Search Results for: movies

How Karina Longworth Is Reimagining Classic Hollywood—and the Podcast—in ‘You Must Remember This’

Scott Porch | Longreads | March 2015 | 14 minutes (3,624 words)

 

Almost a year ago, former LA Weekly film writer Karina Longworth began producing You Must Remember This, a podcast about the inner worlds of Hollywood icons of the past and present. The characters and stories range from familiar, to unknown, to just plain weird. (Episode 2 is about a Frank Sinatra space opera that you never knew existed.) Longworth, 34, has also written for publications including Grantland about everything from the history of the Super Mario Bros. movie to the stories of Harvey Weinstein’s ruthlessness in the editing room.

We recently talked by phone about her interest in the stories of classic Hollywood, the unique format of podcasting, and how her roles as a journalist, critic, and historian have informed her storytelling.


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What Does It Mean to Be a ‘Cinderella Story’?

To try to figure out what exactly that story is and why we still have it, we have to separate out the folk tale that is Cinderella, though, from the turn of phrase that is “Cinderella story.” Americans will call almost anything a Cinderella story that involves a good thing happening to someone nice. We slap that title on movies and books, but also on basketball games won by tiny schools full of scrawny nerds, small businesses that thrive and even political ascendancies that upend established powers.

The actual Cinderella tale, while a nebulous thing that can be hard to pin down with precision, is more than that. There’s very little that’s common to every variant of the story, but in general, you have a mistreated young woman, forced to do menial work, either cast out or unloved by her family. She has an opportunity to marry well and escape her situation, but she gets that chance only after being mistaken for a higher-status person, so she has to get the man who may marry her to recognize her in her low-status form, which often happens either via a shoe that fits or some kind of food that she prepares.

Linda Holmes, writing for NPR about the “endlessly evolving” story of Cinderella.

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The Twisted History of Your Favorite Board Game

Jessica Gross | Longreads | March 2015 | 16 minutes (4,113 words)

 

Mary Pilon spent several years reporting on finance for the Wall Street Journal, and several more reporting on sports for The New York Times. In her first book, The Monopolists: Obsession, Fury, and the Scandal Behind the World’s Favorite Board Game, Pilon debunks the myth—long perpetuated by Parker Brothers—that Monopoly was invented by a man named Charles Darrow during the Great Depression. Really, three decades prior, a woman named Lizzie Magie had created The Landlord’s Game, an obvious ancestor. A surprising twist: Lizzie’s game included a set of rules that was anti-monopoly, in which the object was to spread wealth around. In the 1970s, a professor named Ralph Anspach unknowingly carried Magie’s torch by creating a game called Anti-Monopoly, which rewarded players for trust-busting. It was via a very long lawsuit with Parker Brothers that Anspach unearthed the game’s buried history—and through reporting on a wholly unrelated article that Pilon became aware of it. I spoke with Pilon by phone about this complex, multi-layered story, her reporting and writing process, and the surprising Monopoly tricks she discovered. Read more…

The Top 5 Longreads of the Week

Photo: sarah-ji

Below, our favorite stories of the week. Kindle users, you can also get them as a Readlist.

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Outside Man

Longreads Pick

How the producer of the Hangover movies became one of the most effective advocates for prison reform in California.

Author: Jesse Katz
Published: Mar 1, 2015
Length: 25 minutes (6,330 words)

From Guilty Pleasure to Emmy Awards

Longreads Pick

On the delightfully weird history of Lifetime movies, and how the network has changed over the last 25 years.

Author: Emily Yahr
Source: Washington Post
Published: Jan 15, 2015
Length: 12 minutes (3,020 words)

A Resourceful Woman

Jeff Sharlet | Longreads | February 2015 | 24 minutes (5,994 words)

 

  1. Mary Mazur, 61, set off near midnight to buy her Thanksgiving turkey. She took her plant with her. “He doesn’t like to be left alone,” she later explained. The plant rode in a white cart, Mary in her wheelchair. With only one hand to wheel herself, the other on the cart, she’d push the left wheel forward, switch hands, push the right. Left, right, cursing, until a sweet girl found her, and wheeled her into Crown Fried Chicken. “Do not forget my plant!” she shouted at the girl. I held the door. // “I have a problem with my foot,” she said—the left one, a scabbed stump, purple in the cold. Her slipper wouldn’t stay on. // Mary wore purple. Purple sweats, purple fleece. 30 degrees. “I bet you have a coat,” she said. Not asking, just observing. Measuring the distance. Between us. Between her and her turkey. Miles away. “You’ll freeze,” I said. “I’ll starve,” she said. I offered her chicken. “I have to have my turkey!” Also, a microwave. Her motel didn’t have one. // “Nobody will help you,” she said. “Not even if you’re bleeding from your two eyes.” // Two paramedics from the fire department. Two cops. An ambulance, two EMTs. “I didn’t call you!” she shouted. “I don’t care who called me,” said one of the cops. One of the paramedics put on blue latex gloves. “She won’t go without this—this friggin’ plant,” he said. “You’ll go,” said the cop. “You’re not my husband!” said Mary. The cop laughed. “Thank god,” he said. The whole gang laughed. One of them said maybe her plant was her husband. That made them laugh, too. “I’m not going!” said Mary. “Your plant is going,” said the cop. Mary caved. Stood on one foot. “Don’t touch me!” They lowered her onto the stretcher. “Let me hold it,” she said. “What?” said the EMT. “The plant,” said the cop. He lifted it out of the cart. “Be careful!” she shouted. He smirked but he was. “Thank you,” she rasped, her shouting all gone. Mary Mazur, 61, shrank into the blankets, muttering into the leaves, whispering to her only friend.

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The House Made of Sugar

Silvina Ocampo, 1973.

Silvina Ocampo | The House Made of Sugar: a short story from the collection Thus Were Their Faces | NYRB Classics | January 2015 | 13 minutes (3,235 words)

 

Our latest Longreads Exclusive is a newly translated short story from Thus Were Their Faces, a collection by Silvina Ocampo, as recommended by Longreads contributor A. N. Devers, who writes: 

“Long before ‘Real Housewives of New Jersey’ castmember (and Danbury Federal Correctional Institution Inmate) Teresa Giudice infamously stated, ‘I don’t want to live in somebody else’s house. That’s gross,’ the late Argentinian writer Silvina Ocampo wrote “The House Made of Sugar,” a story about a woman named Cristina who is too superstitious to live in a house that had been previously occupied. Her husband deceives her and when they move into their dream home based upon his lie, strange and worrisome things start to happen that suggest Cristina’s fears were warranted. Newly translated into English by Daniel Balderston, with a preface by Borges, Ocampo’s stories are unsettling and off-kilter, revelatory and readable. Novelist Helen Oyeyemi writes in the collection’s introduction, ‘Love is as fearsome in an Ocampo story as it is in Wuthering Heights; emotion has a way of sealing us into a charmed circle that makes us incomprehensible to everyone who stands outside it.'”

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Friendship Is Complicated

Illustration by Pat Barrett

Maria Bustillos | Longreads | January 2015 | 15 minutes (3,706 words)

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Finding Stories in Familiar Territory: An Interview With Miranda July

Photo: Todd Cole

Jessica Gross | Longreads | January 2015 | 14 minutes (3,540 words)

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Miranda July’s films, sculptures, books, and performance art pieces share not only a very particular, off-kilter aesthetic, but also a deep concern with human connection. An example of this can be found in her 2011 film, The Future, in which a couple navigates their relationships with each other, with their soon-to-be-adopted cat, and with their individual selves. July procrastinated on writing the film by visiting and interviewing people who’d listed items in the Pennysaver. That detour facilitated the screenwriting process—The Future ended up featuring one of the sellers she’d met—and formed the basis of another project, the book It Chooses You. July’s new app, Somebody, approaches human connection from a different angle: It delivers text messages to their intended recipients via the nearest Somebody-using stranger.

July’s debut novel, The First Bad Man, centers on Cheryl, a forty-something woman hampered by compulsive thoughts and behaviors, a psychosomatic throat condition, and loneliness. She lusts after a man she’s met through work, and is constantly visited by the soul of a baby she had a strong connection with in childhood. Cheryl lives alone—until Clee, her boss’s blond, curvy daughter, comes to stay. Their relationship enters violent and erotic terrain, and rearranges Cheryl’s literal and internal worlds. We spoke recently by phone about her relationship with her characters, the evolution of her work, and where her novel came from. Read more…