Search Results for: interview

The Minds Behind Diversity in Comics: A Reading List

Longreads Pick

The people interviewed and profiled in the following pieces–creators and critics who advocate for diversity and inclusion in pages and on-screen–are the real superheroes.

Source: Longreads
Published: Aug 2, 2015

The Minds Behind Diversity in Comics: A Reading List

Comics inspire me to be brave, to collaborate with my friends, to try new things, to stand up for myself. Maybe that’s trite, but it’s true. Vanity Fair’s profile of Kelly Sue DeConnick (#7) includes statistics about women: they are the fastest-growing demographic interested in comics; they are protagonists of twice the story arcs. Wired says diversity isn’t just good business–it’s honest, truthful storytelling (#1). I want everyone who walks into a comic book store to feel comfortable (#4), to find someone who looks or feels like them (#9) when they open a new issue of their favorite series. The people interviewed and profiled in the following pieces–creators and critics who advocate for diversity and inclusion in pages and on-screen–are the real superheroes.

1. “It’s Time to Get Real About Diversity in Comics.” (Laura Hudson, Wired, July 2015)

Rather than a superficial issue of optics or quotas […] Rather than seeing diversity initiatives as a matter of altruism or avoiding controversy, the most transformational approach advocated by critics and creators alike is the one that views it both as a form of honesty and as a valuable creative investment… Read more…

Why Warren Buffett Funds Birth Control Research

Quietly, steadily, the Buffett family is funding the biggest shift in birth control in a generation. “For Warren, it’s economic. He thinks that unless women can control their fertility—and that it’s basically their right to control their fertility—that you are sort of wasting more than half of the brainpower in the United States,” DeSarno said about Buffett’s funding of reproductive health in the 2008 interview. “Well, not just the United States. Worldwide.”

Karen Weise writing in Bloomberg Businessweek about Warren Buffett’s financial support of contraceptive research and access. Over the last decade, the Buffett Foundation has quietly funded a birth control revolution, becoming the most influential supporter of research on IUDs and expanding access to the contraceptive.

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‘The Truth of Life’: Paula Fox on the Re- (Re-) Release of Her 1970 Novel

Paula Fox. Photo by Avery Hudson

Sari Botton | Longreads | July 2015 | 5 minutes (1,250 words)

 

This year, on the 45th anniversary of its publication, W.W. Norton & Company has re-(re-)released Desperate Characters, a novel by Paula Fox first published in 1970 and made into a film the following year, with Shirley MacLaine and Kenneth Mars. We’re thrilled to publish an excerpt here on Longreads. Read more…

Desperate Characters

Photo via Roger W/Flickr

Paula Fox | Desperate Characters | W.W. Norton & Company | 1970 | 16 minutes (4,046 words)

 

Below is an excerpt from Desperate Characters, the novel by Paula Fox first published in 1970 and re-(re-)released this year on the 45th anniversary of its publication. Read Sari Botton’s Longreads interview with Fox about her book.  Read more…

The Amy Winehouse Documentary Doesn’t Pander

Like Senna’s, Winehouse’s family co-operated with Kapadia, but unlike them, they are displeased with the film, and it’s not hard to see why. As well as a welcome portrait of the frequently caricatured Winehouse as an (exceptional) artist and as a person, Amy is an indictment of those around her, especially her ex-husband, Blake Fielder-Civil, with whom she developed a set of addictions that derailed her life, her manager, Raye Cosbert, and her father, Mitch, all of whom are portrayed as prioritising her career (and thus theirs) over her health. It is rare to see a non-fiction film in which the goodies seem so good and the baddies so bad, and the effect can be confusing, especially for those of us whose existing assumptions about what happened to Winehouse align with what is shown here. Are we being pandered to? Footage of Fielder-Civil, both from before and during his disastrous relationship with Winehouse, is difficult to watch, and I wondered several times whether the expression of smug, bratty cunning on his face was at least in part a projection of mine, or the director’s. (Having said that, if there’s a more appealing side to Fielder-Civil, it’s not obvious. ‘I can’t sing, so therefore Amy’s life is the only one that is ever valid,’ he recently complained to an interviewer. ‘I almost feel like I’m being punished.’)

Lidija Haas writing in the London Review of Books about Asif Kapadia’s documentary Amy, about the singer Amy Winehouse.

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Pseudonyms, Sources, and Jon Krakauer’s ‘Missoula’

Photo by Hades2k, Flickr

Only one of the rape victims in Krakauer’s book, “Cecilia Washburn,” is identified with a pseudonym. “And I didn’t interview her,” Krakauer said. (Krakauer says he discussed the possibility of an interview with Washburn’s attorney multiple times, but she replied each time that her client likely would not consent to an interview.) The rest of the victims identified in Missoula spoke with him and consented to having their names used. Krakauer offered each victim he interviewed an opportunity before publication to review each chapter in which she appeared. If a victim changed her mind about participating, then Krakauer promised to remove all mentions of her from the book—a way of giving victims the control over their stories that judicial systems sometimes deny.

Krakauer also described for each victim he interviewed some of his own reporting practices and boundaries. “I told each of them, very explicitly, that except for withdrawal or correcting errors that clearly needed to be corrected, they would have absolutely no right to determine what I wrote about them,” Krakauer wrote during a follow-up. “I explicitly told each of them that if I discovered they had not been truthful, I would report it in the book. I also made it explicitly clear that I would try to get each of their alleged assailants to tell me his side of the story, and I would be including both sides in the book.”

Brendan Fitzgerald writing in the Columbia Journalism Review about the scrutiny of reporters who cover rape and Jon Krakauer’s new book “Missoula: Rape and the Justice System in a College Town.”

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The Sale of the FT and an Oral History of the News Business

The FT Group, which includes standout business newspaper the Financial Times, is being sold for $1.3 billion to Nikkei, Japan’s largest media company. Established in 1888, the FT has been lauded for its digital transition as the newspaper industry has declined. “Riptide” is an oral history project that was first launched in 2013 about what “really happened to the news business,” by John Huey, Martin Nisenholtz, Paul Sagan, and John Geddes—and it includes an interview with a former FT.com managing director about its beginnings on the web in 1995, and its decision to start out as a free website:

I have to say, I think, in the early stages, free was the only way that people knew how to do it. Just from a technical point of view, a free website is the path of least resistance. All you need is a CMS and an ad server and, hey, you’re in business. The other element within this was, I think that the leadership at the “FT,” and I think at publishers across the market as a whole, simply didn’t really understand some of the long term strategic implications of this stuff.

They understood that they needed to be involved in the Web, but I don’t think anybody had really thought through how was this going to play out, and at the time, it was a really pretty small part of the business.

They were presented with a proposition that said, “The quickest, easiest, simplest way to do this is a free website, and we’ll make the money through advertising.” That ticked the boxes, so that’s the way everybody went.

I don’t think there was a point where the whole industry sat down and decided, they compared all the models and advertising was the way to go. As I say, it simply was the path of least resistance.

The “FT,” had a reassessment on this, around about 2001, when the dot com bubble started bursting. At that point, we had noticed that there were some issues for us as an organization with the advertising model.

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E.L. Doctorow: 1931-2015

INTERVIEWER

Isn’t there an enormous temptation as a fiction writer to take scenes out of history, since you do rely on that so much, and fiddle with them just a little bit?

DOCTOROW

Well, it’s nothing new, you know. I myself like the way Shakespeare fiddles with history; and Tolstoy. In this country we tend to be naive about history. We think it’s Newton’s perfect mechanical universe, out there predictably for everyone to see and set their watches by. But it’s more like curved space, and infinitely compressible and expandable time. It’s constant subatomic chaos. When President Reagan says the Nazi SS were as much victims as the Jews they murdered—wouldn’t you call that fiddling? Or the Japanese educators who’ve been rewriting their textbooks to eliminate the embarrassing facts of their invasion of China, the atrocities they committed in Manchuria in 1937? Orwell told us about this. History is a battlefield. It’s constantly being fought over because the past controls the present. History is the present. That’s why every generation writes it anew. But what most people think of as history is its end product, myth. So to be irreverent to myth, to play with it, let in some light and air, to try to combust it back into history, is to risk being seen as someone who distorts truth. I meant it when I said everything in Ragtime is true. It is as true as I could make it. I think my vision of J. P. Morgan, for instance, is more accurate to the soul of that man than his authorized biography … Actually, if you want a confession, Morgan never existed. Morgan, Emma Goldman, Henry Ford, Evelyn Nesbit: all of them are made up. The historical characters in the book are Mother, Father, Tateh, The Little Boy, The Little Girl.

-From George Plimpton’s 1986 conversation with E.L. Doctorow, author of books including Ragtime, The Book of Daniel, The March and Billy Bathgate. Doctorow died Tuesday in New York at age 84.

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Marilynne Robinson on Writing and Discipline

INTERVIEWER

Do you keep to a schedule?

ROBINSON

I really am incapable of discipline. I write when something makes a strong claim on me. When I don’t feel like writing, I absolutely don’t feel like writing. I tried that work ethic thing a couple of times—I can’t say I exhausted its possibilities—but if there’s not something on my mind that I really want to write about, I tend to write something that I hate. And that depresses me. I don’t want to look at it. I don’t want to live through the time it takes for it to go up the chimney. Maybe it’s a question of discipline, maybe temperament, who knows? I wish I could have made myself do more. I wouldn’t mind having written fifteen books.

INTERVIEWER

Even if many of them were mediocre?

ROBINSON

Well, no.

-From novelist Marilynne Robinson’s 2008 Paris Review conversation with Sarah Fay.

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