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The Top 5 Longreads of the Week

This week, we’re sharing stories from Pamela Colloff, Jordan Smith, James Ross Gardner, Michelle Dowd, and Jaya Saxena.

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Naked City

Illustration by Homestead Studio, based off Oksana Latysheva & Vivali / Getty

Leslie Kendall Dye | Longreads | December, 2019 | 16 minutes (4,411 words)

“No man is an island.”

John Donne

There is a theory that the mind is a collection of symbiotic identities, some conscious, some unconscious, that form an uneasy alliance for the sake of survival. Truthfully, that’s my theory, although I think I read something similar once. I am now working on a new theory, that New York City is similarly a collective, that what looks like a group of entirely separate individuals who happen to walk past one another all day long is actually one great organism.

I find this idea reassuring, because life here can make you feel not just unimpressive, not just peripheral, but entirely negligible. I have lived in New York for more than 22 years, which I am sorry to say is more than half my life. In that time, I have never stopped asking the question: Do I belong here? Am I woven into the tapestry, or am I a dangling thread? How does everyone seem to know one another, and where is everybody going? Why is the line at Sarabeth’s so long? Why are the libraries closed on Sundays? Was there a memo about wearing Hunter rain boots? Why are dogs not allowed in my building? Every day, I am confronted by mysteries. But if New York City is actually dependent on every last person within its boundaries, deriving not just energy but also narrative structure from all who move through it, then maybe I’m not negligible after all.

I have never stopped asking the question: Do I belong here? Am I woven into the tapestry, or am I a dangling thread?

I have tried to explain to others the feeling I get on a typical day in the city — that we are all characters in some sort of Yiddish short story, but it’s unclear who are the heroes and who are the villains, whether it is a comedy or a tragedy, who are the stars, and who are merely the background. You see and hear so many things in a day. So I’ll start from the beginning — the beginning of yesterday, that is, and go through one whole day, and hope that you’ll come along for the ride.

***

Yesterday began like many others. I was in the check-out line at Zabar’s, and I overheard an exchange that intrigued me. A middle-aged woman in nondescript, baggy clothes, her hair a combination of layered bohemian chic and I-don’t-care gray — a West Side classic — was talking to another woman, who was younger.

“We’ll go downtown to my place, we’ll have a cup of coffee, and we’ll talk. Later, I’ll put you in a cab. Sound good?”

I composed a silent plea. Take me too. I can’t think of any place I’d rather go than downtown to your place, for a cup of coffee. I felt strongly that this woman had curtains — big silk curtains — and her apartment had a sitting room and a poodle or two sprawled on the rug. Her place had a view of a public garden, and there was primrose in bloom, and maybe a fountain, and people smoking, and other people kissing, and a few in the midst of lovers’ spats, and rain kissed the earth, just there, in that garden. A cab! Is there anything to excite the imagination more than the hailing of a cab after someone unexpectedly asks you over for a cup of coffee? I wanted the younger woman’s problems, whatever had invited the older woman’s concern. The word “downtown” had become a cashmere shawl, one I wanted to be wrapped in immediately.


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The checker put my groceries in the bag. I trudged home, feeling blue. Once again — not at the center of it, not where the action was, the discourse, the problems, the connection. At home, I made myself some coffee, but there were no silk curtains, no poodles, no conspiring or commiseration.

***

A short time later, I traveled south to my dance studio, Steps, which sits in a hub of Upper West Side activity. You’ve got the Beacon Theatre just across Broadway, the Ansonia just south, and next door, Fairway Market, which is a holy pilgrimage in itself. I’ll say just this: Fairway has an entire room devoted to cheese. Also: things you didn’t know you wanted, because you didn’t know they existed. Artichoke paste. Lambrusco vinegar. Garam masala. Chocolate latte balls — $1.25 a bag.

On the elevator at Steps, I witnessed an altercation. A young, paunchy man wearing earphones got on before this other woman and almost held the door for her. I say almost because he held it for a second, then let it go too soon, before she was safely inside, so the door banged into her. She didn’t need a hospital or anything, but there was no question he was in error. The elevator takes approximately three hours to get from the lobby to the third floor — where the classes are — and back. Catching the elevator is therefore a big deal, as is holding the door for that one last person who is desperate not to wait three more hours for the next ride. The woman quietly harrumphed. Message received. Wild-eyed, the paunchy man said, “I HELD THE DOOR FOR YOU.” She did not accept the falsehood. “You did NOT hold the door for me,” she replied. “You let the door SLAM on me.” Enraged, he replied, “I am not talking to you.” “It sure sounds like you are!” she shot back, and he became so angry that I prayed the elevator was almost at the third floor. I didn’t fear for her safety, but maybe a little I did. When she walked off the elevator, he cursed her. I don’t mean he used foul language, I mean he cast a hex. Sarcastically. “Hope your tendus aren’t all sickled!” he said.

You don’t want to get caught sickling your tendus.

Performing arts shade! (A tendus becomes sickled when you point your foot in the wrong direction, which is a gross dance error, the equivalent of a social gaffe while interacting with, say, the queen of England. You don’t want to get caught sickling your tendus.) All at once, I felt kinship with both the aggressor and the victim in this elevator standoff. I don’t know exactly what defines New Yorkers, but it has something to do with our ability to keep the rhythm of these altercations without missing a beat, like children playing double Dutch.

***

In the sunshine of Studio II, a motley collection of dancers was warming up for the 10 a.m. ballet class. The teacher is tall and blond and haughty — so imperious her instruction borders on camp. She speaks with a British-implied accent and adorns her daily performance with an array of hairstyles and lipsticks. Her smile is lopsided and sudden, just enough to alert us that her condescension is mostly for show. She has a fabulous accompanist and sometimes there are 100 people taking class. It’s ballet with a cabaret atmosphere, and I suspect people love this teacher because she makes them feel like party guests. The spectrum of humanity attends. At the barre, one sees principal dancers from American Ballet Theatre and New York City Ballet, so immaculately sculpted and graceful that they strike one as circus performers or possibly even figments of the imagination. Also at the barre: an elderly woman in a wig who carries her ballet shoes in a plastic bag from the liquor store.

We are all freaks in this room — spiritual cousins of sorts, worshipping at the same church. Here we find rapport and community, gossip and disdain. The mighty sylphs chat with the old loons, and the rest of us try to figure out where on this spectrum we fall. Everyone here is drawn to ballet as a monk is drawn to prayer, and this commonality surpasses — if only in this hour and a half — our jagged differences in achievement.

Everyone here is drawn to ballet as a monk is drawn to prayer, and this commonality surpasses — if only in this hour and a half — our jagged differences in achievement.

A tiny woman stood behind me at the barre. She smiled and said hello. She knew me from the playground I frequent with my child. How was life? How was school? What grade was my daughter in now? Good. OK. Second. Her girls were fine, she said, except for one thing. What was that? I asked. They were both enrolled at the School of American Ballet (S.A.B., as it’s known around here), and they weren’t happy. The School of American Ballet is a “feeder school” for New York City Ballet, which, for many people, is the pinnacle of the art, the highest goal, the shiniest of prestigious places. It’s also known for being a hotbed of sexism, not to mention a place keen on anorexia as a way of life. Still — New York City Ballet! My daughter takes class at another, saner place, but even at 7, she’s heard of S.A.B. It’s where the perfectly turned-out, smooth-bunned, pearl-earring-bedecked baby giraffes are going when they make a sharp turn and head into Lincoln Center. I researched when the annual audition day was — sometime in early spring. I don’t know what made me do it, except of course I do: At the center of New York City’s ineffable glory are cosmic sources of radiation — Times Square, the Chrysler Building, the grandiose arrangements of limelight hydrangeas in the main hall of the Metropolitan Museum of Art, the School of American Ballet.

“Maybe we should go, just to see what the school looks like, Mommy,” Lydia said. “But what if you get in?” I asked. “I won’t go,” she said. “But how could you say no to S.A.B?” I asked. Then we both laughed and immediately remembered that neither of us wanted her at S.A.B. Mostly we remembered that. The other part of us remembered the tiny angels in the second act of the New York City Ballet Balanchine Nutcracker. They hold candles and wear floor-skimming wire hoop skirts, and they shuffle so rapidly across the stage that they create the illusion of floating. Lydia and I were given tickets to the dress rehearsal last year, and at the time, Lydia leaned over the balcony and said, “I want to skim the floor in a hoopskirt.” But only kids who go to S.A.B. can be angels in the New York City Ballet Nutcracker.

Lydia’s own dance school is not far from Lincoln Center. One day I saw a dancer departing the school and rounding the corner. As she passed under the Leonard Bernstein Way street sign, I caught sight of her T-shirt, which read Sing out, Louise, and I promptly fell over and died. This is a line from the Broadway show Gypsy, which has lyrics by Stephen Sondheim, who for theater folk sits at the tippy top of Mount Olympus, with Rodgers and Hammerstein and Cole Porter flanking him. What was great about the shirt was the shorthand — if you love the shirt, you and the wearer can be best friends. You can hug on the spot without formal introduction. (An exception to the no-eye-contact rule generally in play on the NYC streets.) I decided to get one of the shirts for Lydia for Christmas. (Gypsy is about the mother of all stage mothers. Whenever Lydia thinks I am getting too involved in her life, she pointedly whispers, “Sing out, Louise.” I immediately clam up. Smart kid.)

Greta is the biggest personality of the dance moms at Lydia’s school. She is tall and skinny — a gazelle in human form. She is a dancer herself, and her daughter, who takes jazz at Lydia’s school, studies ballet at — wait for it — S.A.B. From Greta, we get all the dirt: who’s dating whom and who’s fighting whom and which former artistic directors are showing up just before curtain to torment the dancers backstage (Peter Martins). She tells us inside things. For example, New York City Ballet dancers aren’t allowed to wear their stage makeup outside the theater, they have to wash it off before they go home. The makeup is copyrighted or licensed or something. It’s in their contracts. Greta makes me feel both closer to and farther from the action. She gives me the same feeling that the weekly arrival of our New Yorker magazine gives me — knowledge without inclusion; glamour, but not mine. I sometimes think The New Yorker exists exclusively to evoke this feeling.

***

In the late afternoon, I had an unpleasant errand — my yearly mammogram. I was headed downtown on the Second Avenue bus, when suddenly, it was nearly black outside; raindrops scattered on the windows like bullets. An omen. Weill Cornell Imaging is in a dreary medical tower on York Avenue. This neighborhood depresses me. If the earth were flat, and you walked to the edge of it, you’d be on York Avenue. It is just so far from anything that feels life-affirming. New York City’s heartbeat can best be felt on the West Side, pulsing through an artery that runs south through Times Square and north past Carnegie Hall, all the way up to the Metropolitan Opera House at 65th. Meanwhile, York Avenue is as far east as you can get without falling into the East River; it’s like a freezing cold finger — no blood flow.

She gives me the same feeling that the weekly arrival of our New Yorker magazine gives me — knowledge without inclusion; glamour, but not mine.

For a mammogram, you go to the ninth floor. This is Breast Land, where every staff member has been schooled in keeping people calm. When you can, please sign here, and How are you doing today? and Would you care for a chocolate or a bottle of water? You stumble along, get your locker, wipe off your deodorant, put a pink robe on, and breathe deeply along the hallway to the next waiting room, where you sit with the other naked-but-for-their-pink-robe ladies and stare out the window at the 59th Street Bridge, which from this close-up looks like a metal brontosaurus. This is the same bridge that Woody Allen lifted to iconic grandeur in the movie Manhattan, but when you look at it from Weill Cornell, amid the steam rising from the manholes on York and the sparse sidewalks around it, it just looks like an angry brontosaurus. Then the breast people call your name and your heart beats faster. A technician in pink scrubs leads you into the next little room, the one with the machines, and asks how your day is going, and rubs you down with freezing gel for an ultrasound, or covers your nipples for a mammogram.

Remember how I said New York is best described as a Yiddish short story? (Are there short stories in Yiddish? I feel that my people tend to run long.) What happened next could really happen anywhere, but somehow, it managed to be nutty in a way I ascribe to this city. You need to know a detail about me first. Two years ago I had a rib removed. It was the third rib, it was under my left breast, and it grew this tumor called a hemangioma — the same as those little strawberries you see on some newborns’ heads. The only way to make it stop growing was to take it out.

“The tumor has fractured your rib,” the thoracic surgeon told me. He prodded me in the chest with his forefinger. “Doesn’t that hurt?” He prodded again. “That has to hurt.” I hadn’t noticed. I had a 4-year-old. I was tired. The jabs, however, got my attention. “Now it hurts,” I said, ever the people pleaser. “’Course it does,” replied the surgeon.

So he took the whole rib, and in order to make my breast sit up properly, he put in a fake rib. The fancy term is “chest wall repair,” but no one outside medicine has ever heard of the “chest wall” so I call it a “fake rib.” A few months after that, I had my first mammogram. If you have not experienced a mammogram, picture a knife spreading a pat of butter across a piece of toast. But really, really hard. Or, as the tech put it, “Your breast is round and the machine is flat.” Or, just imagine a pain so intense that you find yourself clutching the sides of a cold metal machine as tears roll down your cheeks and your soul hovers above your body and everyone prays for the end. After that, I went home. A day later, my fancy “chest wall repair” broke. My fake rib detached from its fake bone anchor and descended into the void of my chest, causing an alarming bubble of air to rise up through my breast like a balloon every time I inhaled. So I had to do the thoracic surgery again. The second time, the surgeon put in Gortex, which he said he hoped would be more durable. Hoped? Back to yesterday.

If you have not experienced a mammogram, picture a knife spreading a pat of butter across a piece of toast. But really, really hard.

I reminded the technician in pink scrubs that I didn’t want my left breast scanned, on account of how the last mammogram broke my fake rib. It had been discussed already, I told her. Pre-arranged, all in my file, I told her. I was just reminding her. She was silent. So I said, “We’ll skip the left, OK? We’ll just do the right.” I stopped talking then, because she was reading my file with concern.

“We can’t screen one breast on a two-breast prescription,” she said.

“Why not?” I asked. “The right breast is one of the two breasts, right?”

“Doctors don’t like it when we change their orders,” she said. “If you want to scan the one, you have to scan the other.”

“But it was pre-arranged,” I croaked.

“She sent a two-breast prescription.”

“She didn’t mean to,” I argued.

“She must have forgotten.”

I began to sweat and wheeze. (If you have never had a rib crushed by a mammogram, you’ll have to trust me, once is enough.) She went to get her supervisor. The supervisor came in to tell me that they could not screen one breast on a two-breast prescription. We were getting nowhere. But then she said that a crushed rib was better than missing a malignant cell and so both breasts had to be scanned anyway. This made sense, and I began to imagine a cycle in which every year I put in a new rib after crushing the last one in the mammogram machine. The room started to tilt as I pondered my choice. The supervisor then said they did not wish to traumatize me, they wished only to make sure I was healthy. I think by then they realized that “healthy” was not, at this particular moment, the right word for me. I was floundering, somewhere near total incapacitation. It was now 6:30 in the evening. The office had begun to clear out. I could hear people saying “good night” and closing desk drawers. I was all that stood between the supervisor and the end of her day. I was alone with her — her and the machine — at the edge of the world, a brontosaurus roaring just beyond the window, black rain engulfing the medical tower.

“I can’t do the left breast,” I muttered, mostly to the wall. I cried. Tears ran. I wheezed again, then hiccuped, then I laughed. I told them not to worry, it was just the pink scrubs, the pasties, the fake rib, the large dinosaur, the end of the world. It was too much, you know? They nodded. They knew.

“We won’t press hard,” the supervisor said. She kept up her patter as she smoothed my pasties and squeezed my breasts into the flattening device, as though coaxing me into a straitjacket. They scanned both breasts. After, they gave me a Hershey’s kiss and a bottle of water.

***

Gusts of wind swept me up First Avenue. I joined the wet commuters on line for the 67th Street crosstown. I was full mammogram chic by now: sweaty, smelly, hair stringy and askew, rivulets of mascara pooling in the tiny lines near my eyes. I felt about as far from the ineffable radiance of the city as possible. I took out my phone to text Courtney, the mother of a little girl in Lydia’s class. She was watching Lydia, and I wanted to tell her that I was on my way back to the West Side.

“How was it?” she asked. (Courtney has had mammograms.)

“A brontosaurus tried to kill me,” I replied.

“Meet us at Santa Fe,” she wrote. “71st and Columbus.”

“‘I’ll get you a margarita,” she added. (Santa Fe has the largest, iciest frozen margaritas in existence.)

Twenty minutes later, I stood around the corner from the restaurant, waiting for Courtney and the girls. A spotlight illuminated a white satin pantsuit hanging in the window of a Columbus Avenue boutique. It was a one-piece, long-sleeved with a plunging lapel. It looked like a Star Trek uniform, but one that you’d wear to the Grammys. I stared at it for a long time, even as the storm threatened to drown me. The hem of my ancient linen pants was torn; I’d long since chewed off my lipstick. Hunger tore at me. I felt faded and chalky, as if my human color had been washed off by the rain. I wondered who was going to buy that suit. Where would she wear it? Probably, she owned Hunter rain boots and had a poodle. Maybe a greyhound. Her building definitely allowed dogs — she would never have moved there otherwise.

Courtney and the girls arrived and we walked into Santa Fe. The host led us to a booth. The girls told me about feeding the turtles in Central Park. Then there was the eating of french fries, and telling the kids to speak more quietly, and restaurant crayons — four to a set, in a tiny cardboard box. Then the married couple at the next table interrupted our conversation.

“Sorry,” the wife said. We don’t mean to keep staring, but there is a dog right outside the restaurant staring in.”

Sure enough, there was — a puppy with big black eyes and a soaking coat. He was tied to a post outside, the very definition of forlorn.

“He belongs to that woman at the bar,” the wife continued. “Poor dog!”

Courtney, who is about seven feet tall with a waterfall of honey blonde hair and a model’s face to match, stood up abruptly, and with a sort of movie star whoosh, gathered her jacket and rushed outside, the girls on her heels. They clumped around the little waif, patting and stroking and soothing. A few minutes later they returned to the table, where I’d remained, transfixed.

“I think the dog’s owner has been adequately shamed now!” Courtney said, as the restaurant gaped at the ill-fated dog. Pregnant women can’t get seats on the bus, pedestrians will knock over a person on crutches, but New Yorkers draw the line at wet dogs peering into restaurants. Sure enough, the embarrassed owner stood up from her spot at the bar, paid the bill, and went out to tend to her shriveled canine, even as she rolled her eyes at the collective presumptuousness that had forced her hand. It was like when someone scurries up or down the subway stairs on the left-hand side. This, with good reason, is not allowed in New York City. One travels up or down on the right-hand side in order to avoid head-on collisions and bodily harm. If a person — often a tourist — wanders to the left, a large crowd will force him to the right in a collective act of censure. For the greater good, of course.

Pregnant women can’t get seats on the bus, pedestrians will knock over a person on crutches, but New Yorkers draw the line at wet dogs peering into restaurants.

In the restaurant, surrounded by dog lovers and people-shamers and candlelight, the stars moved suddenly into position. Swaddled by the rhythms of an untameable city and its undomesticated regulars, the patrons of Santa Fe seemed a Hirschfeld tableau come to life. I was — for a flicker of a second — inside the city’s ineffable glow. I absorbed the warmth totally, like a cat stretching in a pool of sunlight. It was not just the food for a hungry stomach, it was not just the soundtrack of voices mixing with the flickering candlelight, it was not just the hasty alliance of animal lovers doling out opprobrium, nor the pleasurable flush of communal agreement spiked with the recognition of our tyranny and hubris. It was all of those things, yes, but it was also something more, something capturable only by some vestigial sensory organ as yet undiscovered by anatomists. Around me, the city’s plot lines merged into one great circular lane, and inside me, the five senses (and the vestigial organ) arranged themselves in symbiotic formation to produce one thing: joy. I felt mysteriously part of the city’s narrative in some way I hadn’t been a moment before. It was perfect. Then I blinked, and it was gone.

I read once that there is something called “archaic understanding” — something that children have more of than adults. We lose it gradually, but it returns in streaks of primitive insight. An understanding of things in their deepest, mythic sense. Intuition — as brief and bright as a flash of lightning.

We walked home under lamplight glowing in the mist. Some piano music tinkled out of an apartment on 71st. Perhaps it was a party somewhere nearby. The streetlights mixed with the rain like watercolors, and we pushed on, blood cells pulsing through the mighty organism. The sound of the piano retreated — into some corner, behind a curtain, up the stairs in an alley one street over.

There is a line in Peter Pan about Mrs. Darling, and it goes like this: “Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover, there is always one more; and her sweet, mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right hand corner.”

Like Mrs. Darling, this city is defined by something it will not relinquish. This something seems to be in plain sight just often enough to keep us charged in its pursuit. We race along the city’s streets, we chat and disperse and we hurry on again. Sometimes we stall in the midst of an eddy, looking up, just to spot it — the city’s kiss. Then it is time to retreat, to go home and heat the pan for dinner, linger over drinks, wonder what comes next — all the while secure in the knowledge that tomorrow, we’ll make another play for it — that one lovely kiss that shapes our days — because it will never be ours.

* * *

Leslie Kendall Dye is a writer and actress in New York City. Her work has appeared at The New York Times, The Washington Post, Salon, Vela, Electric Literature, SELF, The LA Review of Books, and others. She is at work on a memoir about mothers, daughters, drugs, and show business.

* * *

Editor: Krista Stevens
Copy editor: Jacob Gross

Why I Wanted To Finish My Father’s Life’s Work

Illustration by Homestead Studio, inspired by photo supplied by the author

Karen Brown | Longreads | December 2019 | 9 minutes (2,139 words)

“Do you think you’ll pursue more significant work one day?”

That’s the kind of casual barb my father would deliver over breakfast on my visits home after I was well into my career as a radio journalist.

That may seem unsupportive, which was not typical. He was the emotional rock in my life for 50 years. He chaperoned my elementary school dances, read every article I wrote for the high school newspaper, and later, sent around news of my journalism awards to his friends and colleagues. Every year, he wrote me a birthday card extolling all the ways he admired me.

And yet. He had this dream for my career, that I would become a nationally prominent journalist who might one day topple a presidency and change the world. Instead I became a regionally-respected public radio reporter who mostly does health-related features.

He made those comments about his tempered expectations to let me know he could be both loving and honest. But to me, they felt annoying and unfair. In the end, we’d reach a mutual understanding that no one gets to do exactly what they dream of.

I’ve been thinking a lot about those conversations as I put my own writing projects on the back burner to try to finish my father’s final book.
Read more…

Checking in on the Masculinity Crisis

Richard T Nowitz / Getty

Kelli María Korducki | Longreads | December 2019 | 14 minutes (3,786 words)

 

Not long ago, I noticed a woman reading Jordan Peterson’s 12 Rules for Life at my Manhattan yoga studio as we both waited for our Ashtanga class to begin. The sight took me aback. Despite the 2018 book’s many weeks as a nonfiction bestseller, I’d somehow never considered that the scope of Peterson’s audience might extend beyond sulky white men who like to outsource their thinking. That it might include women with the disposable income and leisure time to spend their Saturday afternoons doing sun salutations, whose lives probably look a lot like mine.

Peterson, a once-unassuming psychology professor at my Canadian alma mater (I’d never heard of him during the years we were both there), has emerged in the last few years as a puzzling figurehead among men’s rights aficionados and self-help enthusiasts alike. Wielding a trademark pastiche of literary references and cherry-picked sociological data points, his writing and, to a greater extent, public lectures broadcast via YouTube deliver what is, for many in this age of ‘toxic masculinity’ and #MeToo, a reassuring story: that men are natural rulers, white privilege is a farce, and if millennial men would just make their beds and assume their kingdoms, we’d all be better off.

Peterson speaks to a constellation of loosely connected concerns that have, in the last several years, dominated popular discourse on where boys and men fit into a society in which gender norms play less and less of a role in determining how people fit together. Conversations about rape culture and damaging gender constructs take place alongside global reports of female students outperforming their male classmates. We hear of a workforce that, at least in theory, rewards the “soft skills” women are purportedly socialized to possess. Meanwhile names like “Dylann Roof” and “Elliot Rodger” have become shorthand for an epidemic of male isolation and rage. A New York Times story that followed shortly after the deadly February 2018 mass shooting at a high school in Parkland, Florida, included the observation that “about the only thing” nearly all U.S. mass shooters have in common “is that they are men.” Read more…

Bully for You

Maystra / Getty

Soraya Roberts | Longreads | December 2019 |  14 minutes (3,476 words)

A few years ago I wrote an essay about my best friend having a baby and my inability to handle it. I wrote about the almost familial closeness of our friendship, about my difficulty parsing what we actually were (friends? more than friends?), and ultimately about the impossibility of accepting someone else getting in the way. I’m not going to relitigate the piece, that’s not what this is about, but I continue to stand by any writer who is sorting themself out in their work and who is self-aware enough to acknowledge their part in their mess. No one else did; I got about 600 comments, pretty much all of them negative: “Want to feel creeped out? Read this. So many issues in one person.” What I remember most, though, were the writers, more famous than me — one of them very famous — dismissing me — not my work, me. What the fuck was I even talking about? Who does that? Fuck no, they don’t want to read that. (Like I was some ancient untouchable, like I was contagious.) Almost all of them were women; all of them known for writing, among other things, about the intricacies of their lives; all of them claiming to make daily work out of forging a space for marginalized voices. But this, a woman wrestling with her feelings about another woman, seemed to be where they drew the line. I wasn’t a murderer, I wasn’t a psychopath, I wasn’t a white nationalist, I wasn’t a criminal, I wasn’t even a cheater, for God’s sake, and yet one of them was offended enough to actually block me on Twitter: “Wow, this is such selfish bullshit.”

Women may be encouraged to bleed out onto the page — there’s a reason the personal essay boom was predominantly populated by them — but it also opens them up to deeper cuts. Not only are they dissected in a way men are not, but the response to this writing, by people of all genders, skews more emotional as well. The motif is so well established by now that it’s almost a rule; at the very least it should be anticipated. And yet, the recent unprecedented pile-on of women writers hectoring a former university student who dared to critique a popular young adult novelist had one of these women telling me, “It never crossed my mind that people would look her up or harass her. That is … bizarre and wildly inappropriate.” 

In 2015, I didn’t expect most people to engage with the mechanics and anatomy of my writing, but I did expect the writers to. I was surprised when they didn’t. I was surprised that it all came down to a headline: This woman abandoned another woman. That I had spent months dissecting 14 years of emotions — that I had distilled them into 2,323 words — was beside the point. The point was that those writers were Good People, and Good People don’t abandon friends, much less friends who are mothers. I was not a Good Person, so there was nothing to consider beyond that. This is where being a writer, any artist really, can be at odds with being a human. Ideally, you meet the artist, the work, the ideas with no judgment. In reality, you meet them with yourself and all the limits of you. In this instance, that also entailed the particulars of being a female writer, which are very different from those of a male writer. Women not only have to withstand all the obstacles faced by every artist in a world that does not value art, but, within that, in a world that also devalues them as women, and therefore their — our — stories. They can’t just write, they have to fight to do it. And as subjugated populations have throughout history, they group together for strength, in order not only to defend themselves, but also other women who can’t — other women they choose, with whom they have a moral affinity, who are deemed worthy of representing their gender. 

This is the powerful woman’s fundamental hypocrisy. Not every powerful woman, but a healthy number. As aggressively as she clears a space for women she approves of is as aggressively as she rejects women she doesn’t. This isn’t so much about who she dislikes, though there’s that. It’s more about women she believes are espousing views that conflict with The Cause of Women™, which is what she and her circle are determined to protect. It’s understandable, yes, but it’s not excusable. A slew of apologies followed the YA mess, with all of the writers making the right sounds, but that was unsurprising. They think, they analyze, they write a good game, the best game, but their actions don’t track with their words. They say they are defending young women’s interests as they attack a young woman. They say they want women to be unlikable, but spurn them for that very same thing. “I am not a politician or a priest or a rabbi,” Roxane Gay, one of the YA supporters, wrote to me. “I’m allowed to make mistakes.” Sure, everyone makes mistakes, but who gets punished? Read more…

Obsession and Release: 10 Years to Write a Longread

Tim Requarth and James K. Williamson

Relative to the time required to read them, #longreads take far longer to write. In the first episode for a new series on The Longreads Podcast, Head of Fact-checking Matt Giles interviews James K. Williamson and Tim Requarth about pieces they recently published after years of incubation, research, and writing.

Tim Requarth is a science journalist and a lecturer in science and writing at New York University. Longreads published his essay, “The Final Five Percent,” in October. Requarth worked on the story for 10 years. It chronicles his brother Conway’s brain injury and subsequent change in personality, as he becomes more violent and eventually lands in jail. Requarth weaves in his own PhD studies in neuroscience and the ramifications of bringing neuroscience into the courtroom. Read more…

Open Secrets: Celebrity Sexuality and Athletic Abuse

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Editor-in-Chief Mike Dang, Contributing Editor Danielle Jackson, Culture Columnist Soraya Roberts, and The Believer’s Deputy and Co-Interview Editor Niela Orr share what they’ve been reading and working on.

This week, the editors discuss the gender politics of music criticism, how young womxn drive conversations around cultural figures, a new memoir by Whitney Houston’s best friend, and institutionalized discrimination in sport.


Subscribe and listen now everywhere you get your podcasts.


1:31 Longreads’ upcoming Hive music series written by womxn. 

5:02 A Song for You: My Life with Whitney Houston by Robyn Crawford

9:30 Loving and Losing Whitney Houston: Robyn Crawford Speaks (November 20, 2019, Talking Red Table Talk Podcast) 

16:43 Robyn Crawford Opens up to Lena Waithe About Her Relationship With Whitney Houston (November 12, 2019, Oprah Magazine)

21:00 The Longreads team’s favourite Whitney Houston songs.

25:19  I Was the Fastest Girl in America, Until I Joined Nike. (Mary Cain, November 7, 2019, The New York Times)

Inside the Toxic Culture of the Nike Oregon Project ‘Cult.’ (Chris Chavez, November 13, 2019, Sports Illustrated)

* * *

Produced by Longreads and Charts & Leisure.

How Mister Rogers Found Inspiration in the Everyday

Fred Rogers of Mister Rogers' Neighborhood entertains children during a Mister Rogers' Day celebration. Several thousand children from the surrounding states attended the event held at the University of South Dakota.

If you’re looking for a mental palate cleanser, a prophylactic against chaos, a poem to creativity and potential, Jeanne Marie Laskas has exactly that in this beautiful piece about her friendship with Fred Rogers at the New York Times Magazine. She recalls his obsession with “the meager and the marginalized,” the universal human need to create, and his firm belief that what’s most essential about us as humans is invisible to the eye. Read this and feel better about yourself and the world.

When we were saying goodbye, I thanked him for all he had taught me.

“I think that it is very important to learn that you get that largely because of who you are,” he said. “I could be saying the same words and giving the same thoughts to somebody else who could be thinking something very different.”

I remember protesting. I was just trying to say thank you.

“It’s so very hard, receiving,” he said. “When you give something, you’re in much greater control. But when you receive something, you’re so vulnerable.

“I think the greatest gift you can ever give is an honest receiving of what a person has to offer.”

He was impossible to thank. I remember going home that day with goat poems swirling in my head.

That was the place where Fred and I connected, and it was also the place where he lived. This place of creating, of making stuff, and I know for him it was vital, a lifeline. He said he thought it was for me, too. In fact, he thought it was true for everybody. Fred believed that the creative process was a fundamental function at the core of every human being.

“I think that the need to create has to do with a gap,” he said. “A gap between what is and what might be. Or what you’d like to be. I think that the need to create is the need to bridge that gap. And I do believe it’s a universal need. Unless there is somebody out there who feels that what is, is also what might be.

“I don’t know anybody who has complete satisfaction with everything. Do you?”

Read the story

Cross Talk

Photo Collage by Homestead Studio

Jacqueline Alnes | Longreads | November, 2019 | 34 minutes (9,431 words)

To get to Kamp in rural Missouri every year, I flew from Jakarta to Singapore to Tokyo to Minneapolis to Springfield. There, my mom rented a car, picked our trunks up from storage, and drove my brother and me up winding roads to drop us off first, always first. The welcome party was a horde of college-age blond-haired, summer-tanned counselors jumping around in costumes: ballerina skirts over basketball shorts; children’s floaties tight around biceps; the beleaguered orange hair of a synthetic lion mane worn too many times. Without other kids there yet, a product of our early arrival, the party seemed surreal. I slouched in the back seat of the car. Maybe I could disappear.

“I can’t do this,” I moaned, though I knew deep down that I would. After all, I was the one who had discovered Kamp. A popular older boy on my swim team in Indonesia, one with crew-cut brown hair and a glistening set of abs, had bragged to the other kids about how much fun it was. I begged my parents to let me and Erik attend, so they logged on to our family’s dial-up internet. Years later, a search for Kanakuk Kamps would render a list of news articles rife with reports of sexual abuse and molestation, but back then it led you to its website, which only featured pictures of clean-cut kids splashing in the pool or standing on a kelly-green soccer field, their arms around one another. My parents signed us up.

“You say that every year,” my mom said. She turned from the driver’s seat to look at me, her green-blue eyes unblinking. “Come on, get out.”

“But this year I’m serious,” I whined. Though I liked Kamp for the lake swimming and kickball tournaments, it felt like a test of identity, one I never passed: to prove I was a good, Christian, American girl.

“Come on, Jaggin’,” my brother said. The counselors rushed toward the car, the chant of howdy y’all, get rowdy y’all growing louder as my brother opened his door. We said a quick goodbye to my mom, and Erik and I followed our counselors into the cavernous dodgeball gym.

“You gonna be OK?” Erik asked. Though I was 12 and he 11, he often took on the role of an older sibling in how he cared for me. Lecrae’s Who u with? Are you in it to win man? Are you livin’ in sin reverberated from stacked speakers. LED lights flickered a kaleidoscope of colors over the walls. Without Kampers, the scene felt depressing, like a birthday party no one had bothered to attend.

Mungkin,” I whispered. I shrugged. My use of Bahasa Indonesian was a ploy to make him feel tethered to me, though he was confident enough not to need me at Kamp. When we were in America, the language felt like a set of tin cans and string no one else could touch.

“Please try to have fun,” he said, and walked to the boys’ side of the gym, where he pantomimed skateboard moves with his counselors. I wrung my hands and waited.

One by one, the other Kampers came in. They separated by gender, the way we would remain throughout Kamp. Boys’ and girls’ cabins were on separate sides of the property, our dining hall tables were on opposite ends of one long room, and parties were divided by an unmarked line on the gym floor. The only way I would see my brother throughout the week was if he passed my cabin on the way to somewhere else.

Girls began to populate my side of the gym. To me, all of them looked like my American Girl dolls at home, their noses perfectly freckled, skin like shimmering bowls of cream, hair wild and undone. They danced politely around me in their oversize basketball shorts and baggy T-shirts, all modest enough to meet the Kamp dress code. They talked about soccer tournaments and complimented hair braids.

‘Mungkin,’ I whispered. I shrugged. My use of Bahasa Indonesian was a ploy to make him feel tethered to me, though he was confident enough not to need me at Kamp. When we were in America, the language felt like a set of tin cans and string no one else could touch.

“You’re from Kansas City, too? No way!” Two girls hugged, as if the proximity of their neighborhoods was a sign from God. I knew it was just coincidence. Girls came from the same hometowns every year: Knoxville, Naperville, Dallas, Fayetteville, Wichita, St. Louis, Tulsa. The city names sounded so American, especially prefaced by a suburb of. I often wondered what it would be like to say I had been raised in a three-bedroom, two-bathroom single-family home on Ashley Spring Court or Savannah Hills Drive. During summers in America, I had seen the miracle of glittering, planned streets, and I wanted them as my own. Instead, my family moved frequently. Before Jakarta, we’d lived for four years in Balikpapan, Indonesia, in a home we deemed the Vitamin House because B-12, our address, was sprayed yellow on our driveway.

I stayed away from the other girls, hoping they wouldn’t ask me any questions, especially about where I was from. I knew that my body — a gangly array of tanned limbs and blond hair cut to my chin — looked like the Kamp girls, but I felt split in half, like I didn’t belong. My vision of America came from the filtered peek I received each summer on our two-month trek through grandparents’ living rooms, the Mall of America, and cousins’ lush backyards. I fell in love with the silky green grass I was allowed to touch with bare feet. But I didn’t know the country well, not at all. I felt like a tourist in a land that everyone else said was mine, and though I’d been coming to Kamp for three years, the initial night always felt shocking, like a full-body plunge into ice-cold water.


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Smile, I reminded myself. Kamu orang Amerika.

Eventually, in the gym swollen with the noise and heat of nearly 300 campers and counselors, the Kamp leader who went by the initials of something like JP shushed us all over the microphone.

“Hey, hey, hey,” he crooned, like a poorly paid late-night radio host. “How are we all doing tonight?”

The Kampers cheered. I raised my voice in a half-hearted yay while scanning the boys’ side of the room for any sign of my brother’s freckled cheeks or the white-blond spot on the back of his head that marked him like a fawn. My counselor shot me a glare.

“Let’s play Who Traveled Farthest to Kamp!” he yelled. I twisted the edge of my T-shirt in my hand. “Stand up now, and when I name a state, you’ll sit down if you get eliminated.”

We all stood up. I tried finding Erik again. Most of the counselors were new each year, so maybe we could lie about where we were from. The bobbing sea of boy-hair left him camouflaged.

Half the crowd sat down at “anywhere outside Missouri.”

Another chunk crumpled to Kansas.

Texas.

Oklahoma.

Soon, I could see my brother, one of only five or so of us left standing.

JP, wearing a bandana around his balding head in an attempt to look hip, dragged the cord of his microphone behind him into the crowd.

“Which one of you thinks you have it?” he asked. I shot my brother a glance, hoping my eyes would say we could pretend to be from Illinois? He gave me a thumbs-up, not understanding. He didn’t mind the attention; somehow his status as the Boy From Indonesia earned him extra credibility.

A boy with scruffy brown hair raised his hand. “Virginia,” he yelped into the microphone.

“Ooh,” JP sang. “Virginia. How long did it take for you to get here?”

“A day,” the kid said. I looked around. The girls in my cabin flitted their eyes at one another, impressed. Two of the other kids sat down. My palms began to sweat, and I rubbed them on the tie-dye I LOVE TABLEROCK LAKE tourist T-shirt my mom had purchased for me at the local Walmart.

“Anyone from further than that?” JP murmured. He swaggered toward me, and I again eyed at my brother: help. I was the one who struggled with words under pressure. On a family vacation to a different island, a man had approached me asking, “Where’s the slide” in a British accent. I’d responded “Disana, disana,” before he backed away, saying “SORRY” slowly and loudly. Sometimes even my tongue got tangled between lives.

“Where are you from?”

I wasn’t from anywhere, I wanted to say. I wasn’t allowed to be from Indonesia; no matter the fact that I had lived there for five years — longer than anywhere else in my life — no matter that I spoke the language, no matter that I no longer remembered what America was like, I could never be from Indonesia. I’d always be a white foreigner, the daughter of parents wealthy enough to live on the compound, holder of a passport from the USA.

“Jakarta, Indonesia,” I whispered.

The crowd went silent.

Is that in California? someone behind me whispered.

Probably, a different voice whispered back.

“That’s near Bali, right?” JP responded. I nodded yes, though I wanted to him to know the difference between the tourist resort town and where I lived. People went to Bali for a pristine beach, trinkets, and the idea that they were somewhere foreign, without ever actually experiencing the realities of the country. I wanted to believe that my years in Indonesia had been different. I learned to squat rather than sit while waiting for the bus, watched the snake man wrangle a spitting cobra into a cage, and woke each morning to the wail of a mosque, the prayers a soothing cadence. I wanted to tell him that I came alive in the rhythm of a place where I could never belong — but I didn’t.

I wanted to tell him that I came alive in the rhythm of a place where I could never belong — but I didn’t.

He adjusted his bandana before making the hang-loose sign with his free hand. “Rad.”

***

The first days of Kamp passed in a haze of chlorine and a crackle of bonfire. One afternoon our cabin trekked from the soccer field to the volleyball court, where we had been told we’d get to play against a boys’ cabin. One of the girls walked next to Melissa, who was secretly my favorite counselor. Melissa was blond, tan, and wore a small purple sport watch on the inside of her wrist. Kampers and counselors alike were drawn to her intensely caring and exuberant spirit. Melissa was who I dreamed I might turn out like someday, when my braces and glasses would finally come off, when my hair would grow past my chin and cascade down my back, when I would move to America and change not only my appearance but also the part of me that grew anxious whenever I was around too many other people. I wanted to give tight-squeeze side-hugs like Melissa instead of turning away. I wanted to be able to love others without abandon, without worrying that who or what I was would never be enough.

I wanted to be able to love others without abandon, without worrying that who or what I was would never be enough.

Boys waited at the volleyball court. The other girls, out of earshot of our counselors, had whispered throughout the week about biceps and dimples and hunky hair. I wanted to participate, but even speaking about the boys seemed like a sin. As girls, we were supposed to view the opposite sex as brothers, protecting them from our preadolescent forms by wearing one-pieces at the pool, long shorts, and baggy T-shirts everywhere else. Plus, when I scanned the lineup, my actual brother was there. Only 13 months younger than me, he’d been assigned to my partner cabin. I raised my hand in acknowledgment. Without him around, I’d been able to pretend my life in Indonesia was a distant dream and that my small attempts at being social were equivalent to a queen bee rallying a hive.

“Melissa, you know we’ve got a star on our team?” the boys’ counselor teased. He and Melissa had been flirting all week in the way that only Kamp counselors could. They’d pass notes filled with scripture and make fun of each other’s college mascots. Sometimes Melissa left her long hair down after illegally drying it in our cabin, and she’d flip it over her shoulder.

“Is that right? I’ve got some stars, too,” Melissa said, her voice light.

“This kid,” the counselor said. He grabbed my brother by the shoulders. Erik raised his hand in a fist pump. I could tell he’d spiked his hair with water from the bathroom sink, and he was wearing the same shirt he had on two days before when I’d spotted him at the dining hall. “He’s a two-time I’m Third Award winner.”

“Wow,” Melissa said, her voice suddenly sober. The I’m Third Award was the highest at Kamp. As we were told at every meal, chapel session, Bible study, and worship time throughout the week, the award was named after the life motto of Captain Johnny Ferrier, a man who drove his fighter jet to the ground — and certain death — rather than risk killing others by attempting a safe landing. I’m Third meant God first, others second, and yourself third. By winning twice, my brother had earned a spot as a near-saint. “Well I’ve got his sister,” she added.

I’m Third meant God first, others second, and yourself third. By winning twice, my brother had earned a spot as a near-saint.

Melissa came toward me and I flinched; I hated to be touched by anyone. My face grew hot. In previous years, for my immobilizing anxiety, I’d won the Meek and Humble Certificate, an award allocated only to girls, because I had managed to spend a full week speaking only a few words.

“You must be pretty awesome if you’re this legend’s sister,” the boy counselor said to me. “And you guys are from Indonesia? Pretty cool.” I stared down at my white tennis shoes, the curly pink elastic laces erupting from them like confetti. I kept my head down, not wanting my cabin to suddenly gain interest in where I was from. They’d left me alone after the opening ceremony, and my international residence had evaporated overnight, the immediacy of what flavor Kool-Aid was available with lunch and who launched furthest from the blob in the pool reigning supreme as conversation topics.

But now, if the girls in my cabin realized, the questions would start: What is it like there? Do you live in a hut? What do the people look like? Whenever I was asked about Indonesia, I stuttered at the impossibility of what felt like describing another life. I didn’t know how to compare countries. As I’d left Alaska after kindergarten, my memory there was a blur of moose roaming the backyard and fields of fireweed coloring the mountains hot pink. Indonesia was complicated. I could describe my life as a child: To get to school, I scootered past monitor lizards poking their prehistoric heads from the drains; at recess I whacked my wrist against a taut tetherball, a crowd of caged gibbons behind the school chirruping me on; and in my backyard, I pulled ribbons of gray fading skin from the base of a eucalyptus tree to reveal streaks of pastel oranges, purples, and greens. But to describe who I was there and what that meant — a white American girl on a compound in Balikpapan, and now a girl in a gated, walled-off home with rotating security guards in Jakarta — seemed too big of a task. Usually I stopped at It’s different. In the rare times I did explain, people responded with remarks like, “They really live like that?” or “Whoa,” which made my stomach feel like it was ballooning toward my throat, all of me taut with failure.

Looking back, I realize now that at the age of 12 , it was difficult for me to navigate the glaring privilege of the life I led. Even now I feel reticent about my time in Indonesia, as I still feel like an outsider, someone whose words fall short again and again and again. Though I want to consider myself different from the tourists who collected trinkets and memories of time spent on beaches, was I? Am I? I spoke the language, yes, learned the customs, respected cultural norms, consumed local food, was invited into the homes and weddings of Indonesian friends, and tried to remain aware –– as much as was possible for someone in second to eighth grade –– about the privileges I was afforded. But I was also someone who attended exorbitantly priced international schools with other expatriates; lived in homes with marble floors and gated walls; flew to Singapore every other month to get my braces tightened; and, with my passport and family’s financial resources, could leave at any time. My memories of Indonesia are dual in nature. Sometimes I remember myself with compassion: I was a child who remained sensitive to the workings of the world, who tried her best to let love and respect lead her through the thorniness of privilege, place, and power. But other times, I remember myself with disdain: I did not deserve –– and still do not deserve –– the privileges I had and have access to; I am saddened that I, with my presence in Indonesia, contributed to a legacy of colonialism. But there is also this: I was a child. What agency did I have during those early years of my life, when I didn’t have the chance to choose where or how I lived? What grace can I give myself and my family, all of us wanting to respect the communities we landed in during our many moves, all of us seeking to nurture those around us in different ways? Now, it seems possible to hold an array of truths in my mind –– I was a source of harm and also did my best to make a home –– but at Kamp, I only felt a complicated tangle of emotions, with no way to parse them out.

Looking back, I realize now that at the age of 12 , it was difficult for me to navigate the glaring privilege of the life I led. Even now I feel reticent about my time in Indonesia, as I still feel like an outsider, someone whose words fall short again and again and again.

At the volleyball court, the game started with the crack of a first serve. I positioned myself in the back corner, half-heartedly lunging for the ball when it soared my way. After the boys scored a point, I watched as my brother clapped backs and received noogies; he could speak the language of physical affection. The longer I watched him, the further away I felt. Was I the strange one for not belonging to both worlds? Here, he was revered for his awards, his ability to stir a crowd into laughter with his movie impersonations, his athleticism. And in Indonesia, he was a laki-laki, nomor one, praised because he was male, because he was blond, because his skin was porcelain. The men in our lives would ask Erik to help drive the car, give him candy, ride their motorcycles. I, on the other hand, was pinched and prodded at the market for showing my bony legs and tan arms, an anomaly in a predominately Muslim country. I was only a perempuan or gadis, a girl or virgin. My only wish was to belong somewhere, fully and completely, as I could in my bedroom: hair down and bobbing, my voice singing a made-up song in whatever language emerged, my legs and arms swinging with a rhythm I composed.

Comp-e-tition! Woop! Jesus is number one! a girl with French braids and freckles in my cabin began chanting. The thwack of the volleyball from the boys’ side only made her louder, and a few of the other girls chimed in.

Awesome! Awesome! Hit ’em in the head with a big ole possum! the boys cheered back. Sweat trickled down my brow, and I whispered Jesus is number one just in case He was listening, realizing, even while I said it, that the reassurance was just as much for me as it was for God; in Kamp, surrounded by reminders that I should be proclaiming my faith, I felt even more compelled than usual to try believing. Both cabins grew louder, but when someone served the volleyball into a thicket of nearby woods, we all moved to sit on the wooden barrier separating the edge of the court from grass, tired. The chants quieted down. Some of the boys moved close to the girls in my cabin, a proximity Melissa didn’t notice because she’d run to help the boys’ counselor find the ball.

One of the boys, a mop of brown hair framing green eyes, turned to a girl in my cabin. “Ba-gus … sek …” My body froze. “Hey, Indonesia, how do you say it again?”

Erik leaned over from his spot on the barrier. “Say what?”

“You know, what you taught us.”

Bagus sekali!” Erik said, and gave the boy a thumbs-up. I glared at them both, especially when the girl in my cabin giggled back.

“What’s that mean? You speak another language?”

“Kind of,” the boy said. He shook his hair so his bangs swayed to one side. “Erik has been teaching us Indonesian.”

I felt like taunting the boy, asking anda bisa berbahasa Indonesia? You think you can speak my language? The way he spoke the words made me angry, using them only to impress a girl. He didn’t know the cacophony of cicadas screaming high in the rainforest trees, the clucks of a dusty rooster, the high whine of motorcycles straining uphill that turned the language to music. And toward my brother, I felt something I hadn’t before. In my eyes, he had everything: the right clothes, Kamp awards, friends, and the ability to belong anywhere. Why had he given away a language that felt like ours in a country that didn’t?

When Melissa called us to go, I left without saying sampai jumpa to Erik. I was angry without fully understanding why. Usually my brother felt like a kind of home, somewhere I didn’t have to explain my past or present, but watching him give away part of what had tethered us together, our words made me feel further unmoored, as if I didn’t belong even with him. I felt like the long snakes that sometimes hid on the concrete wall near our home, only their flickering tongues peeking out from behind lush leaves of ivy.

***

A few afternoons later, during Flat-On-Back hour, Melissa called my name.

“Wanna join me outside?” she asked. I sat up in my bed, sentence half-finished in my diary, and nodded yes.

From attending Kamp so many years in a row, I knew that I’d been summoned for my Porch Talk. These special sessions spent one-on-one with counselors were designed for Kampers to share their testimonies or deepest struggles. In the past, I’d been so tight-lipped that my sessions had lasted only 10 minutes at most. A couple of the counselors had drawn me a picture of a cliff — me on one side, God on the other — and then filled the gap in with the arms of the cross, telling me that if only I accepted Jesus Christ as my One True Lord and Savior I’d be saved forever, lifted up to Heaven, forgiven for the sins I hadn’t been brave enough to confess to them. Usually, I took whatever paper they gave me, let them place their hands on the back of my head or shoulders as they prayed for me, then shrugged off their touch as soon as I could, returning to my bunk to write in my diary or read the Bible.

This year would be different. I had never told a testimony before, but I had heard enough at church services and Kamp to know the general outline of the narrative — doubtful sinner experiences a dramatic event, feels God’s presence, lays down life for Christ — and so I’d begun to devise one during the hours spent on the soccer field or swimming. If I could tell a good enough story, maybe I’d belong here as much as my brother did. Maybe Melissa would think I was special.

“How are you?” she asked as soon as we were outside. Another counselor and Kamper sat at the other end of the porch, their heads bowed together in tears or prayer.

“Good,” I said shyly. The wood slats of the porch beneath me whorled in what looked like fingerprints. I traced the grain with my pointer finger before realizing that I was supposed to be a girl brave enough to tell a testimony. A good American girl. I looked up and offered Melissa a smile.

“Do you want to tell me a little bit about your faith journey?” She sat cross-legged and leaned forward.

“I don’t really know where to start,” I said cautiously, which was true. I was supposed to be a Christian. I had been baptized in the Catholic church and served as an altar girl at mass for four years in Balikpapan, our parents watching us from the pews. The priest, an elderly Indonesian man, mumbled at the podium, so mostly my religious experience was knowing when to ring the bell, recite my prayers, and try my best not to laugh at Erik when he pretended to swig the chalice if no one was looking in our direction. My parents took my brother and me to church on the compound sometimes too. Church there, some sort of unitarian service, was more fun than the rigid kneel-sit-stand-pray solemnity of the Catholic mass, but I didn’t learn to distinguish between Catholicism and other types of Christianity until I was in my early 20s. To me, God was God. And as a child who took comfort in following rules, in knowing the “right” way to live and love, God was not only God, but also community. Believing in God — and adhering perfectly to every rule set before me — meant in my mind that I would finally find solid footing in terms of identity. The part of me that felt unmoored by moving so often during childhood took solace in the idea that I could be a Christian: something definable, something unchanging.

When we moved to Jakarta, we didn’t attend church because of a series of bombings that had happened a couple years before, but I tried my best to believe on my own, to quiet the voice in my head that said, How can you know for sure that there’s a God out there? In many ways, on the outside, I seemed like a Christian. One of my favorite books was Rachel’s Tears: The Spiritual Journey of Columbine Martyr Rachel Scott. After my fifth or sixth time through the book, I stood in front of the mirror in my bedroom and tried to convince myself that I too would stand steadfast in my love for Christ if ever a school shooting happened, that I would die for Jesus. I wore a cross necklace to school, chastised a popular girl when she told me my T-shirt had a “condom pocket,” and wrote worship songs of my own: You surround me, but with clarity or love? Do your arms wrap around me like the wings of a dove?

But my diary from the time wasn’t one of a steadfast believer. I flip-flopped enough between belief and disbelief that I had a codeword, “tnm,” that I would use to differentiate between my entries written by my sinner-self and “the new me.” Looking back, I realize that I learned the language of “new” versus “old” from Kamp, where they preached a fundamentalist version of being saved. While as a baptized Catholic I had technically been freed from original sin, the allure of Kamp was that I could choose to commit myself to Christ. In my mind, in the black-and-white thinking I often reverted to, committing myself to Christ meant not only that I’d be a Christian, but also that I would be “pure,” and that, if I prayed hard enough, I might eventually shed the shell of fear that kept me from wanting to be close to other people. I also believed that if I was Christian, my family would better be able to love me because I was “good,” not trusting fully at the time that they would –– and do –– love me unconditionally; I think I didn’t love myself enough at the time to be able to recognize that. If I believed in God and tried hard enough, as I was taught at Kamp and in sermons, I might be comfortable with greater levels of emotional intimacy, be able to articulate the complex struggles I experienced with identity, or be happier. When I look back at myself from where I am now, I see my fears –– my fear of emotional intimacy, physical touch, my desire to have someone at Kamp tell me I was “good” –– sprang from a lack of self love. I internalized so much guilt about who I was as a foreigner living in Indonesia, about not being able to believe without doubt, and about my shortcomings as a person, that I was afraid to be close to anyone for fear they would see too much of me and dislike me as much as I did myself. I thought religion could save me, give me worth.

For these reasons, I tried my hardest to believe. But “the new me” entries in my diary only lasted a few days, sometimes a week after Kamp, and then I would unravel and make a mess of my newly-saved self. I would still follow the rules of Christianity I’d been taught like modesty and no physical intimacy with boys, but the pulse of true belief often faded away, leaving me feeling muddled. I began to hate myself for not being able to believe like everyone else at Kamp and church seemed to, as if my lack of faith was just another personal failure. During one of these confusing periods, I wrote: I guess you could call me Christian, although if writing solely for myself, I only read the Bible in hopes of making a connection in my life, trying to see the way out of my lonely Friday nights, trying to let my parents love me. Right now I’m stuck, like when you’re driving in a car through a long tunnel and you can’t see the light on either side. It’s the place in tunnels where most cars crash, I think.

“That’s OK,” Melissa said. Her pen hovered over the blank page of her notebook. “What do you struggle with most in your faith?”

“Doubt,” I responded honestly. Whereas I aligned myself with Thomas of the Bible, needing to see something before believing it, my brother believed in the unseen. He’d once claimed to see the cherry red of Santa Claus’s suit disappearing into our bathroom in Alaska, and he would keep his belief until he was 12, my mom breaking the news to him in tears. I, on the other hand, had questioned Santa’s existence at the ripe age of 5. On a piece of computer paper, I had calculated the route for my mathematician dad, telling him that it was physically impossible for a Santa to fly around the world, especially if he stopped to eat cookies.

“Why do you doubt?” Melissa asked. Part of me withdrew, not wanting to give any more about myself away; I had not told any other counselor that I doubted, because I wanted to be a good Kamper. But something about Melissa made me want to talk. If she kept my secrets in her notebook, maybe I would mean something to her. Though I shied away from physical affection, my story in her notebook would seem like a kind of closeness, an emotional intimacy I could handle.

“It’s complicated,” I said, and I twisted a chunk of my shirt between my fingers. How could I explain something that I hadn’t been able to put words to in my own diary? The doubt itself was complicated, a gnarly-rooted plant taking hold somewhere deep within me: How could there be a One True Christian God if outside my home every other person believed just as fervently in Allah? How could Christianity be the only thing that was right and real if another set of people sang their own beautiful prayers? I felt like Thomas; I couldn’t believe without seeing a scarred palm. During those years, I often begged God to show me a miracle, a form of proof that He existed, something like a meteor flaring across the night sky. I had heard testimonies from visiting pastors about dramatic moments in their lives –– God showing Himself by saving them from drowning after a fishing boat capsized or sending them a friend when they were at rock bottom in their life or putting their cancer in remission after doctors said it was incurable. I wanted a sign like that, but I’d been met with silence, which I interpreted as a message from God that I needed to trust Him, even in the absence of a miracle. I tried my best to dampen my own misgivings, for my faith wasn’t just a means of community or identity; it was also a form of absolution. During a time when I felt perpetual guilt –– over my inability to believe fully in God, my presence in Indonesia as a foreigner, the sadness I saw in my mom’s eyes when I winced during our rare hugs, and my inability to understand why physical touch was so impossible for me though I’d only ever been treated with love –– Christianity offered a salve. I could be pure, no matter how often I stumbled through the complexities of life. I could be good, no matter how often I internally berated myself for not being good enough. This is why I kept trying to believe: I wanted the feeling of salvation to wash over me again and again. I wanted to be clean.

A few months before Kamp started, I woke on our usually quiet street to the sound of motorcycles chuffing down the road, voices shouting, and the familiar crackle of a morning prayer vibrating over a loudspeaker. I left my bed and padded over to my brother’s room across the hall.

“You want to see what’s going on?” I asked, shoving him awake. He opened his eyes and looked up at the broken ceiling panel above him, one that had collapsed in the middle of the night weeks before from the weight of a dead rat and thousands of maggots, all of them raining onto his bed.

“Mom said to stay inside,” he mumbled. Usually he was braver than I was, not afraid to break the rules if he was sure he wouldn’t get caught. He drank Coca-Cola from the fridge while Mom was gone and threw the empty cans into a construction zone next door.

“Come on,” I said. “I wanna see.”

He slouched out of bed and the two of us made our way to the front room of the house, where a balcony on the second floor overlooked the neighborhood park. The park was nothing more than a dusty patch where no house had been built, but that day it was to be transformed into the local site of slaughter for Idul Adha, a holiday celebrating Ibrahim’s willingness to sacrifice his own son and Allah’s subsequent grace in killing a sheep instead. Already, this early in the morning, throngs of people milled about, and goats brayed loudly. Some of the animals had plastic bags tied over their heads. I pinched my wrist to keep my eyes from welling up.

“Whoa, they’re gonna do it,” my brother said, nudging me to look toward the edge of the park, where a long knife glinted in the sun. A group of people flipped a goat onto its side and it wriggled in the dirt. They chanted a familiar prayer while they tugged limbs into place and steadied the head. The man with the knife aimed toward the throat, and soon bright red blood seeped from the goat’s neck and into the ground, the crowd voicing praise. I watched as the goat was hung with a rope from one of the park’s feeble trees, blood dripping down.

I watched as the goat was hung with a rope from one of the park’s feeble trees, blood dripping down.

Later that day, our doorbell rang. One of our security guards, a man with a face that looked not much older than mine, was waiting outside. Usually he joked around with Erik, the two of them throwing wiffle balls at each other over our tall gate, but that day he was somber. In each hand he held a steaming bowl of meat, rice underneath.

“I share goat with you,” he said slowly in English. “As Allah waters ground, may he bless you.”

My mom took the bowls in her hands. We thanked Effrianto and told him to have a happy holiday. When he’d gone, we put the meat on our dining room table. My mom and I, largely vegetarian at the time, didn’t care to eat it, and it went untouched by my brother and dad as well. We left it out on our dining room table the rest of the day, I think as a sign that even though we didn’t partake in the meal, we respected it, communed with it at our table. We all seemed to recognize that it was far more than just food. In a sense, it seemed like a moment representative of inequity that roiled under the surface of our lives. There was something I couldn’t name, at 12 years old, about the stark differences in not only religion, but also in class and race that unsettled me while living in Indonesia: a child roaming the streets barefoot while the heels of my feet kissed cool marble; the stooped older women hawking meager vegetables across the street from machine gun guards who stood stiff outside the gates of my school. My whiteness and wealth perturbed me the older I grew, and I begged always to move back to America, as if that would erase the world’s disparities, as if that would absolve me of my guilt.

On Idul Adha, with the goat on my family’s table, I felt stronger than ever the notion that Christianity couldn’t be the only acceptable religion. According to my Bible, Effrianto would perish in flames because he didn’t believe in Jesus Christ, but how could that be when his act was more generous than any act I’d seen in my own religion? In that moment, I felt torn between believing in a Christian God and admitting to myself that I was stuck in some kind of limbo. But with Melissa in front of me, two hair ties around her wrist, a pearly white smile, blue eyes that looked at me searchingly, I wanted to be a Christian, to forget about all the confusion and adopt what I thought might be a normal, easy identity: a girl who believed in God, a girl who might one day live on Enchanted Crossing Lane in a suburb of some American town.

“Have you accepted Christ as your savior?” Melissa prompted. I was aware that long minutes of silence had passed between us, but I never knew how to articulate the storm of identity that raged in me whenever I left Indonesia behind.

“Actually, I have,” I lied. Though I’d tried over and over to commit myself to Christ, using the language I’d heard others use, writing a contract in my diary and signing my name, I didn’t actually believe.

“I’d love to hear your story, if you’re willing to share,” Melissa said. She flicked her pen between her fingers.

“On Christmas Eve we were on a flight from Jakarta to Thailand. When we landed, everyone in the streets were gathered around television sets in the windows of shops. There was footage playing that looked like a horror movie — waves taller than buildings smashing into land, houses crumbling, streets turned into brown rivers, people screaming. We watched with everyone else, but we couldn’t understand Thai so we walked to our hotel, not knowing what had happened or where, not knowing if the scenes were a movie or real life,” I said, all of the information true. We had been flying that night, we had landed and seen footage from the tsunami, we had received dozens and dozens of phone calls from family members calling my dad’s work cell phone to see if we were alive.

“Wow,” Melissa said softly.

“We had planned to go to Phuket for Christmas, a town that got hit hard, but my dad had picked Chang Mai at the last second,” I said, as my last truthful statement. “For months before the tsunami, I had prayed and prayed for a sign that God was real. Show me, I begged. I wanted to know that He was real. In that moment, in the hotel room, with my dad receiving phone calls from people wondering whether we were alive or not, I began to realize that God must have saved me and my family for a reason.”

I began to cry in front of Melissa, though I hadn’t planned on it. Part of my sadness probably did come from the experience of the tsunami, an event I hadn’t really processed. To hear my grandmother’s voice warble into tears over the long-distance line when she heard my voice, alive, was unsettling. Later, to write letters in school to survivors in Aceh felt like a cruel trick, something to remind me of how useless I was in helping anyone actually heal. What could the words of an American girl with a life, a school, a home, and a family do when so many tangible walls and meals were needed? I felt terrible that I, of such little faith, had survived a storm for no clear reason. And the idea that I’d just used such a devastating event as a lie made my shoulders shake harder with grief.

Melissa, of course, took my tears as relief that I’d finally told someone my testimony. She rubbed my back with her palm and scooted closer to me. I didn’t move away.

“God kept you alive for a reason,” she said. “You’ve been blessed with a servant’s heart and an opportunity — there’s an entire country of nonbelievers around you. You are a light.”

I nodded and tried to smile through my tears. Wasn’t this what I had dreamt of when I read Rachel’s story? That I would save others from damnation and defend my faith? In that moment, I wanted so desperately to feel as though my life had changed, as though I could be absolved of my guilt and my failings. I wanted some sign that I was moving through the world in the right way, as Christianity seemed to promise would happen if I believed fervently enough. Instead, my stomach churned with the ghost of greasy meat gone sour.

At Kamp’s last supper, the entire dining room was silent. No kitchies stood on the counter to stir batter and belt Disney songs, no one squabbled over the last hot limb of fried chicken in our basket, no one broke into the familiar cheer don’t gimme no pop no pop don’t gimme no tea no tea, just gimme that milk moo moo moo, just gimme that milk moo moo moo. The only sounds in the room were the crinkle of oily parchment paper in the chicken basket, the squish of jelly as I swirled my knife to make a sandwich, and the tap of an anxious Kamper’s foot against the floor. We were all supposed to be quiet in order to prepare our minds and hearts for what was coming next, an event called Cross Talk. I nervously glanced at the boys’ side in an attempt to find Erik, who I hadn’t seen since the volleyball game, but his small frame remained hidden.

JP entered the room, unadorned. He looked smaller or wearier somehow without a bandana on his head or microphone in hand. “Let us bow our heads. Lord, we call upon you to descend upon this place, to enter the hearts of each and every one of these Kampers,” he said. I wasn’t used to an earnest, sober JP. Usually he spoke in his own form of Christian slang. He referred to his wife as “Wifey” rather than by her name, which all of us girls found titillating, and called new believers “baby C’s.”

“Tonight, Lord, we have the opportunity to come to you, to lay down our sins and failings and ask you into our hearts. I pray that each Kamper here receives you,” he said. I clenched my eyes shut tight, feeling that he was speaking only to me. “I know there is doubt in this room, Lord. I know there are souls heavy with wrongdoing. This is the night to give those burdens up to You, because You alone Lord can save, and You alone Lord can heal.”

He closed his prayer. As we did every year on this night of Kamp, we followed JP down the main road, stopping every so often to watch different scenes from Jesus’ last days on earth. In one, two female counselors had wrapped sheets around their bodies as dresses. One woman, playing Martha, busied herself by clanging pans and pots from the kitchen. Mary sat by Jesus’ feet, listening to his every word. Do not be distracted by many things, Martha, Jesus said. There is only one important thing, and Mary has chosen it. Mary began to wash Jesus’ feet and I was struck by the intimacy; I hadn’t seen anyone give affection at Kamp besides same-sex side-hugs, and the moment between Mary and Jesus felt tender. What if there had been an actual Jesus? What if I had been denying his dusty feet? His stories? I was surely Martha, worrying about whether or not I’d get to shop at Limited Too or not during prayers, comparing the lush blond and silky brown hair of my middle school crushes during worship. As we walked along the road to watch the Last Supper, I realized I was probably Judas, too. I had betrayed Indonesia to get a foothold at Kamp, and I had betrayed my supposedly Christian faith by lying to my counselor. I had been jealous of my brother, coveted the clothes of my cabin mates, and harbored a false belief in Jesus. As Judas turned away from the table, clink of heavy coins in his cloak, I began to cry, suddenly overwhelmed by my transgressions.

Dusk settled in over the tallest limbs of trees as we made our way to the kickball field. The night was quiet aside from siren songs of cicadas and the low rumble of a generator. A spotlight illuminated a wooden cross that nearly reached the height of the tall backstop fence. We filed in and took our seats on the dewy grass of the outfield. No one spoke.

From somewhere in the dark, I heard the sound of skin being slapped. Thwack. Thwack. Crucify him, a man yelled, and a chorus of voices joined in.

Away with him. King of the Jews? Thwack.

Messiah? Thwack. Save yourself.

I crumpled my shirt in my hand. From somewhere near the front, I heard soft, low sobs.

Jesus, surrounded by a pack of angry, shirtless men, was brought to the front of the kickball field. His chest was ribboned with red welts that looked too realistic from where I sat. As Jesus was kicked and beaten by the other men, I cried.

Father, forgive them, for they do not know what they are doing, Jesus said. His head slumped to one side as the other men lifted him to the cross.

If you are the King of the Jews, save yourself, the men yelled, slapping him once more. I heard myself in their jeers and began to shake with grief. Here, now, after telling a testimony, sitting in front of a life-like Jesus, shouldn’t I finally feel as though I could accept Christ in my heart?

Jesus’ body crumpled on the cross, his arms extended. Father, into your hands I commit my spirit, he whispered, and the spotlight was shut off, leaving us all in the dark. I heard the murmurs of sadness around me: sniffle of a nose, choked gasp of a sob. The counselors weren’t supposed to comfort us during the ceremony, so we all curled into ourselves, hugging our knees and wiping our tears with the backs of our hands.

A few minutes of silence passed, and the spotlight kicked back on. Jesus, wearing fresh white robes, stood blood-free and smiling on the cross. “Tonight you have the opportunity to accept Jesus as your Lord and Savior,” Jesus said.

JP rolled a whiteboard onto the field and left it by the cross. On the other side of Jesus, a few counselors gently set a towering bell on the ground. “Confess your sins. Lay down your life for Christ. Ring the bell of salvation,” JP said. Soft worship music began to play — guitar chords, humming, and the song of Jesus we need you — and Kampers began a mass migration to the front of the field.

I could guess what each of the girls in my cabin was writing. A few evenings before, at Campfire Night, we had been encouraged to voice our sins. Some girls wept when they confessed what they perceived to be wrongdoings: having a crush on a boy who wasn’t Christian, posting pictures to MySpace that weren’t Kamp-approved, wearing immoral clothes to school, or dancing to “Genie in a Bottle.” One girl’s story has stayed with me through all these years. The whole week, I thought she had everything. She was beautiful, had a steady Christian boyfriend, and lived in Kansas City. On Campfire Night though, she wept as she told us about how her boyfriend had sprinkled rose petals on her bed for their first anniversary and begged to touch her. He had pawed at the button of her jeans until she complied, telling her they’d break up if she didn’t submit to him. Our counselors responded by asking if she was wearing makeup, or if she’d thought about her clothing choices, and the girl sobbed even harder as she described her short jean shorts.

All of us were harmed in some way by that circle. I realize now that the identity I so longed for — that of a simple American girl — was only a mirage. The actual lives of my fellow cabinmates, if only I had stopped to listen, were filled with grief and complication. I wish now that I could return to that place. I would tell each girl that their worth came not from men or God or what they kept hidden, but from the innate and fierce beauty of their independent hearts and minds.

The night of Cross Talk though, they penned their wrongdoings on the whiteboard. They knelt by Jesus’ feet and raised their hands to the heavens.

I sat frozen on the grass. I felt like I would burst with the impossible decision in front of me. To stay seated in my spot would mean that I wasn’t a true believer; I might go to hell, and Melissa might sense that my testimony had been a lie. Jesus’ bodily sacrifice on the cross — a violence that had just played out in front of me — would be wasted. But to walk to the front of the field, to list my sins and ring the bell of salvation felt fraudulent. To do so would be to claim a Christian God as being the only one true God, renounce other people’s beliefs as false, and reduce an entire country to the category of “nonbelievers,” elevating myself in not only race and class but religion as well. I did not believe in Islam, but I did believe in the earnestness of the daily calls to prayer, the immense, undeserved generosity shown to me, and the footage of hands raised to sky or heads bowed toward the ground after the tsunami.

I sat and wept into my knees. Years later, I would want to reach out in time to hold that young girl’s hand in mine, lead her away from the dramatic, manipulative ploy unfurling on the kickball field, and tell her that her worth as a person — as a girl, a daughter, a citizen of any country— did not depend on whether or not she rang the bell that night, on whether she believed at all. I would let her know that Indonesia — all of its immense beauty, its complications — would remain with her, blooming in strange turns of guilt and desire. Some mornings, before dawn, she would ache for the melody of a long-gone adhan, and her tongue would speak the language of a place she never belonged. She would grow up to assert herself in the world as a woman. She would become someone who made her own thoughtful decisions about who to love and how, someone who settled for nothing less than equality and respect in relationships. She would find her own church, one where the footfalls of a long run became prayer, birds chittering in the trees a sermon, the dappled sunrise above a form of miracle. But there, in that moment, my only options were to ring the bell or not.

She would find her own church, one where the footfalls of a long run became prayer, birds chittering in the trees a sermon, the dappled sunrise above a form of miracle. But there, in that moment, my only options were to ring the bell or not.

A figure stepped gingerly across the dark grass toward me. Erik squatted next to me on the grass.

“Can I give you a hug?” he asked. His cheeks were shiny with the residue of tears. I nodded yes. When he wrapped his arms around me, I was reminded of how small he was, how young still. Despite his ability to make friends, despite the show of bravery he put on to prove to me that everything would be OK wherever we went, I realized he must feel some of the anxieties related to identity that I did. Though he was pak and nomor one and a boy at Kamp, those labels came with their own outrageous expectations of what it meant to be a man. None of them involved crying on his sister’s shoulder when he was supposed to be accepting Christ into his heart.

Apa kabar?” I asked.

“Sad,” he whispered. He looked around furtively for a counselor. “I don’t know what to do.”

Saya juga,” I said in agreement. “I’ll go up there with you if you want.”

He nodded, and we made our way to the whiteboard. I couldn’t think of any sins that I wanted to confess to all of Kamp. Was confusion a sin? Doubt? Mistrust of this choreographed night? Because I couldn’t see any options other than believing in Kamp’s version of God or eternal damnation, I hated myself for not being able to believe. The bell began to ring, cheers rising up after. Another one saved! Hallelujah! My stomach turned.

Erik wrote on the board and asked me to come with him to the bell. We stood in a line as Kampers, one by one, often guided by their counselors, pulled the worn rope. Too many people were around for me to ask Erik if he actually wanted to, but years later, far enough away for us both to probe the past, he would tell me that he thought if he rang the bell, it would mean he belonged to something. It was only then that I remembered his struggles with friendships in Indonesia; he had one good friend at school, but other boys made fun of him because he was not aggressive enough, didn’t wear Quicksilver shirts, and cried too easily. At Kamp, he was a hero, his sensitive heart elevated by counselors who saw how he took the trays of other boys after dinner or the way he ran across a soccer field just to make sure I was doing OK.

When my brother made it to the front of the line, his counselors appeared and prayed over him. I slunk back into the shadows, where I held my arms around myself and looked up at the night sky. Constellations usually covered by Indonesia’s smog began to emerge from memory: Orion’s belt blazing bright, Lyra’s lines transforming into imagined chords. I tried to lose myself in the rigid boundaries of ages-old light. Around me, Kampers hugged one another, inconsolable. Even after being saved they wept, and I couldn’t tell if their tears were those of relief or anxiety. I listened as Erik rang the bell, one note within the music of other repentant hearts, a song of salvation that I couldn’t bring myself to sing.

***

Jacqueline Alnes is working on a memoir about running and neurological illness. Her essays have been published in The New York Times, Guernica, Tin House, and elsewhere. You can find her on Instagram and Twitter @jacquelinealnes.

Editor: Krista Stevens
Copy editor: Jacob Gross

Stumbling Into Joy

Jill Douglas/Redferns

Kate Hopper | True Story | August 2019 | 46 minutes (9,120 words)

 

“[Playing music together provides an] opportunity of stumbling into joy, of having an essentially unedited, fresh, and electric experience . . . [which] is key to the girls’ futures.” —June Millington, member of Fanny, cofounder of the Institute for the Musical Arts

The year I turned forty-three, I was in pain almost all the time. It wrapped like a mammoth hand around my right rib cage, squeezing, squeezing. The culprit: a sluggish gallbladder.

Pain is like a feral animal; it’s unpredictable. It’s not just the physical discomfort that’s so disruptive; it’s also the fear of the pain’s return. So even when I had a good day, I knew it was short-lived. Would I feel okay tomorrow? Was it something I did? Or something I ate? Pain made me feel old. It also made me acutely aware of my own mortality.

Finally, after eight months of trying to address the pain on my own, I had my gallbladder removed. It took another six months for my digestion to stabilize, and when I finally felt better, I was relieved, but also a little shell-shocked. What had just happened?

I shifted into taking-stock mode. I was almost forty-four years old, and ideally I still had half of my life ahead of me. How did I want to live it? And what were my regrets? Luckily, I didn’t have many. I was happily married, with two wonderfully spunky, smart, healthy, and kind daughters. My work as a writer, editor, and coach, despite not paying very well, gave me great pleasure. I reasoned that even the hard stuff I’d experienced in my life, which I would have gladly avoided if given the chance, had taught me something and had, as the saying goes, made me stronger.

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