old and he was 28. (Vibe published an apparent marriage certificate in its December issue that year). Over the years I’ve personally heard from Chicagoans with memories of Kelly traipsing the halls of local high schools looking to befriend teenage girls. Much less clear than Kelly’s gleeful exploitation of women and girls — he calls himself the “Pied Piper” of R&B — is how and why he gets to keep an audience and a job.

Rolling Stone’s article came out just a week after accounts of producer Harvey Weinstein’s predatory behavior were first published in The New York Times and The New Yorker. The public responded with shock, outrage, and then action. Weinstein was fired from the company he co-founded, expelled from the Motion Picture Academy, and could face criminal charges. Some of his accusers, like Angelina Jolie and Gwyneth Paltrow, are powerful Hollywood players, but regular women also stepped forward on social media to tell their own stories of sexual violence, using the hashtag #metoo.

Accusers of other powerful, predatory men soon followed: actor Kevin Spacey, Amazon Studios executive Roy Price, NPR’s senior vice president for news Michael Oreskes, former New Republic editor Leon Wieseltier, and ex-New Republic publisher Hamilton Fish.

In a tough news cycle, the courage of survivors heartened me. I’ve been the victim of sexual violence more than once. I know many women who can say the same, but often, it’s only behind closed doors, in voices thin with internalized shame that we speak of these things if we ever do at all. Also heartening, of course, were the consequences forced on many of the predators — the public shaming of them, the loss of deals, relationships, credibility.

Weinstein’s victims, that we know of, were mostly white — with the exception of Lupita Nyong’o, who published a detailed account of her experience with the producer in the New York Times. Bim Adewunmi, a critic I admire, wrote that black actresses, who get fewer roles for less pay than their white counterparts, were mostly saved in this instance because of their lack of desirability in the eyes of the mainstream. Weinstein was reported to have turned down actress Sophie Okonedo for a role because he doubted that she was “fuckable” enough to draw audiences. Adewunmi’s thinking didn’t sit right with me; sexually predatory behavior isn’t fundamentally about desirability. Also, women of color — especially indigenous women — have a higher lifetime incidence of sexual violence than white women and are less likely to report it to authorities or use social services to get help. We haven’t been saved from anything just because multitudes of us aren’t on one predator’s list.

There was a lot of silence after Nyong’o spoke up, and with R. Kelly’s victims, there’s been a similar silence. Perhaps it’s news fatigue: Everything is exhausting and heartbreaking, and one can only be outraged so much. Still, it’s curiously telling who the outrage and action follows. There are black women writers and activists who’ve tried to wake us up to the horror of Kelly’s behavior, yet he continues to tour and record music. Right now, on this very day, about half a dozen girls and women may be held in a weird, multi-city sex cult in R. Kelly’s homes. Some of their parents have asked for help. Aren’t they worthy of our collective fury, too?

Read the story

Cast by Chronic Illness Into a Limiting Role

Illustration by Giselle Potter

Maris Kreizman | Longreads | November 2017 | 10 minutes (2,462 words)

 

In junior high, I had my heart set on attending a famous performing arts sleep-away camp in upstate New York. All I’d ever wanted from the time I was 4 and saw a local production of Oliver! was to be a Broadway star. I could barely contain my jealousy of all the child actors who were making it big in musical theater that year, 1990: the orphans of Les Miz, the orphans of The Secret Garden, the orphans of Annie. I had the talent to be an orphan too! I just needed a chance to go away from home, I reasoned, because very few successful orphan characters are discovered living with their parents.

If only I could attend French Woods, the place where Natasha Lyonne and Zooey Deschanel had spent their summers — a destination for suburban preteens on the East Coast who had Broadway ambitions, kids who perhaps idolized Bernadette Peters (me) and had strong opinions about Andrew Lloyd Weber’s early work (also me). I had always fit in just fine in my New Jersey town, but I knew I would find my people at French Woods.

Instead, I found myself at the Clara Barton Camp for girls with diabetes. I wrote my parents a “please come pick me up or I will die” letter after my first night.

Read more…

Sade’s Eternal Cool

(AP Photo/Andre Penner)

The soul singer Sade Adu has maintained pop cultural relevance in the 30 years since the debut of her group’s first studio album Diamond Life, which spawned moody, quiet storm singles like “Smooth Operator,” and “Your Love is King.” For The New York Times, Jacob Bernstein considers how Sade has maintained her brand so successfully for so long.

It turned out she was great, with a breathy voice that was heard by Stuart Matthewman and Paul Denman, playing in a band called Pride. They asked Ms. Adu to start singing with them.

In 1982 or 1983, Mr. Matthewman and Mr. Denman left Pride and formed a group around Sade.

They signed to Epic Records, where executives quickly realized they were dealing with an artist with no direct historical precedent.

“She was one of those rare artists I fell completely in love with because she came just the way she is now,” said Susan Blond, a former vice president and publicity director at Epic who now heads an agency where clients have included Aerosmith, Will.I.Am and Morrissey.

“She was very young, but she was very sophisticated,” Ms. Blond said. “She didn’t follow anyone else’s style. No one was as beautiful or had as sleek of a look as her. She didn’t mind designer clothes, but you’d never ever look at her and say, ‘Oh that’s a Chanel outfit.’ She never looked like a brand. And her songs seemed to become classics immediately.”

Read the story

The RNC, Revisited

Photo: Getty Images

Jared Yates Sexton 

The People Are Going to Rise Like the Waters Upon Your Shore: A Story of American Rage | Counterpoint | August 2017 | 19 minutes (5,081 words) 

Below is an excerpt from The People Are Going to Rise Like the Waters Upon Your Shore, by Jared Yates Sexton. A version of this story originally appeared in The Atticus Review in July of last year, when it wasn’t yet clear that the ugliness Sexton Yates saw in Cleveland was a harbinger of much to come. Or, perhaps it was clear—to anyone who was really looking. Here is that essay, revisited. This story is recommended by Longreads contributing editor Dana Snitzky.

* * *

Because I can.

The news broke over the radio.

Another ambush.

Another murder in a long line of murders.

Another gaping wound for Baton Rouge, Louisiana, a reeling community that hadn’t the chance to heal from Alton Sterling’s tragic death twelve days earlier. Three officers killed, another three wounded. The gunman a veteran named Gavin Long who celebrated his twenty-ninth birthday by targeting cops in the streets.

The cable networks breathlessly speculated in the fashion that’d become so commonplace in our era of panic. How many gunmen? Who’s responsible? We’re just getting video—what is this exactly? What type of weapon are we talking about? What’s the feeling out there? All the same whether it’s Baton Rouge or Dallas or France.

The only relief came when they would throw to their reporters stationed in Cleveland, preparing for the upcoming Republican National Convention and the possibility that the trend of violence could continue. Are people nervous? they asked. What type of security measures are being taken?

An hour or so later, Stephen Loomis, the president of Cleveland’s Patrolmen’s Association, begged Governor John Kasich to suspend open-carry regulations in the area outside the Quicken Loans Arena, a request Kasich said he couldn’t grant. Following his answer—a denial Loomis bemoaned on every available network—the media speculated again, this time what kind of tragedy Cleveland could see if tensions ran too hot.

“I think they’re gonna burn down the city,” a caller said on talk radio. “I really do.”

By Monday morning, the most sought-after picture in Cleveland was someone carrying a weapon in plain view of the entire world. The first I found was Jesse Gonzales, conspicuous because of the large halo of reporters surrounding him. Holding court in the heart of them, Gonzales stood with an AK-47 on his back.

By my count, there were at least four countries and three continents worth of cameras trained on him as he casually answered the most repeated question of why he would ever carry a weapon into a powder keg like this: “Because I can.”

Giving a similar answer was a group of Minutemen posting up on a corner outside Public Square. Decked out in body armor and combat boots, tactical communication sets snaking out of their ears, they pontificated on the police union’s “illegal request” and, when asked about the weapons, would only say three words: “It’s the Constitution.”

A few feet away were Ohio police officers in bulletproof vests. I asked one what he thought of the open-carriers and got a roll of the eyes. “No comment,” he said, “but it’s a pain in my ass.”

The scene was interrupted as a truck pulled slowly down the road with a digital screen in the back that sparked to life. Conspiracy mogul Alex Jones’s gruff voice avalanched out of the speakers and declared war on globalists and labeled Hillary Clinton a criminal who needed to be locked away.

Soon a black passerby invaded the space, leaving the Minutemen visibly uncomfortable. He carried a sign and ordered random members of the crowd to join him for a picture. “You,” he said to a passing girl. “I don’t know you from a sandwich, but come on over here.”

As the picture of the man and the Minutemen was snapped, the outfit’s leader shouted their two-minute warning. Not long after they were marching down the sidewalk, crossing the street, their rifles bouncing as they stepped out of rhythm. Read more…