Search Results for: interview

Are We Swallowing Culinary Propaganda?

chocolate cupcakes with pink and white heart-shaped sprinkles
Image in the public domain

There are many fronts in the culture wars, but none so visceral as the tactical battleground of food. Cultural taboos make for easy bullying, whether that means slipping pork chops into the halal section of the supermarket or rebranding lamb as a meat that brings all Australians together (aside from vegans, of course). At Meanjin Quarterly, Shakira Hussein describes her encounter with a right-wing nationalist group doing culinary PR on the streets of Melbourne, and looks at how the food we eat — or don’t — is weaponized against cultures perceived as enemies.

Named for the Norse god of war, the Soldiers of Odin are the Australian off-shoot of a Finnish far-right organisation that claims to be protecting ordinary citizens against crime by conducting vigilante patrols on the streets, as well as providing succour to ‘The Homeless, Less Fortunate & The Elderly’. Like Reclaim Australia, the Q society, the United Patriots Front and of course Pauline Hanson’s One Nation, they also claim to be a frontline defence in the battle against Islamisation and sharia law. I had interviewed other members of the so-called patriots movement at their highly publicised rallies during which they had clashed with anti-racist protestors and the police, but somehow I felt more threatened by the four Soldiers of Odin than I had by the crowds at those earlier events. Perhaps the hate-speech against my religious community sounded more sinister in the darkness and the shadows, but most of all, I think it was the cupcakes.

‘Seriously, they were giving out cupcakes,’ I told my friends. ‘With love-hearts on them! It was terrifying.’

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What Alex Jones and Amanda Chantal Bacon Have in Common

(Stefanie Keenan/Getty Images for Girlboss)

I imagine it’s hard to interview Amanda Chantal Bacon. When Molly Young arrives at her house, the Moon Juice guru doesn’t answer her knock, but instead, politely, calmly, asks Young to remove her shoes. What follows is a feature for the New York Times Magazine that shows how easy it is to make fun of wellness and and how hard it is get to the heart of it. Read more…

Forgotten Women Writers: A Reading List

Illustration by Kate Gavino

For every Edith Wharton and Jane Austen, there are numerous women writers whose works aren’t found in the typical literary canon or school-required reading list. I’ve come across a handful of people who claim to be die-hard Anita Brookner or Theresa Hak Kyung Cha fans; these writers instill a certain kind of fervor among their devotees. It’s as if the authors themselves had reached out from the bookshelf and chosen their readers rather than the other way around. Their relative obscurity is what makes their fans so passionate — these are voices that never quite found the right audience when they were alive.

Perhaps now, thanks to the megaphone of the internet, they’ll find their disciples with a bit more ease. These five stories focus on women whose work has been overlooked, forgotten, or misinterpreted. Read more…

Chasing the Harvest: ‘It Used to Be Only Men That Did This Job’

Illustration by José Cruz

Gabriel Thompson | Chasing the Harvest: Migrant Workers in California Agriculture | Voice of Witness / Verso Press | May 2017 | 22 minutes (6,254 words)

The stories of the more than 800,000 men, women, and children working in California’s fields—one third of the nation’s agricultural work force—are rarely heard. The new book Chasing the Harvest compiles the oral histories of some of these farmworkers. Longreads is proud to publish this excerpt about Maricruz Ladino, who shared her story with journalist Gabriel Thompson.

***

Maricruz Ladino

Age: 44

Occupation: Produce Truck Driver

Born in: Sonora, Mexico

Interviewed in: Salinas, Monterey County

Agricultural region: Salinas Valley

 

Sexual harassment and violence in agriculture is both widespread and underreported. For years, the everyday threats and assaults faced by female farmworkers was a story that mostly stayed in the fields. In the past decade, however, a number of investigations—made possible by the bravery of women who have come forward—have uncovered a human rights crisis. In 2010, UC Santa Cruz published a study based on interviews with 150 female farmworkers in California. Nearly 40 percent reported that they had experienced sexual harassment, often from their supervisors; this harassment ranged from unwanted verbal advances to rape. Two years later, Human Rights Watch published a report, “Cultivating Fear,” based on interviews with more than fifty farmworkers across the country, which concluded that the persistent harassment and violence faced by women in the fields was “fostered by a severe imbalance of power” between undocumented farmworkers and their supervisors.

Maricruz Ladino knows all about that imbalance of power. “A supervisor can get you fired with the snap of his fingers,” she tells me. And so she stayed quiet, putting up with her supervisor’s daily harassment—and later, violent sexual assault—in order to hang on to her job at a lettuce packing plant in Salinas. Then came the day she gathered the courage to walk into the company’s office and file a complaint. She feared the worst: she could lose her job, or be deported. Both came to pass. But she has never regretted her decision.

We meet at a vegetable cooling plant in early October, where Maricruz welcomes me aboard her truck, which is carrying pallets of iceberg lettuce eventually destined for Honolulu. While she waits for more produce to be loaded, she talks about growing up on the border, her intense drive to always keep moving forward, and why she eventually broke the silence about the abuse she suffered. Read more…

The Internet Won’t Prioritize Quality Without an Intervention

FABRICE COFFRINI/AFP/Getty Images

In an interview with The New York Times, Twitter co-founder Evan Williams admits to David Streitfeld that he thinks the internet is broken — and apologizes for the role Twitter played in the ascendency of Donald Trump.

President Trump has said he believes Twitter put him in the White House. Recently, Mr. Williams heard the claim for the first time. He mulled it over for a bit, sitting in his Medium office, which is noteworthy only for not having a desk.

“It’s a very bad thing, Twitter’s role in that,” he said finally. “If it’s true that he wouldn’t be president if it weren’t for Twitter, then yeah, I’m sorry.”

Trump’s campaign slogan may as well have been Extremity First, a strategy his supporters considered the conscious technique of a mastermind playing 4D chess with the media. What the internet is missing, Williams argues, is an ethical framework, a new business model that will introduce a market correction to what the internet perceives as user demand for extremism:

The trouble with the internet, Mr. Williams says, is that it rewards extremes. Say you’re driving down the road and see a car crash. Of course you look. Everyone looks. The internet interprets behavior like this to mean everyone is asking for car crashes, so it tries to supply them.

His goal is to break this pattern. “If I learn that every time I drive down this road I’m going to see more and more car crashes,” he says, “I’m going to take a different road.”

But a new road may have other problems. It may, for instance, be a dead end.

Mr. Williams isn’t the only one trying to fix this mess, of course. If he and others can’t find a path forward, if they can’t solve what he calls “the architecture of content creation, distribution and monetization on the internet,” there are unsettling implications for the future of news and ideas. Maybe it will be all car crashes, all the time. Twitter already feels like that.

Williams has been attempting to course-correct with Medium, a publishing platform conceived to intervene on this vicious cycle of misinterpreted rubbernecking with an ad-free, subscription-based business model. Medium’s successes have been tempered and debatable, while its missteps, like so many of the internet’s favorite car wrecks, have been more memorable. (Williams announced layoffs in a blog post before all the sunsetting employees were informed, shocking investors and publishing partners alike; when Williams introduced the $5 subscription model, Bryan Clark published an op-ed titled Ev Williams has lost his goddamn mind.)

While the need for an intervention is readily apparent, the question of how to make publishing sustainable — in spite of, or by somehow newly leveraging, the internet’s existing mosaic of incentives — continues to pose considerable challenges to the viability of new approaches to funding. As fellow Twitter cofounder Biz Stone has said in response to Williams’ statement that he wants to make publishing profitable: “Yeah, so does everyone else.”

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American Dolchstoss

Trump in the factory
Workers take photos of President-elect Donald Trump and Vice President-elect Mike Pence at the Carrier factory in Indiana in December. (Photo by Jabin Botsford/The Washington Post via Getty Images)

Shawn Hamilton | Longreads | May 2017 | 10 minutes (2,566 words)

 

When I was about 7 or 8 I had my first serious conversation with my mother about the future: what I wanted to be; how I wanted to get there; how things really “were.” The word “were” in this context was probably my first paradox. Things that “were” were infinitely complex, yet simple. They were understood with or without understanding. You had to know how things “were” before they made themselves known, or you would regret having made the acquaintance.

There were jobs that were “gone” as she described it. Jobs that paid well right out of high school were “gone.” Jobs with security were “gone.” Before those jobs had “gone,” they had been scarce for black folks in her experience anyway, but now they were accessible in theory but nonexistent in reality. Now the door that would have been closed because of Jim Crow was open, but in the case of certain jobs, it opened into an abyss: sort of like an economic trap door. She didn’t say it exactly that way, but that was the gist of it. Read more…

How ProPublica and NPR Changed the Narrative About Maternity Care in America

A new room in the maternity ward of Maine Medical Center. (Photo by Shawn Patrick Ouellette / Portland Press Herald via Getty Images)

Seventeen years ago, Nina Martin’s sister almost died in childbirth. “I remember the trauma of that experience really, really, really well,” recalled Martin. “The disorientation of it and then also, the silencing of it afterwards.”

Martin is ProPublica’s sexuality and gender reporter, and Martin and NPR special correspondent Renee Montagne recently co-authored the first of several stories on maternal care in America. The first part of the series aired on NPR last week, and the other was published on ProPublica as “The Last Person You’d Expect to Die in Childbirth.”

Over the next several months, Martin and Montagne will release more stories about maternal care in America which will focus on a host of issues surrounding maternal mortality, including racial disparity in care and women with near misses. Every mother has her own story of birth, and all too often these stories go unnoticed, or are buried under platitudes that focus on the health of the baby. Together, Martin and Montagne want to move the conversation back to the mother, and ask why America is the only developed nation where maternal death rates are rising.

Longreads spoke to both journalists about the process of reporting the story, their passion behind the project, and the impact they hope it will have.

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They’re (Almost) All Good Tweets, Brent

Meet the man behind the ratings: Matt Nelson, college sophomore and creator of WeRateDogs. In Esquire, Megan Greenwell traces the evolution of WeRateDogs from spur-of-the-moment joke to data-driven fav-machine and profiles its creator, who’s always been driven to win — whether at golf, Easter egg hunts, or Twitter.

Stories about social-media fame are generally told as stories about happy accidents—an unknown user posts something intended for a few friends, but through some act of providence or alchemy it “goes viral” and turns its creator into a star overnight. That is not the story of WeRateDogs. To Matt Nelson, Twitter has always been a game to be won.

Of course, to Nelson, everything has always been a game to be won. His sister, Amanda, now twenty-two, was the academic star; she graduated this year from the University of Michigan. His brother, Mitchell, now seventeen, was the laid-back one; he just finished his junior year in Charleston, West Virginia, where the Nelsons moved when Matt was eight. Matt, his mother Barbra said, was “the intense one.”

“As a kid, he was very competitive no matter what was going on,” she said. “It could be as simple as Easter-egg hunting, and he wanted to win at all costs. Not every event in your family can be a competition; it doesn’t always go over well with your siblings.”

“If breathing was a competitive sport, it would be his goal to out-breathe everyone,” his dad, Mark, added.

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Chasing the Harvest: ‘If You Want to Die, Stay at the Ranch’

Illustration by José Cruz

Gabriel Thompson | Chasing the Harvest: Migrant Workers in California Agriculture | Voice of Witness / Verso Press | May 2017 | 17 minutes (4,736 words)

The stories of the more than 800,000 men, women, and children working in California’s fields—one third of the nation’s agricultural work force—are rarely heard. The new book Chasing the Harvest compiles the oral histories of some of these farmworkers. Longreads is proud to publish this excerpt about Heraclio Astete, who shared his story with journalist Gabriel Thompson.

***

Heraclio Astete

Age: 62

Occupation: Former sheepherder

Born in: Junín, Peru

Interviewed in: Bakersfield, Kern County

Agricultural Region: Central Valley

 

Along with fruit and vegetable crops, California’s agriculture also includes livestock, from dairy cows and egg-laying hens to hogs and even ostriches. Then there are sheep and lambs—and the unique challenges faced by the workers who care for them. These sheepherders are predominantly temporary guest workers, often called “H-2A workers” after the type of visa they hold.

Theirs is a lonely occupation. Living out of primitive trailers that are dozens of miles from the nearest town, sheepherders can go weeks without seeing another face. It is also the poorest paid job in the country, with some sheepherders still earning around $750 a month; with their long hours of work, that amounts to about a dollar an hour. In a 2000 report by Central California Legal Services, ninety percent of sheepherders reported that they weren’t given a day off over the entire year. When asked about their best experience as a sheepherder in the United States, many responded: “None.”

Like many sheepherders, Heraclio Astete came from Peru, where he grew up caring for flocks of sheep in his hometown. And like many of the workers who responded “None” to the survey, he had a lot of complaints about workplace exploitation. When he suffered a potentially life threatening work-related illness, he decided to do something about it. Read more…

Dorothy Allison on How America Devalues Those Who are ‘Other’

Author Dorothy Allison (AP Photo)

At Lenny, Kaitlyn Greenidge interviews Dorothy Allison, author of Bastard out of Carolina, on growing up poor, finding her voice, overcoming the stigma of poverty, and being a lesbian in Donald Trump’s America.

And then define, what is your own unique story? It’s a struggle for every writer. And to value your story is a struggle for every writer. The problem is, of course, that if you live in a culture that inherently devalues the poor, the working class, the darks, the queer, the other, and you are all those categories, then you are fighting the voice of your culture at the same time that you are fighting all of the other difficulties of developing a voice and telling a story.

It’s a miracle that we ever manage, but my conviction — and I’m old enough to have evidence to support my convictions — is that the best American literature is working-class literature. The strongest voices are those voices, those people who have come out of the poor and the disadvantaged circumstances to claim their right to tell a story. And they tell stories with such passion and brilliance. You don’t have to read far to realize the power of those outlaw voices and how they dominate American literature.

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