Search Results for: new york times

The Top 5 Longreads of the Week

The Edmund Pettus Bridge in Selma, Alabama, where civil rights marchers attempting to walk to the Alabama capitol in Montgomery for voters' rights clashed with police in 1965. (Brendan Smialowski/AFP/Getty Images)

This week, we’re sharing stories from Rahawa Haile; Hannah Dreier; Rukmini Callimachi; Mary Anne Mohanraj, Keah Brown, S. Bear Bergman, Matthew Salesses, and Kiese Laymon; and Molly Fitzpatrick.

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Digital Media and the Case of the Missing Archives

(Walter Zerla / Getty)

One of the poems that earned Robert Frost the Pulitzer Prize in 1924 is titled “Nothing Gold Can Stay,” and puts forward the claim that nothing, especially nothing beautiful, lasts forever. I thought of this recently when I was considering the impermanence of digital media. As Maria Bustillos wrote for the Columbia Journalism Review earlier this year, digital media came at first with “fantasies of whole libraries preserved on a pin.” Digital writers often revel in the notion that they have limitless space, unlike their print counterparts who squish their reporting to fit precious column inches. But increasingly we’re learning how ephemeral that space is.  Read more…

The ISIS Files

Longreads Pick

On five trips to Iraq, Rukmini Callimachi and a team of other New York Times journalists scoured files and other papers left behind by the Islamic State, which help explain how the so-called Caliphate had been able to stay in power there for a number of years. The impression left behind? That ISIS’s penchant for brutality is matched by its acumen for efficient bureaucracy. All manner of infrastructure was apparently maintained better under the group than it had been under the Iraqi government. Money was raised not only through the sale of stollen oil, but through agriculture and through well organized and enforced taxation. Callimachi covers this in an interactive piece.

Published: Apr 5, 2018
Length: 27 minutes (6,846 words)

Sharp Women Writers: An Interview With Michelle Dean

Photo illustration by Katie Kosma

Natalie Daher | Longreads | April 2018 | 15 minutes (4,014 words)

The subjects of cultural critic Michelle Dean’s new book Sharp: The Women Who Made an Art of Having an Opinion — including Dorothy Parker, Janet Malcolm, Joan Didion and Nora Ephron — have appeared in Dean’s writing and interviews again and again over the years. It’s not difficult to see how Dean would develop a fascination with opinionated women — she is one herself. Lawyer-turned-crime reporter, literary critic, and Gawker alumnus, Michelle Dean’s has had her own “sharp” opinions on topics ranging from fashion to politics, from #MeToo to the Amityville Horror.

The book is more than just a series of biographical sketches. Dean is fascinated by the connections between these literary women — their real-life relationships, their debates, and the ways they were pitted against each other in a male-dominated field.

We spoke by phone between New York and Los Angeles and discussed writing about famous writers, the media, editors, and feminism.
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My Own ‘Bad Story’: I Thought Journalism Would Make a Hero of Me

Getty / Photo illustration by Katie Kosma

Steve Almond | Bad Stories | Red Hen Press | April 2018 | 9 minutes (2,223 words)

Since November 8th, 2016, like so many other Americans, I’ve lived in a state of utter shock and disbelief over the results of the presidential election and everything that’s followed. Author Steve Almond found himself equally bewildered, but after wallowing in dread for a few weeks, he decided to try to make sense of what happened through the lens he’s most familiar with as a journalist, author, and co-host of the New York Times ‘Dear Sugars’ podcast: story.  The result is his new book, Bad Stories: What the Hell Just Happened to Our Country, in which he contends that the election of a racist, misogynist, bullying con artist like Donald Trump wasn’t just possible; it was inevitable. He says it’s the result, in part, of our buying into a litany of “bad stories” — about our country and its history, and ourselves. In 17 essays, the book covers vast swaths of American history, from the birth of the nation, to Watergate to now. Here I’ve picked an excerpt of the book in which Steve focuses on his own “bad story,” and those put forth by the Fourth Estate, having to do with his years as a young journalist. I also spoke with Steve for an edition of the Longreads Podcast. – Sari Botton, Essays Editor

Listen to the Longreads Podcast Interview with Steve Almond here:

***

I spent the first half of my adult life almost comically devoted to the belief that journalism would preserve American democracy. I still believe in the sacred duties of a free press. But if I’m honest about my own experiences in the field, the lessons that emerge most vividly are these:

1. Reporters are no more virtuous than anyone else, and often less so

2. Journalism hardly ever tells the most important stories

3. Even when it does, not much happens

***

Consider this story: the summer before my last year in college, I took an internship at the Meriden Record-Journal, a tiny paper in central Connecticut. I was asked, toward the end of my tenure, to undertake what sounded like an ambitious project: documenting 24 hours in the life of the city. I was teamed with a veteran reporter named Richard Hanley, an energetic psychopath who sustained himself on a diet of steamed cheeseburgers and Kent cigarettes and who, wisely, consigned me to the graveyard shift.

Had I been serious about this assignment, I would have consulted with police, city officials, maybe a historian to map out an itinerary. I would have hung out with workers on an overnight factory shift, tagged along with a cop, visited an emergency room or a jail or a radio station or a homeless shelter. Instead, I spent most of the night camped in diners and donut shops, cadging quotes from bleary waitresses, then roaming the empty downtown waiting, I suppose, for the essence of Meriden, Connecticut to descend from the dark summer sky and reveal itself, like an arch angel. I eventually retired to the bucket seats of my Mercury Bobcat.

This piece stays with me, I think, because it begins to capture the audacious fallacy at the heart of modern journalism, the idea that a subjective (and frankly haphazard) account of one night in Meriden, compiled by a lazy 20-year-old who has never even lived in the city, can be touted as a definitive version of the place.

Or maybe the lesson is this: my bosses actually liked the story I handed in. The executive editor later called me into his office. He was a towering silver-haired reptile, reviled by that entire small, ill-tempered newsroom. But he looked upon me fondly, probably because I was obsequious and poorly dressed. He floated the idea that I drop out of school and come to work full-time for him. When I demurred — and this part of the story I’ve never quite figured out — he slipped me an envelope with $350 cash inside. “Go buy something for your girlfriend,” he murmured mystically. “Go get her some cocaine.”
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The Writers’ Roundtable: Fiction vs. Nonfiction

Illustration by Kjell Reigstad and Katie Kosma

Eva Holland | Longreads | April 2018 | 23 minutes (5,900 words)

A lifetime ago, it seems, I used to write fiction. I wrote little stories on scraps of paper as a young kid; throughout grade school, I filled my unused notebooks with attempts at novels; I wrote a few short stories in high school and college. But since I started freelancing full-time a decade ago, I haven’t written a single line of fiction.

For a few years now, I’ve been intrigued by the writers who manage to produce both fiction and nonfiction work — the ones who excel on both sides of the divide. How do they do it? Why? Do they prefer one to the other? Does one feed the other? I had so many questions, I finally decided to convene another writers’ roundtable (last time around, we talked freelancing) and I asked a few writers I admire to weigh in.

Benjamin Percy is a Minnesota-based writer of novels (most recently, The Dark Net), comics, and the nonfiction book Thrill Me: Essays On Fiction. His nonfiction stories have also appeared in the likes of GQ, Esquire, Outside, and Men’s Journal. Taffy Brodesser-Akner is a staff writer at the New York Times, a contributor to GQ and many other fine magazines, and the author of a forthcoming novel. Mary H.K. Choi has written for Wired, GQ, The Atlantic, and more. Her first novel, Emergency Contact, recently debuted on March 27. Adam Sternbergh is an editor at New York magazine and the author of the novels The Blinds, Shovel Ready, and Near Enemy.

ORIGIN STORIES

Eva Holland: When I was younger, I admit I barely even understood that nonfiction writing existed, outside of daily hard news reporting. My understanding of “writing” was entirely “fiction writing,” and I only fell in love with magazines and narrative nonfiction much later. So, my first question is: What came first for you as a writer — fiction, or non?

Benjamin Percy: Growing up, my only doses of nonfiction came from The Oregonian, Time, Newsweek, Fangoria, National Geographic, and Archaeology Magazine. Most of my reading was devoted to novels — mass-market paperbacks with embossed titles and dragons on the cover — and that’s what I hoped to become when I stepped into my first creative writing workshop: a genre novelist. The first time I wrote something that resembled “creative nonfiction,” I was in my mid-20s and only attempted it because a magazine approached me about an assignment.

Taffy Brodesser-Akner: I was absolutely, definitely, without a doubt going to be a fiction writer or a screenwriter. And then I wasn’t! When I left NYU with a BFA in screenwriting, I realized I had zero version of a plan. I didn’t know what to do, so I got a job that was advertised in the New York Times classifieds (a fiction writer might call this foreshadowing). It was to work at a Soap Opera Magazine. I was still writing screenplays, but they weren’t good—they were cynical, in the way that ’90s screenplays were cynical. And I was taught how to write those things so that they would sell, not so they would be meaningful. So I worked at the soap opera stuff, and I wrote profiles of the actors. I was going to get back into fiction…one day. But it was always hovering in the background. It seemed very fancy to me, to write a novel. And very big and out of reach. I became a freelance writer after a time, and realized I couldn’t devote the amount of time to a novel that a novel would need because I couldn’t bet so many working hours on something that wasn’t a sure thing. Read more…

Is Journalism a Form of Activism?

Portrait of journalist and suffragist Ida B. Wells, 1920. (Photo by Chicago History Museum/Getty Images)

Danielle Tcholakian | Longreads | March 2018 | 17 minutes (4,071 words)

Last weekend, as March For Our Lives protests took place all across the country, the student co-editor-in-chief of the Marjory Stoneman Douglas High School newspaper said on the CNN show “Reliable Sources” that journalism is a form of activism.

I was not surprised to see her quickly criticized on Twitter. Josh Kraushaar of the National Journal tweeted that the belief the student espoused is what’s “killing trust in our profession,” adding in a second tweet that the mentality the student shared “is more common among younger journalists.”

But I was surprised to see how many journalists came to the students’ defense, agreeing that journalism is a form of activism. They were highly respected, solid, investigative journalists. Los Angeles Times writer Matt Pearce asked, “Does anybody think that even the fairest and most diligent of investigative reporters wrote their horrifying stories hoping that nothing would change?” The Washington Post‘s Wesley Lowery asserted, “Even beyond big, long investigations, journalists perform acts of activism every day. Any good journalist is an activist for truth, in favor of transparency, on the behalf of accountability. It is our literal job to pressure powerful people and institutions via our questions.” Nikole Hannah-Jones, a reporter for The New York Times Magazine and arguably one of the greatest living reporters today, quoted Lowery’s tweet, agreeing with it. Read more…

#DeleteFacebook? It’s Not So Easy

(AP Photos)

Earlier this year I wrote about the lack of nuance on our social media feeds and why so many people were trying to step away from it.

And, taking my own good advice, I attempted to spend less time on my accounts. I used an app called Feedly to follow my favorite writers and publications via RSS instead of on Twitter or Tumblr. I limited checking my social media feeds to a few times a day and told myself that I would post links to my own writing, share links to my friends’ work, and only scan my feeds for relevant professional news — no getting caught up in arguments and threads, and definitely no replying.

The “don’t @ me” trend is, of course, a symptom of the changing nature of social media; there are plenty of call-outs and pile-ons, but trying to open a real conversation with someone who isn’t a close friend or family member has started to feel rude. Social media isn’t really about connecting with new people anymore — a Facebook friend request means “I want to watch what you’re doing” more than it means “I want to interact with you.” (It is, in many ways, antisocial.)

Then we learned that we weren’t the only ones who were closely paying attention to our social media accounts. Read more…

The Amateur Investigators of the American West

AP Photo/Dave Martin

Fifty tourists a year get lost in Joshua Tree National Park and find their way back out. In 2010, 66-year-old Bill Ewasko went in and never came out. For The New York Times Magazine, Geoff Manaugh follows the eight-year search for Ewasko and the men who obsessed about finding him.

Search-and-rescue experts have developed lost-person-behavior algorithms to track missing hikers. They use cellphone pings to create a map and timeline, and use past behavior to try to guess their target’s behavior. Technology has also turned amateurs into sleuths and spun web forums devoted to missing people. We live in what Manaugh calls “a golden age for amateur investigations.” For some, missing persons cases become a hobby, a puzzle to solve, a form of salvation, even when wilderness areas thwart their techniques.

To hear Marsland tell it, his inaugural trip to the park, on March 1, 2013, bore the full force of revelation. He purchased hiking gear at a Los Angeles outdoors store, booked himself a room at a nearby hotel in Yucca Valley and set off at 6:30 a.m. He managed to get much farther into the park than he expected. But rather than retreat, he pushed on, walking up the side of Smith Water Canyon. At the top of the ridgeline, he found a curious pit. “It was enclosed by rocks, and you couldn’t really see it from the side,” Marsland told me. “I remember thinking that this is exactly the kind of place where you would expect Bill to be: someplace where he had fallen down, he couldn’t get out and you would never find him. I remember thinking that I had to clear this pit. I had to crawl right up to the edge of it and look down, and I remember being so afraid that I would fall into the pit myself.”

The pit contained no bodies, or even clues, but that moment of possibility was everything. Marsland began drinking less, losing nearly 40 pounds as he reoriented his free time around this quest to find a stranger. “I crossed the line from being somebody who just sat in his room and passively participated in something to being actively involved,” he said. “It was a big moment for me, and it led to a lot of other good things happening in my life.”

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Are The Teens All Right?

Matt Deitsch and Ryan Deitsch, students from Parkland, FL's Marjory Stoneman Douglas High School, are pictured during a panel held to discuss changing the conversation on guns at the John F. Kennedy Jr. Forum at Harvard University's Institute for Politics in Cambridge, MA on March 20, 2018. (Photo by Barry Chin/The Boston Globe via Getty Images)

Danielle Tcholakian | Longreads | March 2018 | 14 minutes (3,629 words)

Over the past several weeks, many of us have been familiar with the voices and faces of the students of Marjory Stoneman Douglas High School, the school in Parkland, Florida, where 17 people were murdered on February 14. The students appeared to quickly shunt away their grief, giving adults across the U.S. a schooling on effective activism, taking to Twitter and effectively employing media outlets to push for policy change so that other teenagers won’t have to experience the terror they did.

In turn, many of the adults that other adults have elected to positions of power — adults we apparently decided were such worthy and good decision-makers that we would pay their salary out of our own pockets — have shown us what very small people they are, and how terribly unqualified they are to be people in the public eye, let alone leaders.

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